Day 117
Monday April 17
I go for a local hustle round Shoreditch today which begins with a few underwhelming reactions. The most surprising and disappointing comes from a bar I thought would have been a good, soft start because it advertises a comedy night. When we see stuff like this we associate it with a bar, or a bar manager, which is proactive and open to ideas, or at least live entertainment. Maybe this person really will get back to me like they say, and I’ve just caught them a little preoccupied in their total indifference, but I leave thinking, ‘Why does this have to be so hard?’ But just carry on. Forget the last one and just keep going. We’ve had far worse rejections to be fair, but this one is just
so benignly dispiriting. Like, what? ‘You didn’t even want to engage? Not even a little bit?’
From here I walk to Hoxton Square and a bar called The Red Dog Saloon. There, I am met by manager Adrian who definitely does engage. Then his reaction is along the lines of, free live music? For 20 minutes or so? What’s not to like? Sure. Come and do your thing. We settle on this Saturday. He even asks if we could do the following Saturday as well. If it works, of course. Damn. I can’t believe it. I’ve got us a Saturday gig in Shoreditch. And not only that, a possible repeat show. And who knows what after that? A regular Saturday in the heart of Shoreditch maybe? Why not? This really is just too cool. Once again, like we’ve experienced so many times, this hustling thing can feel like an impossible task and then it suddenly becomes the easiest job in the world. Catch the right person at the right time and it’s all, of course. Come on in. Sometimes you don’t even get to finish the pitch. You can just feel them straining to interrupt and say yes. Adrian really feels like one of those right people. He just seems to get it.
There is a brief chat before he completely opens the doos. This is where he asks a few fair enough questions including, ‘How many people do you think you can bring?’ My answer is immediate and I totally own it and stand behind it. ‘Probably no-one. But that’s not what this is about. We just want to use your bar and your customers.’ He actually nods smiles at this. A reaction I like to think means he appreciates the forthrightness of the answer. In context, and he gets this too, I’m saying we’ll give you a short free show on the back of almost a hundred gigs and two European tours of experience. This next part of the pitch has been expanded here a little for you. We’re not even massively that bothered about money in the hat anymore; we will still do it just to make the point that what we’re doing has value, and it’s nice when it comes back that we do, but anyone can decide what that value is. But from now, we’re really going to feel the bars out and bring the hat out if we feel it’s appropriate. And anyway, places and people are becoming more and more cashless. But hey, there’s always the Paypal donate button on our site. However, money or no money, these shows do have definite, solid value for us. You know that old cliche about gigs being offered for ‘exposure’, well for us it really is like that right now, at least for these gigs we’re arranging ourselves; they’re all about building our brand as they put us in front of new audiences. We also feel we’re taking our songs direct to the market. People who might hear us, and maybe even come to see us once we’re on the radio, or maybe have some sort of bigger profile. However, those people will not be seeing us in a dedicated music venue, or on some cool lineup. But they are seeing us now. To take this even a stage or two further, and to the idea we had right at the beginning, at this stage we’re often playing to people who don’t go and see live original music at all. Certainly not unknown live acts. So yeah, we really are going to completely new territories. This can be evidenced in much of the reaction we had when we first stated these intentions. Reactions that, while coming from a caring place, sometimes strayed into borderline verbally aggressive territory. ‘I am telling you. Do. Not. Do. This.’ And other people actually using the word beg. ‘I am begging you not to do this.’ Well guess what, we’ve done it almost a hundred times now. All over Europe. And now we’re doing it in London.
By the very fact that we’re playing even just a few songs in a bar, as well as being seen and heard, we have the opportunity to give out our cards and beer mats – and, when we have it, maybe sell merch with permission. We’re also able talk to new people and personally introduce The Diaries. That is the act, the website, and the very Diaries themselves. Then afterwards, if we get a person or two wanting to chat and know more, which we often do, bring it on. If we can gather up just one fan at a time along the way, that’s a fan who is now on our side and who will be out there spreading the word. That might be person to person, or person to a few people. There really is no more powerful message or advertising than that. There’s the value right there. Also, by taking ourselves out there again and again like this, we continue to socialise in a highly active and targeted way, and increase the chances of a personal meeting or introduction to a person, or people, who would like to get involved to try to take this to other levels. And it’s only three or four songs or 20 minutes or so anyway. It’s not like we’re giving a whole evening away. Meaning we don’t have to give that much of ourselves, and we’re not taking gigs away from those who play bars to pay their way. This could all be the very definition of direct marketing.
As for that ‘how many people can you bring’ question, which Adrian was totally right to ask, we have thoughts there too. Really, at this stage of the game, it means how many mates or supportive family members do you have. Because sure, I could say 50 people, book a show and bring 50 people. Great. We’ve played to our audience and they’ve all spent money at the bar and made it worth everyone’s while. But have they really? When, in all good will and support, do you think those 50 people will come and see us again? They’ve done their thing, they’ve supported us, they’ve taken the time to see our show and, I’m sure, had a lovely enjoyable evening. Will they come out again if we get a show tomorrow? Next week? Two weeks’ time? Realistically, you’re looking at another six months before you can excite enough of your mates to make this ‘worthwhile’ again. Three if you’re lucky. But even then, will they come again the time after that? So no. That model doesn’t work to build an act either. It just gives you a one-off hit in a venue, and maybe an ego trip as you can pretend to be a rockstar to an adoring crowd for a night. One night. Good luck getting out regularly and building a name and a brand with that.
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