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Month: November 2024

The London Diary: Camden, day 498

Day 498

Friday November 15

I’ve got a really cool route planned today for us to have a good look at Madrid. And at the end of that, something even cooler. Maja’s going to meet Rick for the first time today, and I’m going to see him for the first time in ten years. He’s been a huge supporter and champion of ours from the very beginning. Right from when we got together, and then right from when we first said we were going to have a proper go at this music thing. Maja’s chatted to him on the phone quite a lot and we all share a pretty constant stream of voice memos as he asks how we’re getting on and about any latest developments. 

The walk I have planned to show Maja a good compact chunk of the city is a really great circle, and when Rick suggests we meet at Opera in mid afternoon, which is pretty much just at the end of my walk before doubling back to complete the circle, it all falls into place perfectly. First, the planned route. I really think it’s the kind of walk only local knowledge could provide.

From the hostel on Calle Ballesta out onto and across Gran Via. Down Calle de la Montera to the first landmark of Sol, Madrid’s great open square. From Sol down Calle Mayor to Plaza Mayor. Every Spanish city has a Plaza Mayor, with Madrid’s example being one of the most spectacular and historic parts of the city. We’ll leave Plaza Mayor through its diagonal and opposite corner from where we entered to go down Calle Toledo and come to Cava Baja, Madrid’s famous tapas bar street. At the end of this is La Latina, one of Madrid’s main party districts and possibly its closest resemblance to Camden. This will see us take in Mercado Cebada – a spectacular indoor market – then walk towards one of Madrid’s most spectacular churches, the hugely domed Royal Basilica of Saint Francis. This stands right at the end of Calle San Buenaventura, a street containing just one apartment block in which I used to live, so we’ll be seeing another of my old places, which means that that Mercado Cebada thing used to be somewhere I just popped into for some shopping on my way home. From here we’ll go through a lovely old park before coming to the incredible and scary bridge that is part of Calle Bailen. That will take us over to the Royal Palace and great views over Casa de Campo, Madrid’s natural park. Continue past the palace and you’re into Plaza de Espana, a centrepiece of the streets of the city. From here it’s a double back onto Gran Via, the bottom of the street from where we started as we crossed to Montera up at the far end. But instead of going up Gran Via we’ll be taking the right of a fork in the road to slip behind the main street and into some of the backstreets to make our way to Opera. Which is where we have planned to meet Rick.  

It all works out perfectly with some great pictures along the way, especially in the famous Plaza Mayor. Then I start to get into some serious memory lane territory. A big part of this spectacular walk used to be one of the routes I would take home after one of my teaching jobs as I would often choose to get off at Sol to do that very walk through Sol, Calle Mayor then Plaza Mayor and then the whole thing through La Latina to home. It is seriously emotional to be back here as I get hit by waves of nostalgia I really hadn’t been expecting. Then we hit La Latina and I take Maja to the Mercado Cebada. Well, the second she enters that her jaw just hits the floor and she wants to go in and see everything. It really is a great scene as you enter at street level, but so much of the market is on the floor below down an immediate set of stairs, so you really can take a whole lot of it in from here. And it’s a whole array of incredible fruit, veg, fish and meat stalls with so many other things in between. So in we go and get between it all as I once again pass by stalls I used to use all the time. There’s a feature in here I don’t remember, but they must have been here, and that’s that there are loads of little bars in here. Maja gets a mad idea. Oh, let’s come here one night and just go round all these bars. But when I ask one of them, the owner says that the whole place closes at six every evening and that of course means the bars too. Oh yeah. This happens in Spanish. Maja is hearing me speak Spanish now for kinda the first time – she once heard me speak a tiny amount with an Argentinian guy the time we took a day trip to Elephant and Castle, all the way back before we even moved to Ireland. Now in Madrid again, I’m surprised at how much it’s coming back. Like even in my mind when a phrase or a sentence pops up and I think, could I say that in Spanish? And I discover that yes, I can. I did work on refreshing it at home before coming here, mostly while Maja was away in Sweden for a while and I got stuck back into the, sorry, ridiculous robbery drama Money Heist. I loved the first two seasons, the ones that made it a global phenomenon, but it did get silly didn’t it? Still, it’s fun and it’s Spanish so it was great to help me try to get my head back into the language again after almost ten years without using it. Well, barely using it. I very gratifyingly had Gary Lineker no less confirm this recently when I was listening to one of his The Rest Is Football podcasts. In that he spoke about trying to use his Spanish but would find that only English came back from the person he was talking to so he gave up. I’ve experienced something very similar since leaving Madrid and encountering Spanish people in day to day life. You try, you’re thrilled to be able to say, hey look, I can speak your language, then there’s a crushing disappointment as it’s not even acknowledged that you’ve just spoken Spanish and all that comes back is English. Yeah. Sorry to say that I did give up on keeping up with my Spanish after leaving Madrid after a few such experiences in London. So I’m massively pleasantly surprised to discover here that it’s still in something of a decent shape. Far more than I’ve been thinking it would have been. 

All this is to say that we now go proper deep into the market to places I never visited in here before. With that we find an empanada bar. An empanada is a kind of Spanish pie which uses bread dough instead of pastry, and it all gets baked to produce a wonderfully crunchy finish. We have come to Museo de la Empanada. Here we get (or more accurately I get) chatting to the owner and master empanada maker Valdemo. We also chat to a customer who’s sitting there with us called Reggie. He speaks great English so Maja’s all good there. This is the first time Maja’s ever heard me really get into a proper Spanish conversation. Funny enough, Valdemo tells us he’ll be in London in the next few weeks as he often goes over and stays in Elephant and Castle. As we saw, the first place Maja heard my speak any kind of Spanish at all. We introduce ourselves properly to him and Reggie as The Diaries and Valdemo says he’ll be sure to come and visit us in Camden next time he’s in London. So maybe he will. Wow. Making Madrid friends out and about on the street. Now onto his empanadas – one chicken one beef seeing as you were asking – and we get stuck in. He makes them himself and they are simply the best empanadas I’ve ever had. Nothing comes close. And what a wonderful setting in which to enjoy them. You can kind of think of this place as being like an open bar but for eating rather than drinking. So yeah, all four of us just hang out for a while.

After we leave, we continue having a bit of a look around the market and then we’re back out on the street and soon onto another literal memory lane as we pass another of my old apartments, in building number seven, Calle San Buenaventura. It’s from this apartment that I packed up my life and bass one day and began the journey to move to London. All there in Mark’s Diaries – marksdiaries.wordpress.com. So yeah it really does feel quite emotional when we walk down the street and there I am, right in front of the main entrance again.

Right. A little walk taking in the very local area, including some fantastic concrete benches which look out over a steep drop across which you can see the palace and Casa de Campo. It’s to that palace we begin the walk now, first going across the super high bridge of Calle Bailen which looks down over the road of Calle Segovia. And here we are now in front of the Royal Palace and in front of the spectacular gardens of Plaza del Oriente, one of my favourite little zones of Madrid. We take a while to stop here and walk around the side of the palace from where we can see into the courtyard and all the people taking the palace tour. At the end of this little cul de sac, we again get a great view of Casa de Campo and the fountain that shoots a single shot high into the sky from the boating lake. The thing can be seen from all over the city, often poking up into the skyline and visible from all kinds of surprising places. 

Now we go down and skirt Plaza de Espana – that and beyond it will be a trip for another day – and do the double back thing to walk to Opera, pretty much perfectly in time. We’re just generally milling about in the wide open square when I get a tap on the shoulder. I turn around and there’s Rick. Damn. Maja, Rick, Rick, Maja. And Rick’s young son who was born just after I left Madrid, so is himself ten years old. But I’m going to mostly leave him out of any account purely on the grounds of privacy. Right, this is big. Our first time together again in ten years and the first time Rick and Maja have actually properly met. Rick’s first impression – he didn’t realise she was so tall. Fair enough. My theories on the use of measuring tape have always leaned towards the economical so I guess one could assume that Maja might at least be a bit more on my side of the page regarding that. But no.

After this it’s just an afternoon filled with joyous catching ups, reminiscences and getting you know you-es. Along the way, Rick continues the theme of the day of showing Maja around as we gently meander these historic streets. From here we make a leisurely beeline for Plaza Mayor and Madrid’s famous calamari bocadillo bar. A bocadillo is a sandwich made using a baguette, or French bread. Spanish friends often generated much hilarity from my insistence that the English translation of the wonderfully efficient Spanish word of bocadillo was French bread sandwich. Oh, and calamari incase you didn’t know is breaded deep fried squid rings. One of my absolute favourite things when I lived in Madrid. Often not quite done as well in England for some reason, although that has improved. I never used this shop when I lived here, mostly because the queue outside it was always enormous. But hey, that’s gotta tell you something, right? They were always also ridiculously cheap at just €2 each. Oh wow. So it’s [control] [alt] 4 to get the Euro sign. I’ve literally only just worked out and learned that. I’ve always seen the Euro sign on the 4 underneath the dollar sign on the 4. Just never really tried to figure out how to actually get it.

So yeah. These squid ring things. Quite brilliant and we go and settle ourselves just outside the Mercado de San Miguel. Where Mercado de Cebada was the very neirbourhoody locals market, Mercado de San Miguel is pure tourist trap territory. Everything super luxurious looking and everything super expensive. Where Cebada offers beer, empanadas, and the best freshly ground beef mince I’ve ever encountered, San Miguel is all prosecco, oysters and fancy cakes. And where we had the run of Cebada pretty much to ourselves, this is full on dramatic atmosphere. A really quite exhilarating and fascinating place to experience and see, but it’s fair to say we don’t stop and attempt the weekly shop. But really great for Maja to be able to add this to her been there done that Madrid checklist. 

We wander round for a little while longer, just taking in the Madrid sights and sounds, then we head to a bar Rick knows very well in Callao, so we get to sit outside and have a beer and a little food right on the junction of Callao and Gran Via. Another great spot from which to take things in. This is a lovely calm sit down now and Rick has to head off after 40 minutes or so. It’s been just amazing to see him again and to see him and Maja chatting and we make tentative plans to get together again on Monday. But no, unfortunately that doesn’t happen. But as we say goodbye now, we do it like we’ll assume Monday won’t happen. So yeah. I’m really glad we weren’t just like, ‘Great to see you, catch you again in a few days.’ So maybe next time we see Rick it might just be in London. He might even make it to a show. Fast forwarding(ish). If we were to catch up again on Monday, we had even more tentative plans to try a little early evening Now Hustle which Rick could maybe have come along on. But once it’s clear he’s not going to be able to make it, we totally forget about trying to play on Monday and just have another Madrid day out before it’s time for the Frank Turner show, the whole purpose for this trip in the first place.

I really should mention Rick’s Youtube channel now. Rick Meets World. This is where he takes you round various cities he visits, exploring a different aspects of tourism, lifestyle and culture in each video. He started off doing a series of videos on Madrid and through this has recommended a bunch of bars and restaurants.He’s a wonderfully laid back and highly proactive presenter and I really suggest going and checking his videos out. Two of his stand out tapas bars in Madrid are a bar offering what he suggests could be the best tapas in Madrid and another one offering the biggest portions of tapas in Madrid. We plan on visiting both of them, starting now with Casa del Abuelo The other, El Tigre, will be visited on another day. On the way we pass through the busy pedestrian intersection of Callao and Gran Via.

Right. I have absolutely no idea why or how this next thing happens. Me and Maja are just passing Callao metro station and stop to get our bearings a little. We’re heading to Sol where we will find Casa del Abuelo and, for alternatives of afters, all kinds of interesting side streets. As we’re standing here contemplating, a guy comes up and says hello with total confidence and purpose. It seems quite innocent, which isn’t always the case with random stranger approaches, at least in most cities, and at least when not immediately accompanied by requests for directions of some sort. I can only think Maja somewhat stands out, even on Madrid’s busiest pedestrian junction, because the guy saying hi to us is soon joined by his friend. Before I know what’s happening, the four of us are just chatting and it’s come out that yes we’re here on holiday, while I lived here around ten years ago. I thought this was going to make more sense when I started writing it, but no. I think I’m still as confused as you are. OK. So, the guy who’s first said hello is called Fede, and his friend is David. Fede’s a former TV presenter who is also a film maker and actor, while David is an actor. It appears they’re standing on this bustling corner keeping an eye out for interesting looking people to film. For what, we still have no idea. While we’re chatting, the reason for our visit comes up, as does the fact that we are also performers and managed to play last night. With this, Fede’s already quite warm interest really perks up and he asks if he could film us performing a song here. What? Here? What? Right now? We don’t even have a guitar with us. No matter. Can we do it? We’ve done it before and we know we can. With that, he turns round and picks up a small but very professional looking video camera setup. We see now that this has been lying among a bunch of other equipment which has all been stored next to a street kiosk. It’s now that we meet the third person in the group, Albert, the guy who runs the kiosk. OK. Now we have a Madrid street friend to say hello to while we’re out and about.

Now Fede turns back to us and asks what we’re going to do. Me and Maja look at each other. ‘Weather?’ That would be Talk About The Weather. Sure. Why not. I can’t remember if we wrote about this at the time, I don’t think we did, but worth the recap of the nightcap. The time we went from The Trap in Clara to the house of some friends, also without a guitar that particular night, and after a few (more) drinks got asked if we could play a song or two. We did and it kinda worked. At least for the vibe in the room. So yeah. We’re going to give that a go again. Except this time in early evening, peak rush hour in the centre of central Madrid. To be filmed by who knows who for who knows what. To be fair, we’re feeling pretty comfortable with Fede and David by now. But apart from being right on this busy pedestrian intersection, we’re also right by the metro exit with extra streams of people smashing by us every few seconds. Within all this, with Fede pointing the camera, we just go for it. I count in and Maja’s off. This song is perfect for this setting. A fast energetic rap verse into a pretty big pre chorus into a huge chorus. It has a massive singalong clapalong mid section and an enormous outro. Perfect for a capella exploding into the middle of a public street. The only minor problem is that I went so hard for vocals last night, and then was talking all night in a pretty loud bar on top of it all, that my singing voice is pretty much non existent. I have no range. Zero. I try to hit something and all that happens is a horrible squeak. So I mostly leave Maja to it, but then I’m just bouncing around contributing little to nothing, or maybe even less than that. Better not to be in it at all. But then that leaves Maja just singing to the air on her own. And it’s not like we had a chance to think or talk about this, or even know that little aspect of it was going to happen. So we just smash on through. I think it goes well. It’s fun. It’s epic. It’s so so random. We have no idea how it happened, and what a way to introduce yourself to a city. And the guys react fantastically when we (well, one of us at least) soars up to the last climactic, triumphant note of the song. Oh, Maja hits that well. What rock star balls to stand in the middle of a busy street and just roar that to the sky. Well, we’ve done it. And apparently it will all be available on a screen near us soon. After all that we enthusiastically swap cards with Fede and David and promise to check each other out online in the coming days.

At the time of writing – January, about two months later – there’s still no sign of it being up anywhere although we have had a little online chat since then for a hello. Maybe he’s just not got round to it, or maybe my excuse at an attempt for vocals just showered over the whole thing and it’s unusable. But wherever it is and whatever it looks and sounds like, it was a great experience and gave us the chance to perform in just the most amazing setting under the most unexpected of circumstances. And it was an amazing impromptu street encounter. And we’re totally counting that as a performance in Madrid. Yes, it’s going on our gig guide.

Having said a wonderful goodbye to them and left them to look for their next mini project, we make our way towards Sol and into the labyrinth of streets around it. I lived in Madrid for six years, very close to here, came here quite a lot, and it’s completely slipped my memory how many bars this place has, and how concentrated they all are. It’s all little tiny streets but with one bar after another all next door to each other and then more right across the narrow road. But we’re on a mission and making a beeline for Casa del Abuelo. Maja wants her pimientos padrones. While we’ve been here we’ve either been unlucky or Madrid is currently going through its great pimiento padrones shortage. We just haven’t been able to find anyone who does them. And when we have found them on a menu, we’ve been told, sorry. Not today. So we have a very specific criteria. When we get to Rick’s place, we discover it’s got a very specific and specialised menu. It looks brilliant, but we’re on a specific mission of our own. Never mind, they have another place right across the street so we go and check that out. It’s not the exact bar Rick featured on his channel, but it seems to have the same high, exacting standards. In a word, success. We’ve finally found what we’re looking for and it’s game on as we are delivered a huge plate of Madrid’s finest pimientos padrones. Adorned with huge sparkling salt crystals and pan fried to the absolute zenith of perfection. We have arrived.

While we’re sitting here my phone pings and it’s a message from Rich, the host from last night. He’s just had a thought to mention another open mic to me, this one in a place called El Pez Gato on Calle Pez, Malasana. Oh wow. I know Calle Pez. Turn left out of my old place and it’s the next street after the crossroads at the end. Go to the end of that – it’s a long enough street – and you’re at El Pez Gato. Which translates as The Fish Cat. No. I have no idea. But thanks a lot for that Rich. I get straight back and tell him we’ll check it out.

After this fantastic pit stop, we have a plan for the evening. Maja wants to see a flamenco show. In all the time I was here I never went and never felt the urge to. And if I’d thought of it during this trip, it’s not an activity I would have suggested. Sorry, I just don’t get it. You know. Musical genres. Some of them just don’t quite get your boat across the pond do they? This is definitely one of them for me. The style of guitar, the type of singing, the whole flowing dancing thing in front of it. I’ve always been able to respect it and damn some of the techniques on display are impressive. But sorry, but no. But we’re in Spain, home of Flamenco, and Maja really thinks we should see what it’s all about. It’s origins are in southern Spain rather than Madrid, which is completely central, but it’s still a huge deal here. I’ll say this now. It’s only after tonight that I suddenly start to spot just how many flamenco bars there are in this city. Damn. The place is full of them. I genuinely had no idea.

Right. You have, have, have to go to a flamenco show. Oh wow. I had no idea. Maja neither, really. What an amazing experience. Who knew? It really is that whole thing about you just don’t know until you go. Hear it on the radio, see it on TV. No. Not for me. And it really hasn’t been, and I still wouldn’t go and seek it out like that. But being there. Oh. Just wow. Incredible. I have experienced this kind of before. With bands that just weren’t for me. But you find yourself at a show, they’re on the line up and you think, oh well. I might as well. Then they come on and you’re like, ohhh. I get it. Even to the point of being something of a fan afterwards. Well this is what happens between me and flamenco tonight through the ten small shows featuring solo dancers, male and female, and at least one changeover of the backline of musicians. It was very much more Maja’s idea to go and she was a bit more up for it, but even so. She got taken by surprise too. Even the music that I’d never got my head round completely turns me. But the marriage between that and the dancers. Oh, I am totally sold on that. Captivating and exhilarating. It’s almost the same feeling you get when you witness a great sporting encounter which just leaves you breathless and overcome with excitement at what you’ve just seen. We emerge delightedly onto the street wondering what more this day could possibly have in store for us. Let’s go find a bar.

For this I suggest our next destination should be Chueca, the exciting creative district behind Gran Via. That’s just a short walk from here so we head off in that general direction. Chueca is more a direction to walk in. If we find something that really appeals between now and there we’ll head in. Otherwise…we arrive in Chueca, wander round for a while and then we find it. Oh wow. How can we not? I’m sure you know what it’s like. That option paralysis when you’re so overwhelmed by choice you can’t choose anything. Well, this is the opposite of that. The bar we’ve just totally randomly come across is called CBGB. CB actual GB. And yes it’s a punk rock bar. And yes it’s named after the legendary home of punk of the same name in New York. But really, a lot of seriously ingenious creativity has gone into naming this bar. It has a secondary name of La Buena Cerveza – literally the good beer, which comes from the words its used to be able to appropriate the synonym: Craft Beer, Good Beer. Wow. Yep. Genius. But yes, it really is a punk rock bar and yes, its owner really is a fan of the original and inspired by its sentiments and ethos. Please may we introduce you to Nacho, the owner and founder. 

We settle at the bar and immediately feel at home as we chat to Nacho about music in general and the fantastic bar he has here. He is indeed a devotee and even made it to the legendary CBGB in New York before it closed down in 2006. When we tell him about our own music, we give him the description we’ve really solidified on in the past few months. Rockpop with a punk attitude and an 80s vibe. With that, he says he would love to hear it. Could we give him a link. We tell him how to find us on Spotify and before we know it he’s replaced the music in the bar with our own latest track How You Rock’n’Roll. He loves it immediately and ripples also go round the bar. It’s only sparsely populated right now. About five or six other people in this longish room, and a few others out back. But they’re all getting into it and are thrilled when we turn round and announce that this is us they’re hearing right now. One or two people are skeptical, but Maja just starts singing along and they realise, oh, this is true. Attitudes suddenly change and faces light up. Our sound fills the bar and Nacho is really loving it. The song finishes and we think, right, that’s that. Thankyou very much. But no. Here comes Rock’n’Roll Tree. While this is playing, without a word, Nacho takes one of our stickers, goes outside and puts it on front door. Again, wow. Our sticker is now out on the street on CBGB in Madrid, put there by the very owner himself as our music played in his bar.

When Rock’n’Roll Tree is over, we thank Nacho profusely and also, almost as profusely, insists that he stops now because we know what’s coming up next. Insanity. Our most gentle song by far, and probably not quite what you want in a rocking punk bar on a Friday night. But he wants to keep listening. OK. We’re sure he’ll listen to a few bars, say thankyou and return to the air shattering punk that was playing when we came in. 

But no. He says he loves this one too and wants to keep it on. Well, what can we do, but sit there and just enjoy it as the calming arpeggiated acoustic guitar and two bass song caresses the atmosphere? When it’s over we know what’s coming up after this one and insist strongly, no, beg, that he really does turn it off now. No. He sees that there’s more to come and he wants to keep listening. Now we’re really apprehensive and are almost trying to sit low in our bar stools as The NOW Hustle EP comes on. 

Right. The NOW Hustle EP. 

This was supposed to be a thing. So much so that for quite a while we had plans to produce it as a vinyl release. To be fair, it is still actually a thing because it is up on Spotify.

Recorded at The Canal Turn, Ballymahon, county Longford, this was our second to last show before leaving Ireland to come to London. It was also one of our rare scheduled shows which meant we played much more than usual; ten songs, eight of which were actually recorded after we forgot to record the first two. Five made the cut for the EP. These were, in order of appearance, I Like You (Better When You’re Naked), Six Sense Lover, Make Me Shine, Rock’n’Roll Tree and How You Rock’n’Roll. That night we also played Beanie Love, Give Me The World, Fire, The Cat and A Thousand Doors. 

A few months after arriving in London we first listened to the full show and were like, oh wow, this is such a good performance we should put it out. As with any show we record, we had only used a phone, so the sound quality wasn’t great. So we spent a good deal of time EQ-ing and generally processing the one-track recording as best we could. Still, we are no modern day George Martins, and, come on, it was recorded on a phone with no thoughts of release at the time. When the moment came and we were about to lay the money down to commit it to vinyl, we suddenly realised, no, we can’t do it. It’s just not at that level. One of the reasons being we just hadn’t been able to get the vocals high enough in the mix. That didn’t stop us putting it up on Spotify, as a curiosity more than anything. We did once try to play it in a pub but I don’t think we even made it to a first chorus before admitting, OK, it just doesn’t work. At. All.

Now we realise it’s about to come on in here. 

I Like You (Better When You’re Naked) begins. It’s a fine performance and very much a live favourite. But it sounds so thin sitting next to the studio tracks we’ve just been listening to. We’re convinced it’s all about to be turned off and are getting ready to say, I told you so. But immediately Nacho declares, I really like it. What? This truly is someone who knows how to listen to music and understands what he’s listening to. He has the apparent ability to cut right through the bad, terrible, recording quality and drill down to the essence of the actual song and performance. I guess you have to do a lot of that in punk world, especially going right back to the early days when songs hit like killer live, but recordings could often be rudimentary and then played back on equipment that was yet more rudimentary still. It’s a theory. But whatever’s at play here, Nacho is entranced, looking over to us and giving knowing complimentary nods. All we can do is sit there in disbelief as he continues to play the full thing before finally returning to his own play list. As he does, he declares that he really enjoyed that. Oh wow. The boss of CBGB in Madrid approves of The Diaries and has just made the emphatic point of playing our entire playlist in public in his bar, including The NOW Hustle EP. This is the highest endorsement we have ever received. In fact, I’m not sure endorsements or credentials come much higher. 

But now a really mad endorsement happens. A girl comes up to Maja and is, the only word for it is, starstruck. She sits down and really, really, can’t believe she’s speaking to the singer of those songs. We’re taken a bit aback and can only think this girl is convinced they’re famous songs and this girl sitting at the bar – Maja – must be an actual rockstar.

While this is going on, Nacho asks me if we could maybe play here on Monday. He thinks it will be too packed for us to fit in over the weekend, but with us leaving on Tuesday, maybe we could manage just before then. Of course we would love to, but Monday is the day of the Frank Turner show and the very reason we’ve come to Madrid in the first place. Oh well. That would have been fun.

Right. Let’s take a moment to take in what’s just happened here, apart from Maja having an encounter with a star struck instant fan. We are talking about a situation where we couldn’t stop our music being played by a punk aficionado in a bar we’ve never been to before. Again, endorsements don’t come much higher.

The London Diary: Camden, day 499

Day 499

Saturday November 16

Weekend and Monday is Frank’s show. So the plan is to take one day ‘off’ and give one day over to Now Hustling. We decided to do the hustle thing today. Basically because you never know how these things are going to go and we thought we’d take the day ‘off’ tomorrow for more touristy things, with this done rather than still hanging over us. But yeah, there is still most of Monday with the show of course not until the evening. We have mild plans to Now Hustle that day too.


As for today, we have a simple starter for ten. I think. There’s a smallish English bar called J & J. Lovely one room lounge bar upstairs with a whole bookshop thing downstairs. A place I very much used to be a regular of. I remember this place as being quite easy going, full of a music friendly crowd, and I may well know one or two of the people involved in running it. And if they’re not up for it for any reason, it will still be lovely to say hello and maybe have a bit of a hang before hitting the road again. It’s also just a five or so minute walk from us in the back streets of Malasana, so a lovely little meander to begin the day.

Here we go. Bugger. It’s closed today. Oh well. We start now instead. It all becomes a bit of a frustrating wander around the narrow streets of Malasana as in every place we come to one of three things happens. They’re either too busy for us to contemplate trying to fit in there to play, or they’re too quiet so no point. Or I actually get to speak to someone, only to be told, sorry. No music licence. Oh well. We keep going.

We’re in that kind of midworld of hustling. The salesman cliche, except this one is really true. Every no gets you closer to the yes. And there’s another one. One that we invented, or at least came up with independently. It’s impossible until suddenly it’s the easiest thing in the world. It’s about to become the easiest thing in the world. 

I’ve been bringing us in a mild, round about beeline to Plaza dos de Mayo, one of the most famous squares in Madrid, or maybe even in Spain. This is the main plaza within Malasana and has lovely little bars all around it and a park in the middle. The first place we come to is called El 2D, so the bar most associated with the square by name. It’s just the right kind of busy with a perfectly open floor. And now it happens as we tell Ivan our thing. He breaks into a huge smile and says, of course. Why not. 

Oh, but he has one condition, saying, can you do it completely acoustic because, well, the police. Yes, I say. He indicates to the floor, does a semi shrug and says, do it then.

We have to play purely acoustic a certain kind of way. That is, me in the background with Maja a few paces out front so that the guitar doesn’t drown out her voice. This means I’m kinda pushed back in the far corner of the bar, while Maja is out there on her own right in the centre of the floor. In the middle of everyone. And we’re straight in with How You Rock’n’Roll. Suddenly everyone is jiving in their chairs and Ivan has a big smile on his face. This is really working. Even moreso when Ivan comes to the bar, gestures to me and says something. But I can’t hear anything. When we finish the song, he calls me over and says it again. The gist of it is, it’s too late now, but I wish you were amplified. Brilliant. But yes. It’s too late now. We’re in a flow. We stay in it with two more songs before saying thankyou very much and packing up. We’re not doing the hat thing anymore, but still, a few people want to give us money. We say thankyou but that’s fine. And Ivan wants to give us drinks. But we really want to be out on the street and finding then next hustle. But before we do, a new customer comes in. She’s stunned when she sees us and even more stunned when she discovers that we’ve just played and she missed it. Where is all this going? Well, on Thursday we went to one of my old local bars, Bar Sisi, before heading to Triskels. I didn’t Diary it because it was a bit of a non event. Just me and Maja sitting in a bar talking about nothing much. But. The lady we’re speaking to now is called Natalia. She lives in an apartment overlooking Bar Sidi and she saw us in there and was massively intrigued. She says we really stood out, and just seemed to be having a lovely fun time and we looked like people she would like to hang out with.

Then we disappeared into the Madrid night, clearly never to be seen again. Now we’ve resurfaced in one of her own main locals. Not only that but she’s now discovered we’re visiting musicians from London and we’ve just played in her bar. But yeah. Damn. She missed us.

Through this conversation, and as we’re now joined by one of her friends, I say that we would love to stay and chat but we’ve got to go sit in the lobby and wait for the limo. No. Sorry. If you know, you know. No. I tell her that we would love to stay and chat but Maja doesn’t speak Spanish and would be totally left out of any conversation and fun. But yes, of course we very much make sure that Natalia gets a card. Oh damn that was fun. 

So back out onto the street it is to continue. Or so we think. Until we see that Saturday really has moved on and everywhere is absolutely packed busy. Even one of the places we passed before that was totally empty at the time. This Now Hustling thing is a bit tricky. It has a sweet spot with not a great deal of margin around it. Too quiet and there’s almost no point. Five or six people in a bar, maybe. Two or three, or less even, no. But too busy and we have to consider where we would even be, so that’s out too. Everywhere we look now is too busy to even think about. A mild shame as we’ve brought our speaker, not even used it in the place we just played, and now it looks like we’re not going to do another hustle. But. We’ve proved we can come to Madrid and do this. And that is huge and totally enough. And not needing a speaker isn’t something you can legislate for in a situation like this, so we had to bring it.

Oh, we do get a video, but we’re unplugged as we said so the sound really doesn’t work. And it’s from the phone propped up at the bar, and with Maja out in front, she ends up mostly hidden from the phone by a pillar in the middle of the floor. So, a great experience but not so great a video.

We take ourselves back to the hostel to drop the guitar and bits and pieces off, then head out again. Now we’re heading to another bar mentioned in one of Rick’s videos. El Tigre. The reason? They apparently deliver the most insane tapas portions. Confirmation. They do.

If we get another beer, we’ll get all this again, but we don’t even finish this lot. Quite simply the best eating on a budget I’ve ever seen. We don’t get another beer, but we don’t need to. We are also totally set up for the evening.

I have simply never seen anything like this and it is surely just their thing. It really is for the tourists. Croquettes, patatas bravas, jamon – and the cold cooked variety too. Chorizo, tortilla, bread. It covers two plates. Are these the best versions of themselves that I’ve ever come across? No, but who cares? Although, to be fair, the tortilla is perfectly good and I am a particular fan of tortilla. I also really like the patatas bravas. And koalas. Sorry. No idea where that came from. It’s just ridiculous. And amazing at the same time. And simply just outrageous fun. All around we see similar reactions. We also happen to be sitting at a high table right at the bar and see the incredulity of people who receive a plate, then another, then another. Surely it’s totally a marketing thing. Has to be. And again, a tourist thing. That’s definitely the feeling I get, especially with all the photos of the food being taken, which is something you surely wouldn’t do if you were here all the time as a local. Bizarrely I was a local and never came. For a good few years of my time in Madrid, if you’d done a good solid throw of a stone from this place you would have hit mine. And yeah I never knew about or came. Quite a lot of that time financials really weren’t that great, as was the case for just about everyone I knew; I arrived just as the financial crash had happened and it hit Spain particularly badly. One friend often said to me, ‘Just as your plane was landing, the plane carrying all the country’s money was taking off. 

Of course we take our own pictures, and yes we can make our own videos, but it just isn’t something we massively do when out and about and it’s not something I would be hugely comfortable doing in this kind of public setting. I know. We really need to get over that. We did start it at home and did a few video chats, but we haven’t been great at keeping that up either. Maybe it’s something we’ll get back to. But in any case, I’ve mentioned Rick’s wonderful channel in here and before, so I think we should keep that going and let him fill you in on what goes down at El Tigre. The link to that video is there at the bottom of this entry. 

El Tigre is in the heart of Chueca which borders Malasana and it really has a very similar feel. We have an aimless wander around seeing what we can find and come across a great rockabilly type bar I know called Louie Louie. Oh, we have to. We keep on though, just to see what else we can see, but yes. It has to be Louie Louie. With that, I get in touch with one of my old music friends, James Jamp, a well respected singer songwriter in Madrid and a much in-demand producer and session musician. Basically a total all rounder, a real talent. Also someone who I hit it off with immediately when he first arrived in Madrid and headed straight into whatever music scene he could find. He’s still there.

Another great meetup and he arrives not long after we’ve managed to settle ourselves down at a unique table. It’s a lifesize Herman Munster model carrying a tray like a waiter. The tray is the table. Here, we once again enter the Madrid concept of ridiculously large gin pours in their gin and tonics. We get stuck right in and James joins us. A few drinks here and we decide we have to go to El 2 De to maybe hang out with Ivan. It’s quite a trek and we find the place is quite busy. Unfortunately Ivan isn’t there so no real point sticking around Oh well. CBGBs then. It will be great to say hi to Nacho again.

However, we seem to strike out there too. No Nacho. But instead, we meet his brother and business partner Manu. We tell him we were in here last night and met Nacho. That’s all he needs to realise who we are, as he says Nacho told him all about us and our music. Oh wow. OK. We absolutely have to stay now, although we were going to anyway. There’s more. He exactly where our songs are on the system and now we’re in front of him, he’s curious to hear them himself. With that our entire playlist is played in here again as we all settle in to a wonderful atmosphere between the three of us and our new friend Manu. A few drinks in here and we say a big goodbye to him because we simply have to go and visit Triskels which is just a five minute walk away. Damien’s in again which is great, and it’s another great catchup between the three of us as Maja joins in like a Madrid veteran. A great way to head deep into the night.

Rick Meets World meets El Tigre

The London Diary: Camden, day 500

Day 500

Sunday November 17

While November Madrid hasn’t been as tropical as it can be at this time of year, we’ve still found it perfectly comfortable to be out and about in for long periods at a time. However, today it shows what it can really do this deep into the year as the sun comes properly out for the first time since we’ve been here. One of the things I always loved about Madrid is that you have temperature readings all over the place. For some reason, at just about every bus stop. Chemists too. Because of that, we can see that today reaches all the way into the high 20s. With that, it’s spectacularly lovely to be out and about earlyish. Not long after 11 which is quite impressive considering the late night. And we’re also feeling surprisingly fresh and up for it.

Today is a tourist day with us both feeling a relief that there’s no curiosity of a Now Hustle hanging over us. We’ve done it and proved once again that we can turn up in a random city, hit the street and play a gig to a whole new audience.

When we came out and about walking on Thursday we took in the part of Madrid on our side of Plaza Espana, up to and including it. Today we’re crossing over to what’s on the other side of that great square which punctuates the bottom end of Gran Via. The flagship event I have planned for today is to take the Teleferico – cable car – up into the hills of Casa de Campo, the huge expanse of public park on the west of the city. This gives you an incredible view of the city as you’re able to look back and see that it really is built on a hill, and then look forwards to the wilds you’re entering. Once up there it’s a great winding walk down which continues when you hit the boulevard that runs along the river. Even the walk to the Teleferico is all part of it as it takes you through Plaza Espana with a slight detour to take in the area of Principe Pio station, then the park of Templo de Debod and the views over the city from here. Then onto Parque de Oeste – West Park – itself a great place to visit. And the whole walk there is just a wonder of greenery.

As we get to the far end of Plaza Espana, Maja simply has to stop. I’ve learned that Swedish people have a great need to stop and appreciate the sun whenever it’s out. And that’s exactly what she wants to do now as we stop, lean against one of the plaza’s skyscrapers, close our eyes, and incline ourselves towards the sun like opening, luxuriating flowers. Even I feel the mid November wonder of this.

From here we’re about to pass another Mark landmark of the city. One of my previous apartments is right here on Calle de Martin de los Heros, within shouting distance of the plaza, and very much in sight of it, and on a road that arrows straight to Arguelles and Moncloa where we will find the Teleferico. This large apartment was a house share with two others, a girl from Peru and a guy from Argentina, and my bedroom had its own balcony right across from the Renoir Cinema, practically overlooking Plaza de Espana. A spectacular place to live. It’s really fun to pass by it now for the first time in over 10 years, and to be able to show it to Maja. 

Then it’s onto the Templo de Debod, which is a real and ancient Egyptian temple, which was – pause to consider the questionability of this – taken down in Egypt and transported brick by brick here to be reconstructed. You used to be able to just walk into it and have a look around and I’m planning to do that, but nope. You have to pay now, and book, and it’s fully booked. So we can have a walk and a wander around it and see the building, but that’s it. We do that and go round the edge of the park where you have that great view over the city. Down the hill from there and in to have a look at the majestic Principe Pio station. Through there and out the front, on the way stopping to pick up some more of those wonderful Spanish empanadas. This gives us a pause to stop and eat at the top of the steps that lead down to the station entrance. Given the fantastic sun, the setting and the actual occasion itself and this really feels like a bit of a movie moment. When we’re ready to set off again, I just check for the Teleferico on the map to make sure I am remembering the way correctly, and to make sure I take the right route there that will take us down the wide, picturesque tree lined boulevard. Yep, there’s the Teleferico. And, oh. It’s closed. I instantly have to come up with a plan B, which I formulate quite quickly. The Teleferico was going to take us deep into Casa de Campo. But that kinda means we’re already quite close to the actual entrance of that huge park, and so quite close to the beautiful lake setting within it. So let’s do the walk to there. Yeah. That’s a decent alternative plan. We can at least visit the place, even if we don’t get the full panoramic view and massive, expansive walk back through it all.

Yep. That works wonderfully and Maja gets to see some more serious Madrid tapas action. We find a great outdoor terrace bar,I go to get us a pint each and return with a huge plate of chicken wings in a fantastic mild curry sauce. Seriously. That’s dinner. How do they do it? When the guy was plating them I was convinced he was taking care of another customer at the same time, not preparing a free beer snack for us.

Ready to go and we realise we are all totally walked out. So this is a great opportunity for Maja to take her first Madrid metro ride – metro being the Madrid underground. We get this from El Lago (lake) station. This is just four stops, change, then one stop to Gran Via and home. Simple. 

Rich of Triskels messaged me yesterday to give me a heads up on an open mic that happens in the Malasana area on Sundays. It’s at a place called El Pez Gato (the Fish Cat. No I’ve no idea either, although it is on Calle del Pez so at least that’s something). We’re heading along to that tonight after a brief recovery session from today’s exertions. We get there to find a really cool, long venue with steps in the middle leading up to another long room with a stage at the end of it. And right at the front of the whole thing, host Juelia is sitting at the bar with one of those baseball caps with a propeller on top. I actually think this is a really clever way of drawing attention to yourself as the person running an open mic, and so the person people should make a beeline to to talk to. Which we do. We discover she’s bilingual so yeah, chatting in English is all fine here. She’s delighted to hear we’ve dropped in on a visit from London and we’re in and on the list.

When she gets up to open proceedings, it’s clear from the beginning we’re in the hands of a presenting pro. She’s like one of those late night talkshow hosts. All charisma, fun, energy, and generally getting the whole place rolling. I’ll fast forward a little here and say we’ve done a lot of open mics in quite a few countries now, and she’s by far the best host we’ve ever seen. Great with the acts too with organisation and getting people behind them. And she also pulls off the magic trick – which showcases her full pro-ness – of being a massive stage presence herself while making the whole thing not about her at all. This is a near impossible feat to pull off and thinking about it now, I’m convinced it’s a personality trait and absolutely positively cannot be taught.

As she’s beginning, we know what’s coming next. Just before she went up ashe asked if we wouldn’t mind being first and we were totally good with that. And this is no dead spot in the proceedings at all. If anything, we’ve discovered at times that being bestowed with the honour of being last can be to play to an empty house with everyone having left for last trains, buses, or just because they were tired and wanted to go home. Or, and please whisper this one. Sometimes an open mic night just isn’t very good. The random nature of them can throw up stinkers, just as they can throw up the most magical of nights. Kinda like sport in general really, and sometimes the patience of a room has been exhausted long before the final act takes to the stage. So yeah, we open and as the night progresses and the audience ebbs and flows, we feel we actually had the best spot of the night. You really do just never know.

So up we are and we ask the soundman to plug in our wireless pieces. Fair to say he is not impressed at all. He almost pretends not to know what Maja’s asking for, and when it comes to me, he says, in very passable English, there’s a lead there. It’s acoustic. It’s not like you’re going to be jumping around. Very matter of fact and total deadpan, I reply, ‘I am.’ With a shrug, a mildly indignant sigh, and maybe even a resigned shake of the head, he takes my wireless unit and plugs it in. Then retreats to the centre of the really quite well populated room with his tablet which contains the virtual sound desk.

We’re ready and we have a very polite and attentive room equally ready for us. I think by this point they’re a little intrigued. We’ve only got one song. This is a packed roster and everyone only gets one song. As we’ve discovered so many times, that’s all we need so all good. We’re going for I Like You (Better When You’re Naked) which starts with me hitting muted strings for a percussive type count in. I use this kind of sound a lot. Well, there’s a massive misunderstanding here as the soundman thinks the lack of sound I’m making is some kind of fault and whacks the guitar sound right up. Which I’m not aware of at all until I finish my count and hit the first chord. Oh damn that was loud. Me and Maja immediately recoil as though shot from the speakers at the side of the stage. I look up at the soundman who understands what’s happened now. I ask to check the sound again, play a few chords, things get remodified and we’re ready to go again. This time we’re off. As the second verse comes in, the soundman gets another dose of understanding as we both leave the stage and make our way deep into the room to finish right in the middle of a very surprised audience, which really comes along on this journey with us.

We stay out there working the room for the whole song with whoops and cheers sounding out every now and again. Then, to end it we head back to the stage to find our closing positions right as the final chord smashes out. And that’s our turn and the room reacts hugely. Enough for us to feel we’ve left our mark here tonight. One song. It was all we needed. As we leave the stage – again – the soundman comes up to us. His demeanour has very much warmed up and he shakes our hand and we thank him for looking after us. I’m glad we stood our ground with the wirelesses, and equally glad we demonstrated our full use of them.

The great thing about going on first is that you can then sit back and enjoy the show and a few drinks without thinking about when you’re going on, or having any kind of thoughts about how it’s going to go. You’re done. You know. The rest of the night is now yours. Or ours. And that’s how it goes as we enjoy the other performers, Juelia very much among them, who also performs deep into the show with one of the best songs of the night. Could we have expected any less?

When the event here ends, we stride triumphantly into the Malasana night and post ourselves in the direction of Plaza dos de Mayo and El 2 De. We’re hoping to catch up with Ivan after our performance and the wonderful reception from him yesterday. When we arrive the place is gratifyingly quiet, so perfect for over the bar conversation. But, unfortunately, no Ivan. Oh well. Let’s go to Triskels for a quiet one. There’s no-one there I know tonight, but we do get very warmly welcomed and made to feel at home by tonight’s bar manager. We’ll take that. It’s really all for the best that there’s no-one around here that I could have had a big reunion with. Tomorrow’s the big night and the reason we’re in Madrid in the first place. The Frank Turner show. So yeah. A lovely, quiet pint in here and we’re off. See you tomorrow. 

The London Diary: Camden, day 501

Day 501

Monday November 18

Before Frank, we still have another whole day to aim at Madrid. This is going to take us to the iconic roundabout of Cibeles which dominates the head of Gran Via as you enter the main city. And I plan for us to visit the tower of Cibeles from which you can look out over everything. That tower is within Cybele Palace, the home of Madrid city council, and the building is every bit as spectacular as you would expect something like that to be. Actually, when I saw the Wedding Cake building in Rome, that very much reminded me of it, although Cybele Palace is much more striking. When I lived here, a friend once said that whenever they walked through and round Cibeles and looked up at this building in particular, they experienced a shudder of excitement that they lived in Madrid. It really is a special area, and today we’re going to go inside it and experience not just the tower and the views, but also the fantastically cavernous and luxurious study space of the main library room. This is going to be one of the centrepieces of the whole trip. Except it isn’t. We walk up to the main doors, into the actual building, meet the security guards and the airport like conveyor belt bag x-ray thing, and they say, sorry, we’re closed on Mondays. Oh OK. Well, at least we have the turtles of Atocha. The turtles of Atocha. Did you know about them? Yep. Atocha train station. In 2023, the BBC named this as one of the top five train stations in the world with its forest platform area containing a pool populated with real live turtles.

Except, you’ve guessed it. It doesn’t. Not anymore. I’m stunned and not a little heartbroken, as well as apologetic to Maja, to discover that the forest area is no longer there, the area itself closed off to the public, and all that’s left is a few sad, faded leaves in a frankly pointless attempt to hint at what it used to be. Rather than a tribute, this looks like a building site that they haven’t quite finished taking down. It really would have been better if they’d got rid of it altogether. I think this bears repeating. It was regarded as one of the most remarkable train stations in the world. And I’m sure, reasons, but they deliberately destroyed it. And then, to top it all, the mocking sign reading, ‘Did you know, there used to be turtles here?’ Yes I did. That’s why we’re here. There should also be a sign saying, ‘There used to be quite a nice station here. One of the top in the world don’t you know? And we just decided it wouldn’t be.’

So here’s our Madrid checklist of no-shows. 

The garden bridge of Plaza Espana. I didn’t mention this at the time, but yeah. A fantastic garden bridge that I was really excited to show Maja on the day we met Rick. No longer there. Not only that, the place had been reconstructed so much I couldn’t even get a real handle on exactly where had been. And I’m sure there are great plans but they’re still only in the middle of them, so all I was really able to show Maja of this area was a building site.

Templo de Debod. A staple to take any visiting friends to. Closed but for reservations.

J&Js cafe, bar and bookshop. A great hangout from my days here and what I really thought would be a starter for ten with our Now Hustles. Still not ready or open for business when we arrived, although my sources had hinted it would be. Oh well.

Teleferico. Oh, what a spectacular outing that is. Closed.

And of course earlier today, Cybele Palace.

Oh well. Once again, it has been 10 years and a pandemic since I was last here and of course things change. But we’ve also had a few pieces of bad luck with timings. 

From Cibeles, we walk a little further up, and there we reach El Puerto de Alcala, essentially the door to Madrid itself, and one of the many monumental roundabouts of the city. This puts us right at the corner entrance of Retiro, the central park of Madrid, so of course we’re going to go in, and no, it’s not closed. This was the scene of so many days out with groups of friends as we would meet with guitars and settle down for drinks, snacks and jams, always at a different part of the park. One of the more memorable days happened deep in the park as we hung out on the small lake area behind the crystal palace. We won’t be venturing out there today. But if we had, guess what? Yep. It’s closed.

Oh, this is just a great walk through the park, and it begins as we encounter the boating lake right inside the main entrance. We head to the left to go round that, meaning we stop half way up the length of the lake to sit and take in the Monumento A Alfonso XII. This is a sprawling colonnade with the actual monument to Alfonso XII standing proudly at its centre. It’s late November and the sun is beating down and we’re able to comfortably sit at the foot of the statue and take in everything. From here we can see over the lake and boats to a large vista of the park itself. We do this for a while, also enjoying the strains of a nearby horn player playing the melodies of pop ballads which perfectly sets the scene. And yes, we drop a coin or two in his hat because he really has been a great accompaniment to this moment.

When it’s time to leave, we set off on a wide ranging, meandering walk through so many different parts of the park, offering so many different settings. This includes sections of walking on tiny trails, almost ducking among the trees as you make your way through what feels like your own private, secluded woodland.

We leave through the opposite corner to where we entered having walked all the way through the park, although far from having explored all of it. This thing is bigger than London’s Hyde Park.

Not far off the corner we pass a beautiful looking Paella restaurant. This is something you really do have to try in Madrid, but not here. Nothing at all wrong with the restaurant, but there’s a big, dirty roadworks right outside it, complete with a pneumatic drill. No thanks. Got to feel for the management of that place as the horrible scene outside it repels us far away. But we’ve got paella in our heads now and want to find at least something of a replica of the place we’ve just turned down. I would never have suggested we walk all the way to where we do, but we just don’t come up with anything resembling what we’re looking for. It’s the classic, the place is full of this type of bar or restaurant. It’s all you can see. But the moment you want to try to find that thing, it’s just nowhere to be seen. Well, this is us now. Our walk takes us all the way to Plaza Mayor. Oh. Right. Well, it might be just a touch tourist trappy, but there are some totally classic looking paella restaurants on one of the beautiful tiny streets right off one of the corners of the plaza. We have to check that street out.

I never came to this particular restaurant when I lived here, regarding it as too tourist trappy. Maybe a little local snobbery there. But damn it’s good, and wow, the setting truly is spectacular. Yeah, maybe still a little tourist trappy, but hey guess what? We’re tourists. Yep. This really is one of those times when you know exactly what you want, right down to the picture, and you go out and find exactly that. And again, late November and we’re able to sit outside comfortably right on the cusp of Plaza Mayor taking in this classic Spanish street setting. This will definitely do.

Now it’s time to head back to the hostel, shake today off of us, and then out to Frank Turner. Who just happens to live just down the road from us in London, but no, we’ve come all the way to Madrid to see him. The thing is, he has two London shows on this tour. His 2999th show in 93 Feet East, a relatively tiny venue in Shoreditch. The reason for that being that this is the very first venue he played. As such, expect that to be mostly, if not totally, friends and family and maybe long time fans from the very beginning. I think we’d say they were also friends. Then the next night he’s playing to 10,000 at the Alexandra Palace. Of course. The triumphant London homecoming and the 3000th Frank Turner show. We covered this at the time, but it was all sold out when we first looked for tickets. So Madrid it was. We considered a return to Antwerp, the scene of one of our own European successes, but the pull of the chance to return to Madrid and the opportunity to show Maja around my old city was just too strong. We’ve done all that now. All that’s left is to see Frank. But first, this little detour.

The reason we’ve come to all this trouble is that Frank Turner has become one of Maja’s absolute favourite artists. This is a little bit strange because I tried to introduce him to her way back when we first started recording our debut album. Yeah that was a while ago and we’re still on it. But hey. Oasis took three attempts to record their debut album, The Las are apparently still working on their debut album 40 years after the record label lost patience and released what they had to the disgust of main man Lee Mavers, and Guns’n Roses’ Chinese Democracy took Axl Rose around 10 years to complete. So yeah, we’ve had our own issues but we’re not in terrible company there and we are at least making some progress with three songs actually out and available to hear – How You Rock’n’Roll, Rock’n’Roll Tree, and Insanity. While I’m at it, you can actually hear them all here:

How You Rock’n’Roll

Rock’n’Roll Tree

Insanity

Following these, we have eight more tracks to go, which will be put out as we complete them. Once that’s done they will be repackaged to make the debut album HEᒐ. Every one of those eight tracks is almost completely recorded, and we have learned a lot about mixing and mastering in those first three released tracks, not least what we’re actually looking for in our sound, so we expect to be going through that part of the process much quicker as we come to each one. As for the actual issue, or issues, that have held it all up, maybe we’ll take a look at those another day. We know what they are, I think we’re just not ready to talk about them just yet. But I think the fact that we have completed and released three tracks demonstrates that we are at least getting through it. And we really think I Like You (Better When You’re Naked) will be next. It kinda has to be to be fair. We would have recorded it as part of this batch already, but have recorded it so many times; Two or maybe three times way back when it was first written and before we had any thoughts of an album, then it was the first track we recorded for the album, thinking that made sense because we had recording experience of it. But then when we decided to pull that after it had been released because we realised we really hadn’t nailed the spirit of the song, when we got back to recording again, we kind of knew we were going to go through a whole mixing and mastering thing with the first track and what a good decision that was. We went for Rock’n’Roll Tree and it’s a miracle we still love it and get excited about playing it live. We listened to that song, and individual sections of it, far more times than anyone should ever have to listen to anything. But yeah, we got through that, then much more quickly, although still not quite studio veteran quickly, completed How You Rock’n’Roll then Insanity. Then Christmas and various other things intervened to make us put the next track on hold, which we fully intend to to I Like You (Better When You’re Naked.) Looking ahead, we can say that album two is completely written and already partly recorded. It even has a cover concept and title. And we have enough in the can for album three with more songs being written all the time that we hope and expect will also jostling for places. And by the time we get to album two, we’ll have all the experience of album one, so it will hopefully be a quicker process.

Right. Now I’ve taken the opportunity to tell you all that, what’s this got to do with Frank? Well, we first began recording the album in, let me check, April 2022. Damn, almost three years ago. What excited puppies we were about it then. Now it’s more like, can we please just get this thing done? One of the first things we learned about recording was that you should have a guide track. That is a track of a similar artist which you use for production level cues such as where various sound and EQ levels and such should be for the right kind of dynamics you’re going for. There are other technical things, but that’s basically it. My first suggestion for someone even vaguely in the ballpark we were aiming at was Frank Turner. He’s mostly acoustic, punky with big bass and drum sounds and, while I don’t think you would really describe him as pop, is still a very melodic, hooky songwriter. But I just couldn’t find the right track to match the dynamic we were going for, and Maja was pretty much unimpressed with just about everything I found of him. We ended up going for Supersonic by Oasis. But not long after moving to Camden, Maja just suddenly discovered Frank Turner totally independently, absolutely fell in love with him, and I was like, I tried to get you listening to him ages ago. Oh, did you? Fine. But this was the cue for Maja especially, but then at times by extension me, to listen to him all all the time. And when we finally got round to be ready to do our first actual mix for our first completed track, Rock’n’Roll Tree, the song we used as a comparison track was I Still Believe by, yes, Frank Turner.

So yeah. Here we are. HEᒐ Ho. We’re heading out to the punk rock show.

But really, we had no idea how much of a punk rock show it was actually going to be. And oh my. What a night of nights this is. This is the first big live show we’ve been to together and we discover we have the same in-built desire to get in right at the beginning and see every support act. The venue is just a short walk away from our hostel, just a quick hop past Triskels as it happens, and we’re in bang on 7.30, just as The Meffs are about to take to the stage.

This is where I should mention that I’m really excited to be hooking up with my old Madrid friend Sally who was the incredible singer in my Madrid blues band Soul Mission. We tried to meet on Thursday at the open mic but she wasn’t able to make it but she really wanted to come out to this. It feels a bit potentially weird though having not seen each other for a decade, the prospect of introducing her with a girlfriend she’s never met before, all in the middle of a loud rock show. How do you watch the show and catch up? You don’t really and I’m just totally in denial hoping the stars will just do me a favour and align. Magically, they do. We see The Meffs, they finish, then just as they do, Sally arrives. It’s an interesting set up of a venue. Here we are in a crowd of around eight or nine hundred in front of the stage. There’s no immediate side wall towards the back on the left. Instead, that’s a big open space going towards the bar over on the wall there. It’s through this space after The Meffs that Sally emerges having just arrived. Oh wow. Maja Sally, Sally, Maja. A quick catch up and we’re able to head over to the bar for a while for a chat until the next band begins – Skinny Lister. Repeat after Skinny Lister with a 45 minute break before Frank, and what could have been a nice but really awkward reunion works out absolutely perfectly. We lose her during Frank as you’ll see, and she has to leave before the end for the last train home, but we really do manage to properly hook up and get all introductions done. I really had been quite anxious about how this would go, and Sally acknowledges that had timings worked out differently, it really could have ended up being a bit weird.

Right. Let’s backtrack a bit. The Meffs. A full on guitar bass, drums and vocals two piece. Yep. Two piece. Quite brilliant and Lily Hopkins on guitar, bass and vocals is just an amazing performer, holding and filling the stage all on her own, while Lewis Copsey is in just the most perfect synch with her on drums and backing vocals. You really know he’s there. As for that bass and guitar thing, Lilly, I’m sure I’m going to get things wrong here, just saying as I see/imagine it. She has a pedal that makes her guitar play guitar and bass simultaneously, but somehow no matter what she does, it’s just one string at a time on the bass that pumps out, just like a real bassist playing. And it’s done through different amps, with dedicated guitar and bass amps behind her. The result is these two guys making all the noise and filling all the space a full band would and with all the exact same tightness. What a concept, really good songs and an overall great live show. They completely have the crowd, and Lilly talks about the importance of warming us up for a Frank show, at one point getting us all to crouch down and then jump up again. At this stage, we have absolutely no idea how right she is, or what an important job she and they do.

Skinny Lister are up next, and if Maja doesn’t quite steal the show, she at least in some way shares it. This folk punk band has been going since 2009 and rival Frank himself in their commitment to touring and hard work in general. And they keep the crowd going at the high energy levels set by The Meffs. Think The Pogues, but with a lighter lyrical touch and a lot less earnestness. It’s multi vocal affair with Dan Heptinstall on guitar and vocals and party leader Lorna Thomas joining him up front on lead vocals. She is also whiskey deliverer-in-chief, wading into the crowd with a huge flagon of whiskey. By this point, Maja has already placed herself front and central, and the flagon somehow homes in on just her and she delightfully takes the first drink before the passing round begins. Sorry, I’m a little queasy with sharing drinks with sweating, roaring, possibly already drunk strangers. I pass.

A little later in the show and Lorna is out cheerleading again. Right out in front, right in the middle of the action, this time looking for people to arm wrestle. Who could she choose? Of course. Maja’s right there again. But an arm wrestle needs a table, right? Where could that come from? Yep. My back does the honours as I offer myself on all fours to the two girls who pile in on top of me to do battle right in the middle of a melee of Madrid punk rockers. Through all this, Sally is right there, just loving seeing the two of us get totally stuck in.

When the triumphant Skinnies depart the stage, they leave a sweaty mess of a crowd behind. All jubilant and completely red hot warmed up and ready to welcome Frank himself and his backing band The Sleeping Souls. 

They don’t mess about, hitting the stage as though right in the middle of a storming set with No Thankyou For The Music. What strikes me and Maja pretty much at the same time and with absolutely stunning ferocity, is how stunningly ferocious a Frank Turner show is. He’s not mainstream or conventionally famous, but he incites a rabid loyalty from his fanbase on a par with at least certain levels of soccer fandom. Alright, maybe not right down to a hooligan element, but damn this is a boiling, thundering, slamming mosh of a crowd and it’s totally exhilarating to find yourself in the middle of it. But Frank’s aware of the dangers such enthusiasm can engender with that rule that there’s always one. After the first song, he breaks to talk to us, saying, among other things, Don’t be a dick. If someone goes down, he says, help them up. Look after each other out there. With that, they’re off again, and we’re left to our own devices with a now self inbuilt safety switch. And yes, people do go down, people do get, if not hurt, at least a bit buffeted from time to time. And elbows fly and people jump up and down and toes and feet get occasionally bashed. Because, make no mistake, this is a slam dancing moshpit of frenzy. It’s not quite up there with festival and forum Metallica and Korn pits I’ve been in, but it’s no toe tapping head nodding affair either. Which, to be fair, is more what we were expecting. Again, we had no idea a Frank Turner show would be like this. Our expectations were not even close. But now it’s upon us, we are a fully joyous, conscious part of it. And Maja even discovers crowd surfing, getting herself picked up to go sailing over the frothing masses, all the way to the front, over the barrier, round and back again. And off she goes again.

When the band takes a break and Frank comes out to play us a few acoustic only numbers, I feel an almost sense of relief. But oh, now I realise just how hot and sweaty, not to mention exhausting this all is. I honestly feel like I’m in the middle of a masterclass gym workout and can barely take it anymore. Thankyou for the musical break. This is where Frank attempts a little bit of Spanish to the massive appreciation of the crowd, and even uses a cheat sheet to sing a few verses of one of his songs in Spanish.

Tea break over and the band comes back to take this place to eleven once more. And we’re off again. Circles are called and we all walk around in them, slow, then faster and faster, then the heaviness of the song kicks in and the whole euphoric moshing pile on begins again. And now here comes Frank to join in himself on the amazing I Want To Dance. This contains a massive screamed rap about the power of dedication in music and the lack of it in some others, particularly from a place we know a little about – Shoreditch. At the risk of infringing some copyright, but I think this is legitimate and all OK in the spirit of things, I’m going to paste that verse in here.

Yeah, is anybody else sick of the music that’s churned out by lackluster scenesters from Shoreditch?

Yeah, it’s all sex, drugs and sins, like they’re extras from Skins!

But it’s OK, cause they don’t really mean it!

I want bands who had to work for their keep

Drove a thousand miles and played a show on no sleep

Sleeping on the floor at a stranger’s place

Hungry just to do it all again the next day!

This single verse has actually become something of a rallying call for us, and now it becomes a centrepiece of this show as Frank launches himself onto the top of the crowd and is crowdsurfed all over the place on his back as he screams out this verse to the ecstatic eruption of the crowd over which he rides.

Then he’s back up to the stage, a couple of encores, then we’re out. Lights on. Shell shock. All around faces of drained exhaustion, but that thing dripping off them could be sweat, or it could just be distilled elation. I know I look like that too, and Maja certainly does. And we are shocked, still a little bit unable to take in just how wild and frantic and totally immersive this experience was. Because yes. This wasn’t a show we watched. This was an experience we participated in. And Frank and his band with, as you know by now, nearly 3000 shows in, played this like it was the one show they had been building up to for months and the one show they knew they were going to play for some time, so let’s smash it and leave it all out there tonight because we don’t know when we’re going to do it again. But no. They played last night, the night before that, will be playing again tomorrow. And so on. But you get the feeling that every show Frank ever does feels simultaneously like the first and the last. Like the most important show he’s ever played and the most important he ever will. You certainly feel like that being part of the audience. Oh, he’s doing this for us. No-one else gets this kind of special full on let’s sprint it out till we all drop down effort and attitude. No. He’s been doing this nearly every night for 20 years, and will probably keep doing it for another 20. At least. It’s nothing short of an inspiration. A lesson to us all, and a personal one to our very selves. The Diaries. This is how you approach a show. Every single one. There was no yesterday, there is no tomorrow. There is only this, now. And this is the only one you will ever do so make the most of it. That is what you want the people in front of you to think. And you want to it feel like the truth. Frank, it felt like the truth.

Now for some perspective on that 3000 shows thing. First, he often does multiple shows in a day, not least his world record breaking thing in May last year when he played 15 shows in 15 cities in 24 hours. Still, if you were to play a show very day, it would take you eight years and three months to play 3000. As far as I can see, Frank’s first show was in January 2005. We’re in November 2024 right now, but for the simplicity of maths, let’s call that a straight and exact 20 years of live shows. This gives us the very tidy number of 150 shows a year. That’s almost a show every two days for twenty years. The exact(ish) calculation is a show every 2.4 days non stop for 20 years. But of course there are breaks for album recording, traveling, and just breaks. Cos a guy’s gotta break, right? So you just know there are massive chunks in there of a show everyday or every other day for days and weeks and months on end. That’s just pure relentless relentlessness. And once again, like the guy’s music or not, just pure inspiration.

Now we’re off to the merch stand where we get to meet and chat to Lilly and Lewis of The Meffs and a few members of Skinny Lister. Me and Maja both even manage to get autographed drum sticks from Skinnies’ drummer Tim. In the chat with Lilly and Lewis, they tell us they’re going to be in London in January. We say we’ll check that out and maybe see them in London – fast forward. We do.

We also chat quite a bit with a few members of the audience we’ve been slamming about with for the past few hours. Being in that cauldron really does bring out the brothers-in-arms vibe. Kind of like, I guess at times, people who get in fights against each other can come together afterwards in mutual respect and friendship.

In this whole congenial environment of congratulations and fan/musician meetings, Maja gets a whole bunch of autographs – on her stomach. OK. Frank and The Lost Souls haven’t made it out by the time we decide to call it and leave. Outside, there’s a bit of a crowd waiting for Frank and his mates to come out, but let’s face it, mainly Frank. Me and Maja look at each other and say, ‘Nah. Let’s be cool and leave them to it.’ So back into Malasana we disappear.

We’ve decided to head in the direction of CBGBs. There, we’re delighted to meet owner Nacho again. He’s delighted to see us return, but says sorry, he’s closing right now. Oh. OK. Fair enough but shame. However, Nacho is happy to chat to us for a little while as he closes, and he tells us he’s actually added our stuff to his playlist. Damn. Playlisted in CBGBs. Surely one of the ultimate compliments and a real nod to our punk credentials. But not only that, he says that he’s had people ask about us while we’ve been playing in there and requesting links so they can listen at home. Wow. A whole nother level. He now introduces us to a guy called David, one of his regulars, who is very pleased to be meeting the subjects of the playlist conversation. With CBGBs closed, there’s only one thing for it. We kidnap David and take him down the road to Triskels for our final pints of Madrid.

You might remember that Nacho asked if we’d be able to play tonight but we couldn’t because we had, well, tonight. But we played El Pez Gato yesterday, Now Hustled a show on Saturday, did the thing with the TV guys on the street on Friday and of course kicked it all off with our open mic thing at Triskels on Thursday. That means that, Frank Turner night apart, we’ve played live every night we’ve been in Madrid. That and playlisted in CBGBs.

Yes, we definitely feel we’re leaving a Diaries shaped footprint behind.

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