Wednesday February 24
Maja:
So I’m married, and that fact makes everything so much harder. When I first got kissed on the porch, the first thought that flew through my mind was, I’m not going to be able to go back. And do I really want to go back to what I have over there? I’ve tried to ignore the fact, and I’m not really ready to take any decision, but I hate even the thought of me cheating. That’s not who I am. Period. So what in the world am I doing? I’m leaving something behind. A marriage. That’s what I have to give up to continue on this path, and I’m not fond of that. It makes me really sad. The only thing I wanted in the beginning was to be myself and make music. And that is leading all the way to this, slowly, slowly but in the end, that’s where all the “you can’t do this” leads to.
But I can’t think too much about this today. I just can’t handle analysing everything that happened. I just know that I’m falling in love. I want to be with Mark, and I really enjoy talking to him, being with him. Right now, that’s everything I want. I just want to be here. Right here, right now. Is that really that bad?
We’re definitely more than friends now, right?
Mark:
We have no choice. We have to acknowledge that we’re in some kind of relationship. Or that we have something. We have no idea what, but there is definitely a something here. But yes, Maja is married and very much just on a break of which she’s vaguely said would be in the region of two months. When I suggest that she can just go back when she’s ready, if that’s what she ultimately decides to do, she says that with all that’s gone on between us just in these past five days, she can’t go back now. So where does that leave anything?
It might seem like there’s been a whole lot of serious analytical chat going on and that would be right. But in between, sometime right in between, there’s been a whole lot of laughter. I’ve laughed with Maja more and harder than I’ve ever laughed with anyone. And by now we’re also starting to realise that we react the same way to a lot of situations. Some of that Maja knows from reading certain Diary episodes. But also, in all kinds of situations we’ve spoken about and been through over the past six weeks or so, professional and very personal. And of course we’re learning a lot about each other within these four walls and under this ceiling. The biggest of these we’re learning about is the many parallels we have in career trajectories and the breakdowns we both had.
I was a journalist and rose very quickly – once I finally made it in. Journalism is ridiculously hard to break into, to the point that it starts to actually seem impossible. And indeed, most people do give up. I didn’t, although I didn’t get my first break until I had just turned 23. But within a year I had doubled my starting salary, and before I turned 25 I was a magazine editor and foreign correspondent. I carried on for quite a few more years, continuing to progress and loving it loving it loving it. Then, as I approached 30, I realised I was declining physically and mentally on the job until I just simply couldn’t function anymore. A low point came when I was called into a management meeting – really. Me, two editors and an executive – and told in a diplomatic roundabout way that I was slacking and letting myself and the team down. What I kinda remember them actually saying was that if I had some idea of what would work best for me and if readers really liked it, then they would pay me more. The other side of that coin was the hint that what I was currently doing wasn’t worth what they were paying me. I think this could be called a professional intervention. A few weeks later, I was done and out of the media game.
Maja:
It’s interesting to get to know a little bit more about the Mark from before his diaries, and he shares many stories which I listen to intensely. I can’t help but discover a lot of similarities between our professional lives. What’s extremely telling is that we both entered very highly advanced fields, worked and thrived there for years until we ran face first deep into the wall. We both know how it feels to have our head a foot length deep into the wall, not knowing that it was there, and then the inevitable crash that comes afterwards. You don’t realise when you’re well past the point of no return. At least we never did. You go forward, doing everything you used to do, perhaps adding a lot of training to take care of yourself because you notice that you need something. But apart from that, completely oblivious of the damage your stressed out lifestyle is inflicting you.
Mark:
Oh yes. The training thing. When I first realised I was deep tired, I was already training twice a week with a semi professional rugby team, plus playing in their third team. But my response to being tired? Not cut back on training. No. It was just obvious to me that I was tired because I wasn’t fit enough. So the response – more training. Maja laughs quite bitterly when I mention this.
Maja:
I never knew until it was too late. Neither did he. I continued to work, train, do band rehearsals and meet friends, because that’s what you’re supposed to do. I planned every minute of my time, trained 11 hours a week, band rehearsal maybe 7 to 10 hours a week and I was home after 10 pm almost every day and out around 7 am. All the time. I was emotionally available to anyone needing to talk, and took good care about everything. On top of all this I always did my absolute best at work, and had a top salary for my age, with huge responsibilities and a good reputation.
It’s special to talk about this with someone that experienced the same things, albeit in a slightly different way. For him this was years ago, and he found his way forward through yoga and music. He never returned to journalism. For me, this is right here and right now.
I’m still stumbling.
Mark:
I hear today that the big story in the Diaries that really resonated with Maja, and which confirmed her thought once and for all that we shared very similar wavelengths, was the day me and Paul rescued the young girl who was lost, desperate and on the verge of being homeless at Euston Station, one of the very last places in London you would want to be a young girl who is lost, desperate and on the verge of being homeless. As she read that, she realised that she would have acted the same way as I did pretty much from the beginning to the end of the episode. That is, I was initially cynical yet open minded, which gave way to acceptance, openness and help, and then I stayed with her with Paul until it was just me and her for the last hour or so until I finally saw on a train to the house of a relative of hers who I’d been in communication with since the first few minutes of the encounter.
Maja:
For me this story proved an important judgement of character. I actually have a similar story, helping an eight month pregnant lady asking people for help in a supermarket. I still think of her at times, wondering how she’s doing. I hope she’s well. I can’t remember the exact circumstances but she’d been at a house viewing, forgot her wallet somewhere so she couldn’t take the train home to another town, her phone ran out of battery and she was hungry. I was sceptical at first, but then realised her situation, we got into my car and drove home, and I gave her some leftovers from the night before, let her rest and charge her phone and gave her money for the train. She was immensely grateful, and I felt a little bit guilty for not believing her at once. Everyone she asked looked the other way. I was also so sceptical I was almost not helping her. I’m really glad I did though. So reading this story about Mark, really made me feel like he reacted in the same way as me. It felt honest, but not riskful. Wise in a way. This little story he posted ages ago, made me feel a little bit like this is a nice guy. Probably trustworthy.
Mark:
Since Maja arrived, we haven’t left the tiny room together for any sustained period of time. Most of it has been spent in there with just bathroom and shower breaks, punctuated only by trips to the kitchen for food. But even there, eating has been ridiculously sporadic and mostly still taken place in the bedroom. The weather hasn’t been great to be fair, but it’s sunny today and Maja really wants us both to go out and sit in the sun. So out we go and join Sam, who Maja joyously chats with. There have been one or two chats with Sam and Cris and when it’s been one on one with Maja and one of those guys, I’ve pretty much stayed out of it, allowing them to get to know each other without my input. I’ve spoken enough to all of them. It’s the same now as we lie back in the deckchairs and take in the February sun. This is something Maja is really having a wonderfully tough time to process. February sun. Back in Sweden they’re still up to their waists in snow and battling temperatures touching minus double figures. Now, here she is wearing sunglasses and the bare minimum of clothes, reclining in what she was jokingly referring to last week as tropical London. Well today it really is something of a dictionary definition of tropical as far as anyone in Sweden would be concerned.
Cris joins us now and it’s clear that him and Sam have been starting to come to the same conclusions the two of us have been coming to, with Cris revelling in jokes about the lovebirds. At this, me and Maja just look at each other and laugh. The whole scene gives way to a really warm garden hang with us providing the tunes from Maja’s phone for an early summer soundtrack.
Maja:
It’s been nice hanging out with Sam and Cris a little bit as well. I like them both, they’re great. I don’t think Sam is out to be good friends, with him a feel more of a nice flatmate vibe. Which is very nice as well. I’m a bit more curious about Cris, who is the singer of one of the bands Mark plays with at times -The Wild Child. He is teasing us a little bit, calling us birdy birds. But he is rarely at home, and I look forward to getting to know him better at a later stage.
Mark:
Inspired by the music, when we’re left alone, Maja turns the conversation round to basses and suggests we start looking at what she could buy. For the first time, we’re looking at the same screen as Maja starts thinking about what her next bass could look like. Then she surprises me by asking, ‘What kind of bass would you like to play? I’m now thinking of buying two.’ Her reasoning is that if this is the case, she might as well buy at least one I’d really like to play. I’m good with just my Washburn to be fair, but I’m happy to give my input here and start to think about something I would also like to work with.
It takes a while, but we finally settle on a Lakland and a Sadowsky and both pretty much mid to top of the range. Of course we’ve not been able to try either out, but they look beautiful, very classy, and it goes without saying that the actual quality of them will be right up there with the best. Will they be nice to play? Impossible to say but I’m sure we’ll get used to whatever little differences we find. Maja hits the buy button with complete confidence. With names like these, you really can’t go wrong. Worst case, she reasons, if she doesn’t like one, she’ll at least like the other. Then I can make myself like the other one.
Maja:
Before I was going to England, I played a lot of bass and was just starting to get serious with it, so I decided that I would buy one to have while I was here. I had kind of decided on a decent budget for this already. Since last autumn I’ve been eyeing the Fender professional II J bass. I played it in the music store, and it was just something else. So I thought that I could use the money for that bass to buy something in London instead and bring that one back with me later.
So we start to look at music shops, and I realise that instead of buying one bass, I can afford two decent basses, so I could just buy one that Mark would like to play as well. Maybe. Looking around I find a Shadowsky and a Lakland that look really nice, so I decide to go for both. Since I can’t test them in the store because of covid, I could at least send one of them back if I’m unlucky. But they are great brands, so I’m sure it’ll be fine.
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