"Revolutionising pop" - Faro Tecomitl, Mexico City

Month: October 2025

The London Diary: Camden, days 819 to 822

Day 819

Friday October 10

One of the most momentous things The Diaries can do is finish a song in the studio and have it totally ready for release. One day we might dive in and really tell some tales of the studio, but not just yet. A lot of the time, what happens in the studio stays in the studio and we might also do that, but I think the time will come when we’re ready to go into that a bit more. But for now, I’ll just say that it is taking us a long long time to get each song done. Far longer than we could possibly have imagined when we first got on with all this. But today we celebrate. Freefall is done. And each time we work in the studio we learn a bit more and have the feeling that the next time will be quicker and we can start to be more productive, at least to the outside eye. 

With that we’re out to Ant’s new venue in Harringay, which is called Jam In A Jar. This is a fantastic gig venue in two rooms. A large and long bar area, and then a perfectly sized and proportioned gig venue through an open door just to the right a little along the way as you enter the bar area. Facing the stage is the sound desk area and that’s on a raised separate part of the venue that can be used for chill out at times, or at other times as a kind of private area for bands and with a backstage room behind all that. This is all a huge addition to his other venue, Ten To One, and we think, generally an exciting addition to London’s grassroots music scene in general.

Day 820

Saturday October 11

We’re straight back on it in the studio today as we start to get the vocals down on the next upcoming track – Make Me Shine. And yes. Already we can start to feel that we are speeding up the process.

Day 821

Monday October 13

The prospect of Mexico is starting to feel very real. So real in fact that we’re actually starting to work on it with Richard sending a message today to ask if we could do a video promo for our first show there at a place called Museo Yancuic. Yep. We’re on it. So we head out into Camden Town, set ourselves up in front of one of the iconic bridges with Camden Town painted on it and do the promo, with me doing some parts in Spanish. When we send it to Richard, he sends it back to us complete with a musical backdrop of I Like You (Better When You’re Naked) and subtitles. He’s elevated it to a whole new level, and with that we have our first Mexico promo.

Then, to make it all even more real, later on he sends us an updated itinerary with ten shows on it with a few more to be confirmed. And yes, some of these could also drop off as we go, but seriously, what a start.

Day 822

Tuesday October 14

With something of an itinerary on the go, I suggested to Richard a little while back that as this got going maybe I could help with a few bits of PR and organisation. He came back saying that wouldn’t be massively necessary but he did give me a radio station I might like to contact, for which I could use his name. I got on that and today they come back and say they’d love to have us in. Real just made another click forwards and it’s great to know that we made that happen from our end.

Now there’s just over two weeks to go before Mexico with our flights booked for Thursday October 30. The first one to Miami, then a three hour jaunt from there to Mexico City. So this next period doesn’t see a whole lot of other Diary activity. We have to get ourselves in performance shape for Mexico because it looks like it could be very physical. We’re already learning that a lot of our shows, maybe even all of them, will be at around 40 to 45 minutes, and maybe two in a day at times.

Apart from anything else, most of what follows in these two weeks is recording. We have Freefall, then we chalk off Make Me Shine. Then we do something we’ve not done before. We get on to record a song that’s not on the debut album. This is called Where Do We Go. It’s a brand new song, but Maja was so taken with it she insisted we get it in our set as soon as possible and maybe even try to have it recorded before leaving for Mexico. The recording thing doesn’t quite happen. Mostly because, as can often be the case with the early progress of songs, we don’t get the key right first time; rehearsal and song development is one thing, getting up and really putting it out either in the studio or live is something else. With this being such a new song and being recorded so early, it’s recorded in the wrong key, which we only discover when trying to lay down the vocals. We realise this too close to departure time to start the thing all over again, so we settle for the fact that we will at least have it in our repertoire in time for Mexico. And a lot of the hard yards of studio are now done on this which will greatly help for when we get to it again.

A little on the song itself. It’s about Guns ‘N Roses and was inspired by the story of Sweet Child o’ Mine, hence our title, Where Do We Go.

Now we’ve dipped our songwriting toes in the recent history of the USA, it’s on to our own next stop: Miami. Then…Mexico City.

El diario de la Ciudad de México, dia uno

Día uno

Jueves, 30 de octubre

Hoy nos vamos a la Ciudad de México por 17 días. Nos vamos a quedar con nuestro amigo Richard, a quien conocimos por casualidad en Londres en mayo. Ya les contaré más sobre eso, aunque pueden leer la historia completa en El Diario de Londres, día 673. Pero les diré ahora que Richard es el cantante, líder y motor de Los Ekis, una banda de rock mexicana muy divertida que goza de cierta fama y reconocimiento en México. También conocimos a los demás miembros de la banda mientras estaban en Londres, así que esperamos tener ya algunos amigos esperándonos cuando lleguemos.

Durante los meses posteriores a mayo, a medida que se fue hablando cada vez más de nuestro viaje a México y luego compramos los boletos, fue bastante increíble ver cómo se desarrollaron las cosas a medida que Richard nos enviaba mensajes sobre los conciertos que nos estaba reservando. Hasta el momento tenemos ocho conciertos programados para un período de dos semanas a partir del 1 de noviembre, y nos han asegurado que habrá más una vez que estemos allí y, literalmente, rockeando a todo. Y sí, esta fecha es significativa. El 1 de noviembre es el Día de Muertos, un espectáculo que, según nos aseguraron, teníamos que ver y en el que teníamos que participar sin falta. Así que el viaje se organizó para esta fecha, de modo que estuviéramos allí el 31 de octubre para la noche de Halloween —una especie de ensayo del Día de Muertos, a falta de una mejor palabra— y luego estuviéramos ya instalados para el 1 de noviembre, el día en sí. Parece que realmente nos vamos a sumergir de lleno en esto. Ah, sí. Además de los conciertos ya programados, también tenemos reservada una aparición en la radio nacional mexicana. Por ahora no sabemos más detalles al respecto, pero se siente como algo enorme. Y para ese 1 de noviembre, tenemos dos conciertos programados. Así que sí, realmente vamos a empezar con todo. Teniendo esto en cuenta, estamos empacando tantos de nuestros libros como podamos. Ninguno de ellos estará a la venta. En cambio, los llevamos para regalárselos a los promotores y a cualquier otra persona de la industria con la que nos crucemos, y también a cualquiera a quien Richard nos sugiera que le demos uno. Podemos meter 16 en nuestro equipaje. Eso tendrá que bastar.

También debo decir ahora que sí, hablo español. Viví en Madrid durante seis años, desde aproximadamente 2008 hasta 2014, cuando me mudé a Londres. ¿Es lo suficientemente bueno para entrevistas de radio? Después de todo, esa mudanza a Londres fue hace más de 10 años y realmente no he mantenido el nivel. Pero en los últimos meses realmente me he vuelto a poner al día, así que siento que estoy de vuelta en el ritmo y más o menos al día. Más o menos.

A esa hora tan loca de las 4:30 a. m. tuve que levantarme hoy para salir a la carretera. Una de las cosas en las que realmente estoy pensando hoy, aparte de «ya está, vamos camino a México», es poder mostrarle a Maja un Airbus 380. Sé que salen del aeropuerto de Heathrow. Es ese avión de dos pisos que se ve desde lejos. Hasta que no ves uno de estos de cerca en tierra —normalmente desde el insignificante avión de un solo piso en el que viajas— realmente no tienes idea de qué tan grandes son. Llegamos al aeropuerto y nos dirigimos a nuestra puerta de embarque con el brillante sol matutino de otoño resplandeciendo a través de los grandes ventanales. Durante todo el camino estoy buscando con la vista un 380. Entonces, al acercarnos a la puerta de embarque, veo uno. 

Llamo la atención de Maja porque por fin puedo mostrarle uno de estos aviones, y ella lo ve antes que yo. Al principio, por supuesto, se queda impresionada con la inevitable sorpresa de lo ridículamente, increíblemente enorme que es esa cosa. Pero luego se da cuenta: «Esa cosa está en nuestra puerta de embarque. De hecho, vamos a volar en él». Vaya, sí que lo haremos. Sin embargo, no tan pronto como pensábamos, ya que el altavoz anuncia un retraso de una hora y media. Está bien. Vamos a tomar este avión a Miami, donde tenemos una escala antes de seguir hacia la Ciudad de México, pero ¿una hora y media? Eso debería estar bien, ¿no? Antes de esto, nos enfrentábamos a tres horas. Sí, podríamos prescindir de este retraso de una hora y media.

Aun así, con el sol brillando así y la vista espectacular del avión frente a nosotros, sin mencionar la perspectiva de México al final de todo esto, no es una mala espera, y luego llega el momento de abordar. Ambos hemos viajado antes en aviones de fuselaje ancho, y yo he volado en la cubierta inferior de un 747 con su configuración de asientos 3-4-3. En esa ocasión, me senté en el asiento del medio. Hoy pasa lo mismo: encontramos nuestros asientos y nos acomodamos para el vuelo de 12 horas. Primero, hay que apreciar el ancho de todo esto. En cuanto a la longitud, es más o menos igual que la del 747, lo que lo hace más largo que casi cualquier otro avión comercial. Luego está esa idea alucinante de que, por más enorme que se vea todo esto desde abajo, hay toda otra cubierta exactamente del mismo tamaño sobre nosotros. ¿Y esta cosa va a volar?

Ahora, esta es la primera parte de esa experiencia. Bueno, la verdadera primera parte es que, mientras rodamos por la pista, simplemente no lo sientes. Todos esos baches y sacudidas, simplemente no los percibes porque somos demasiado pesados. También podría ayudar que este avión tenga 22 ruedas, por lo que todos los baches se distribuyen bien. Pero lo cierto es que simplemente no nos damos cuenta de cuándo hemos despegado. No tengo ni idea de que en realidad ya haya sucedido. Es la experiencia de despegue más suave que he tenido. Avancemos un poco y puedo decir que lo mismo ocurre con el aterrizaje. Vi cómo nos acercábamos, me recosté porque, bueno, estábamos en el medio y de todos modos no se veía mucho. Luego esperé a que llegara la sacudida del aterrizaje. Simplemente no llegó.

Así que sí, esta es realmente una experiencia de vuelo como ninguna otra. Solo estoy un poco decepcionado de que no estemos en el piso superior porque creo que hubiera sido especial estar sentado tan alto sobre el suelo mientras en realidad todavía estamos en tierra. Pero bueno, no se puede tener todo y sigo emocionado de estar volando en esta cosa; y además, siempre hay próximas veces. 

Al elevarnos en el aire, realizo mi primera «operación México»: cambio la hora de mi celular a la de México. Voy a hacer lo mío primero aquí porque Maja se divertirá mucho con esto más tarde. Solo he hecho un vuelo transatlántico, o de larga distancia, una vez, y fue de Madrid a Nueva York con escala en Londres. Todo el viaje duró un fin de semana. Sí. Estaba en el trabajo el viernes por la tarde, volví el lunes por la mañana y, entre tanto, había estado en Nueva York y Londres. Y sí, realmente fui a Londres; la escala de ida y vuelta fue en dos aeropuertos distintos y, entremedio, mis compañeros de viaje y yo pasamos un rato en un departamento en Kings Cross. Ese departamento fue nuestro punto de encuentro a la ida, y a la vuelta, la escala fue tan larga —y como todos íbamos a países diferentes— que decidimos volver allí y pasar un rato juntos antes de partir cada uno por su lado. Todo esto es para decir que en ese viaje no sufrí ningún jet lag. Lo cual me ha llevado a preguntarme si, de hecho, no sufro el jet lag de manera significativa. A Maja le parece muy gracioso este pensamiento y, en cambio, dice que la explicación simple es que en realidad nunca salí de la hora de Madrid. Para cuando me acosté en mi habitación de hotel en Nueva York después de nuestra salida nocturna —solo estuvimos allí un fin de semana, así que, por supuesto, salimos la primera noche—, llevaba despierto 48 horas completas. Al día siguiente me levanté relativamente temprano, hice todas las cosas típicas del fin de semana, regresé a Madrid y aterricé en Madrid con el horario de Madrid, con mi cuerpo aún totalmente sincronizado con él. Cansada, seguro. No lo recuerdo muy bien, pero no puedo creer que no estuviera absolutamente agotada. ¿Pero con jet lag? No. Para cuando llegué al trabajo el lunes, ya estaba de nuevo en mi ritmo habitual. Así que, avanzando un poco más en la historia, sí, a Maja le encanta mucho cualquier sensación de jet lag y diferencia horaria que yo tenga o sufra en nuestros primeros días en México. 

Volviendo al presente, llegamos a Miami y vemos que tenemos una hora y media para tomar el siguiente avión. Normalmente esto no sería un gran problema, pero descubrimos que aquí, aunque solo estamos en escala, igual tenemos que pasar por inmigración. Luego, una vez que hayamos hecho eso, también tenemos que pasar por seguridad otra vez. Y las filas son largas. Larguísimas. Enormes. Parece que nos tomará una hora y media solo para pasar la primera fila. Entonces, por algún tipo de milagro, seguridad decide abrir toda una sección justo a nuestro lado y, de repente, avanzamos rápidamente hasta el frente. Digo «algún tipo de milagro», pero nuestro grupo les ha hecho un poco de presión explicando que tuvimos un retraso de una hora y media y que parece que mucha gente de nuestro vuelo sigue viaje a México y ese sale relativamente pronto. Así que nos han dado un poco de margen. Pero aun así, pensamos que nuestro vuelo tiene que retrasarse también si queremos tener alguna posibilidad de llegar a tiempo. Todavía queda un largo camino por recorrer y no tenemos idea de lo que eso realmente significa en este momento. Primero, pasar por inmigración. Ya estamos cerca del frente, pero, ay, están interrogando a algunas personas durante una eternidad. A veces, hasta 15 o 20 minutos. ¿Y cómo será para nosotros? Incluso cuando llegamos al frente de la fila, tenemos que esperar lo que parece una eternidad antes de que el oficial de inmigración nos llame. Nos pregunta adónde vamos. A la Ciudad de México. ¿Con quién nos vamos a quedar? Con un amigo músico. ¿Cómo lo conocen? Lo conocimos en Londres y nos dijo que nos organizaría algunos shows, lo cual ya hizo, y ahora vamos a México. Ah, son músicos —asintimos. Eso explica la conexión, dice. Pero ahora el guardia empieza a sospechar. Nos mira entrecerrando los ojos y repite lo que acabamos de decirle. «Entonces, conocieron a un tipo en un bar de Londres que vive en México. Les dijo que con gusto les organizaría algunos conciertos y los alojaría en su casa, ¿y ahora simplemente se van?». Sí, asintimos felices. Exactamente. Su rostro muestra tantas emociones a la vez: perplejidad, admiración, diversión y, sobre todo, un gran deseo de que saquemos a esta gente loca de su vida de inmediato. De verdad creo que en un momento dado gira la cabeza solo para que no veamos el atisbo de una sonrisa tras su dura apariencia de Robocop, porque estoy seguro de haberla visto justo antes de que se volteara. Y también creo de verdad que es con cierto sentimiento de respeto a regañadientes que dice: «Está bien, pasen». Además, el hecho de que vayamos a volar a México y, por lo tanto, no vayamos a ser su problema, seguramente debe ayudar. Pero aún tenemos un problema. Todo esto nos ha quitado mucho tiempo y todavía tenemos que pasar por seguridad.

Tres niveles de seguridad para cuando terminamos. Y cada vez nos pasan las maletas por el escáner de rayos X y, como mínimo, las abren; y una o tal vez dos veces, las desarman. ¿Y qué puedes hacer? Estás en seguridad. En un aeropuerto. En Estados Unidos. 

Para cuando llegamos a la última etapa de seguridad, estamos en un estado de ansiedad bastante elevado. Si es que se lo está pensando un poco, ese oficial de inmigración no debería mostrarse tan precipitado en su presunción de que estamos a punto de salir del país. De hecho, superamos este último obstáculo, pero luego nos topamos con uno más del que realmente podríamos prescindir.

¿A dónde van? Nos pregunta nuestro oficial de seguridad con cierta amabilidad. Más bien de manera informal, como en una charla trivial. A la Ciudad de México. «¿En qué puerta es eso?», pregunta. Inocentemente, oh, tan, tan inocentemente, lo verificamos. D1. «¡¿D1?!», pregunta, o más bien, explota, mirándonos como si estuviéramos locos y nos hubiéramos metido en esto a propósito. “Eso está a más de una milla de distancia”. No. ¿En serio? Eso no parece posible. Como distancia desde el control de seguridad hasta la puerta de embarque, o incluso pensar en llegar a tiempo con lo que nos queda. No tenemos tiempo para pensar si tenemos tiempo o no. Simplemente tenemos que irnos. Ahora. Y rápido. Maldición. Está bien. Nos da instrucciones a toda prisa y salimos disparados. De verdad, salimos disparados. No hay sentido del ritmo. Por suerte, nuestras maletas con ruedas cumplen muy bien su función, y el piso del aeropuerto es absolutamente perfecto para ellas. Pero aun así. Estamos corriendo de verdad. Y tenemos una milla por delante.

Todo el tiempo estamos esperando que el avión se haya retrasado, y que tal vez incluso se haya retrasado a sí mismo para esperar a los pasajeros rezagados. Sé que a veces hacen eso, especialmente cuando saben que hay un vuelo de conexión en particular o vuelos que han tenido problemas. Pero no hay forma de que sepamos nada de esto. Solo tenemos que seguir corriendo. O al menos lo haré yo, una vez que me detenga y me quite este abrigo que llevo puesto. Ya estamos sudando de verdad. Sí, es finales de octubre, pero ahora estamos en Miami y ya sentimos el calor debido a nuestro considerable cambio de huso horario.

Nos esforzamos sin parar. Empezamos a ir al gimnasio hace unos 18 meses y últimamente también hemos estado haciendo un buen entrenamiento cardiovascular allí. Ni siquiera quiero pensar dónde estaríamos ahora sin eso. Pero tenemos la condición física para seguir adelante y la experiencia reciente de entrenar con dolor y fatiga para seguir esforzándonos. Es una carrera de entrenamiento dura. Solo una carrera de entrenamiento dura.

Ahora estamos pasando todas las puertas. D27. Está bien. Sigue adelante. Sigue un rato más. Vamos. Tú puedes. Solo un poco más. Así es. D26.

Ay, no. Esto no puede ser. Pero seguimos adelante.

Y ahí. Pasamos la D3 y luego la D2, justo donde debería estar, lo vemos. D1. Y nuestro «Milagro de una milla de Miami-México». Todavía está abierto. Lo hemos logrado. Lo vamos a lograr.

Entramos a trompicones al avión e, inmediatamente, en lugar de darnos la bienvenida, el personal se apresura a traernos agua. Deben haber sabido del retraso y se dan cuenta de que acabamos de pasar por una especie de calvario. Lo mismo les pasa a los demás pasajeros. El avión está lleno, y mientras caminamos —o más bien cojeamos— por él, con la cara enrojecida, hiperventilando y derritiéndonos en sudor, la gente nos mira con expresiones de una especie de diversión respetuosa. Algunos incluso le dan un codazo a sus compañeros de viaje para que se den la vuelta y vean lo que acaban de meter a rastras en el avión. Pero a nosotros no nos importa nada de eso. Lo logramos. De manera imposible, improbable, inconcebible, lo logramos. Ahora podemos desplomarnos —sí, es un adjetivo desafortunado, pero se me están acabando las opciones— en nuestros asientos y relajarnos por primera vez desde que estábamos a un par de horas de Miami y nos preguntábamos si tendríamos alguna oportunidad de tomar el próximo vuelo.

Bueno, aquí estamos. Próxima parada: Ciudad de México. En tres horas y media. En Europa, por lo general he considerado que es un vuelo bastante largo; de Londres a Madrid son solo dos horas y media. E incluso puedes llegar a Moscú desde Londres en menos de cuatro horas. En el contexto de hoy, y considerando lo que acabamos de pasar, incluso eso se siente como un paseo. Sin mencionar que nos toma apenas la mitad de ese tiempo para calmarnos y recuperarnos.

Y respirar.

No estoy en absoluto preparado para mi primera visión de la Ciudad de México. Llegamos de noche, pero todo el panorama debajo de nosotros se revela en una especie de luz que abarca toda la ciudad, así que podemos ver realmente todos los edificios por separado. Al parecer, hay millones y millones de ellos. Nunca he visto nada ni remotamente parecido. Un océano de ciudad. De casas y techos. Y sin ningún orden aparente en absoluto. Es como si un gigante hubiera recogido un montón de arena —aunque aquí cada grano de arena es una casa— y simplemente lo hubiera arrojado sobre todo el paisaje. Y hubiera seguido haciéndolo hasta llenar todo el lugar. Todo lo que vemos, hasta donde alcanza la vista al llegar, son más y más techos y casas. Y cuando hay rascacielos, parecen estar solos y vigilar, mientras se miran entre sí con complicidad al mismo tiempo. Lo único que se me ocurre es: ¿por dónde se podría empezar siquiera en un lugar como este? Por suerte, no tenemos que pensar en eso. En realidad, ya hemos empezado. Nuestro amigo Richard está allá abajo esperándonos y tiene listo un itinerario bastante decente de conciertos para que toquemos. Estaremos aquí hasta el 17 de noviembre. Casi tres semanas. Y nos ha asegurado que se podrían agregar más a la lista sobre la marcha.

Y ahí está, tan pronto como salimos a la zona de llegadas; es un reencuentro emotivo y no podemos agradecerle lo suficiente por estar aquí y por haber puesto todo esto en marcha.

Solo un breve resumen. Como le dijimos al guardia de seguridad en Miami, efectivamente conocimos a Richard en un bar al azar en Londres. Después de que se nos cancelara un concierto en Camden, anduvimos por las calles un rato buscando un lugar para tomar algo. Por casualidad, entramos al mismo lugar al que él y su banda, Los Ekis, se dirigían después de su propio concierto esa noche —el primero de tres fechas en Londres de su gira europea—. Nos pusimos a platicar con todos ellos y, cuando descubrimos que se estaban quedando cerca, los invitamos a nuestra casa a desayunar al día siguiente. Esto se convirtió en un fin de semana de pasar el rato juntos, en el que les mostramos algunos lugares de interés de Londres antes de ir a ver su concierto en Camden. Luego, la noche siguiente, vinieron a un concierto que teníamos. Durante una salida después de eso —en The Hawley Arms—, Richard dijo que si podíamos ir a México, le encantaría ayudarnos a conseguir algunos conciertos. Eso fue en mayo. Y ahora, aquí estamos.

Un poco más sobre esto. The Hawley Arms es un bar legendario de Camden y se destaca incluso en esta ciudad de Londres, que está llena de bares legendarios. Era uno de los lugares favoritos de Amy Winehouse, y también es donde sucedieron todas las cosas que inspiraron la exitosa serie de televisión Baby Reindeer. Sí. El guionista y protagonista de esa serie, Richard Gad, de hecho trabajó aquí y, arriba en el local, hay una foto suya firmada en la pared.

Ahora sabemos cómo llegamos a este bar esa noche en particular. Lo que no sabíamos hasta este viaje a México es cómo Los Ekis terminaron allí al mismo tiempo. Nos enteramos de esto bastante más adelante, pero creo que ya podemos visitarlo. Después de dar algunos conciertos en Europa, los chicos habían dado su primer concierto en Londres esa noche en Battersea, concretamente en The Magic Garden, un maravilloso bar y sala de conciertos en el sur de Londres en el que yo mismo he tocado y al que he ido varias veces. Casualmente se estaban quedando en Camden, o mejor dicho, posiblemente justo a las afueras de Camden, en Kentish Town Road, más o menos donde Camden se convierte en Kentish Town. En fin, se estaban quedando allí en un departamento rentado. Habían terminado su concierto, tomaron el metro de regreso a Camden y luego, sin pensarlo, se dirigían caminando de regreso a su departamento, todos todavía vestidos con sus trajes rojos de escenario al estilo mexicano. Justo cuando estaban a punto de llegar a su departamento, Richard de repente se dio cuenta de algo y dijo algo así como: «Chicos, ¿qué estamos haciendo? Estamos en Londres, acabamos de dar un concierto y ahora simplemente nos vamos de regreso a casa. Al menos tenemos que tomarnos una copa en algún lado de aquí». Todos estuvieron de acuerdo de inmediato en que tenía toda la razón, así que dieron la vuelta y comenzaron a caminar de regreso hacia Camden. El primer bar al regresar caminando desde esa zona un tanto indefinida entre Camden y Kentish Town es Quinns. Y ahí es donde estábamos en ese preciso momento. Como se suponía que íbamos a dar un concierto esa noche, casualmente llevábamos nuestras guitarras con nosotros, y cuando entró un grupo de músicos mexicanos, todos vestidos con atuendos rojos típicos de México, y se dirigieron a la barra, por supuesto que iban a hablar con la chica que estaba sentada allí y que, casualmente, también tenía una guitarra. Yo mismo me había ido a los baños de abajo en ese momento, así que Maja estaba sentada sola. Y así fue como Richard, al frente del grupo, se volvió hacia ella y le preguntó algo como: «¿Cómo se pide aquí? ¿Qué se recomienda para tomar?». Maja, como era de esperarse, se lanzó de inmediato a ayudarlos. Lo cual significó que, cuando regresé a lo que unos minutos antes había sido un bar tranquilo, me encontré a Maja en medio de un enorme grupo de chicos mexicanos. Y así comenzó toda esta aventura.

Y aquí estamos ahora, en el auto de Richard, a punto de salir del aeropuerto de la Ciudad de México y embarcarnos en un apretado itinerario de conciertos. Nos tomamos una rápida primera selfie juntos en México y nos ponemos en marcha. Mientras nos abrimos paso por el aeropuerto, mi celular emite un pitido. Es de un tipo llamado Darío, que trabaja en una estación de radio de la Ciudad de México llamada Real Musika. Caray. Ni siquiera hemos salido del aeropuerto y ya estoy haciendo mi primera tarea de relaciones públicas al responderle desde el auto y decirle que acabamos de aterrizar y que sí, estamos en México. Ahora podemos relajarnos un rato, charlar con Richard —en gran parte para contarle sobre la aventura en Miami— y disfrutar del entorno nocturno de la Ciudad de México.

Es casi medianoche, hora de México, cuando llegamos al encantador barrio de Richard y él nos lleva a su maravilloso departamento, donde nos muestra cuál será nuestra habitación durante el viaje. Es perfecta, es hora de irnos a dormir, y han pasado exactamente 23 horas desde que salimos de nuestra casa en Camden.

The Mexico City Diary, day one

Day one

And there we are with the huge fully double decker 380 Airbus at Heathrow Airport waiting to take us to Miami, from where we will fly to Mexico City.

Thursday October 30

Today we’re off to Mexico City for 17 days. We are going to stay with our friend Richard who we met quite by chance in London back in May. More on that to come, although the full story can be read in The London Diary, day 673. But I will say now that Richard is the singer and main man and driving force of Los Ekis, a really fun Mexican rock band with some level of fame and profile in Mexico. We also got to know the other members of the band while they were in London and so are expecting to have a few friends already on the ground when we arrive.

During the subsequent months after May, as talk grew of us coming to Mexico and then we actually bought tickets, it was quite unbelievable to see how things developed as Richard sent us messages of gigs he was booking us in for. As of now we have eight gigs booked for a two week period starting November 1 and we’ve been assured more will come in once we’re on the ground and literally rocking and rolling. And yes, this date is significant. November 1 is Day of the Dead, a spectacle we were assured we absolutely had to see and take part in. So the trip was arranged for this date so that we would be there on October 31 for the Halloween night, a kind of Day of the Dead rehearsal for want of a better word, then we would be all settled in for November 1 and the actual day proper. It looks like we will really be diving straight into this. Oh yeah. As well as the gigs already lined up, we also have an appearance on Mexican national radio booked. We don’t know any further on that right now, but that just feels huge. And that November 1 date, we have two gigs booked for that. So yes we really will be hitting the ground running. With this considered, we are packing as many of our books as we can. None of these will be for sale. Instead, we are taking them to give to promoters and any other industry people we come across, and also anyone Richard may suggest we give one too. We’re able to fit 16 into our luggage. That will have to do.

I should also say now that yes, I do speak Spanish. I lived in Madrid for six years from around 2008 to 2014 when I moved to London. Is it good enough for radio interviews? Afterall, that move to London was over 10 years ago and I really haven’t kept up with it. But over the past few months I really have got back into it again, so I do kind of feel back on it and pretty much up to speed. Ish.

Silly O’Clock time of 4:30am to get up today to be out on the road. One of the things I’m really thinking about today, apart from, this is it, we’re on our way to Mexico, is getting to show Maja a 380 Airbus. I know they fly from Heathrow Airport. This is that all the way across double decker thing. Until you’ve seen one of these up close on the ground – normally from the paltry single decker you’re flying on – you really have no idea how big they are. We arrive at the airport and make our way to our gate with brilliant morning Autumn sunshine blazing through the large windows. All the way I’m scanning for a 380. Then, as we near the gate I see one. I get Maja’s attention as I’m finally able to show her one of these things, and she notices it before I do. First, of course, she is struck with the obligatory wonder at how ridiculously, impossibly huge the thing is. But then she has the realisation. ‘That thing’s in our gate. We’re actually flying in it.’ Oh my, we are. However, not quite as soon as we thought we were as the tannoy announces an hour and a half delay. OK. We’re taking this thing to Miami where we have the layover before going on to Mexico City, but an hour and a half? That should be OK, right? We were looking at three hours before this. Yeah, we could be doing without this hour and a half delay thing.

Still, with the sun coming through like it is, and the spectacular view of the plane in front of us, not to mention the prospect of Mexico at the end of all this, it’s not a bad wait, and then the time comes to enter. We’ve both been on wide planes before, and I’ve flown on the lower deck of a 747with its 3 4 3 seat configuration. Then, I sat in the middle. It’s the same today as we find our seats and settle in for the 12 hour flight. First, you have to take in the width of all this. For length, it’s about the same as the 747 which still makes it longer than just about any other commercial plane. Then there’s the mind bending thought that, as much as this all looks enormous down here, there’s a whole other deck of exactly the same size above us. And this thing is going to fly?

Now, here’s the first part of that experience. Well, the real first part is that as you taxi down the runway you just don’t feel it. All those bumps and grinds, you just don’t get them because we’re just too heavy. It might also help that this plane has 22 wheels so all the bumps get well distributed. But the thing really is that we just don’t realise when we’ve taken off. No idea it’s actually already happened. It’s the smoothest take off experience I’ve ever had. Fast forward a little and I can say that it’s the same with landing. I saw us coming in, sat back because, well, we were in the middle and couldn’t see much anyway. Then waited for the landing jolt to come. It just didn’t.

So yeah, this really is a flying experience like no other. I’m only very mildly disappointed that we’re not on the top deck because I think it would have been special to be sitting that high above ground while actually still on the ground. But hey, you can’t have everything and still stoked to be flying on this thing and another hey, there are next times. 

Heading up into the air and I perform my first Mexico operation by changing my phone to Mexico time. I’m going to get mine in here first because Maja will have a lot of fun with it later. I’ve only ever gone transatlantic, or long haul once and that was to New York from Madrid with a London layover. The whole trip was a weekend. Yep. I was in work Friday afternoon, there again Monday morning, and in between had been to New York and London. And I really did go to London; the layover there and back was in two different airports and in between, me and my travelling companions spent some time in an apartment in Kings Cross. That apartment was our meeting point out, and on the way back, the layover was so long, and we were all going to different countries, that we decided to head there again and hang for a while before heading off in our own directions. All this is to say that in that trip I had no experience of jet lag. Which has led me to wonder if indeed I don’t massively suffer jet lag. Maja finds this thought hilarious and instead says the simple explanation is that I never really left Madrid time. By the time I went to bed in my New York hotel room after our night out in New York – we were only there for a weekend so of course we went out on our first night there – I had been awake for a full 48 hours. I then got up relatively early the next day, did all the weekend stuff and had the trip back to Madrid and then landed in Madrid on Madrid time with my body still totally in tandem with it. Tired, I’m sure. I don’t massively remember but I can’t believe I wouldn’t have been absolutely exhausted. But jet lagged? Nope. By the time I was in work on Monday, I was right back into the swing of things. So, forwarding again a little, yes, Maja does very much enjoy any feelings of jetlag and time difference I have/suffer in our first few days in Mexico. 

Back to the present and we arrive in Miami and see that we have an hour and a half to make it to the next plane. This wouldn’t normally be such a huge issue, but we discover that here, although we’re only on a layover, we still have to pass immigration. Then, once we’ve done that, we have to pass security again as well. And the queues are big. Huge. Enormous. It looks like it will take an hour and a half just to get through our first line. Then by some kind of miracle, security decides to open up a whole section of it right by us and we’re suddenly sailing through to the front. I say some kind of miracle, but there is some clamour towards them from our group that we had an hour and a half delay and seems quite a lot of people on our plane are flying on to Mexico and that’s leaving relatively soon. So we’ve been cut some slack. But still, we’re thinking our plane has to have its own delay if we’re to have any chance of making it. There’s still a long way to go and we have no idea what that really means at this stage. First, passing immigration. We’ve got near the front, but oh, they’re questioning some people for ages. Up to 15 or 20 minutes at times. And what’s it going to be like for us? Even when we get to the front of the queue we have to wait for what seems like forever before the immigration official calls us forwards. He asks where we’re going. Mexico City. Who are we staying with? A musician friend. How do you know him? We met him in London and he said he would arrange some shows for us, which he has, and now we’re going to Mexico. Oh, you’re musicians – we nod. So that explains the connection, he says. But now the guard gets suspicious. He looks at us through narrowed eyes and recounts what we’ve just told him. ‘So, you met some guy in a bar in London who lives in Mexico. He told you he would be happy to arrange some shows for you and put you up at his place, and now you’re just going?’ Yes, we nod happily. That’s exactly it. His face does so many things all at once. Bemusement, admiration, amusement, and just a whole load of get these crazy people out of my life right now. I really do think he turns his head at one point just so that we don’t see the crack of a smile through his tough robocop exterior because I’m sure I see it just before the turn. And I also really think that it’s with some feeling of begrudging respect that he says, OK, go through. Also, the fact that we’re flying on to Mexico and so aren’t going to be his problem surely must help. But we still have a problem. All this has eaten seriously into our time and we still have to get through security.

Three levels of security by the time we’re done. And each time our bags are X-rayed and at least opened, and once or maybe twice, pulled apart. And what can you do? You’re at security. At an airport. In America. 

By the time we get to our last phase of security we’re in some heightened state of anxiety. If he’s giving it any thought at all, that immigration officer shouldn’t be so hasty in his smugness that we’re about to leave the country. We do indeed clear this last hurdle, but then we’re hit with one more that we really could be doing without.

Where are you going? Asks our security officer with some level of friendliness. More in a kind of offhand, chit chatty way. Mexico City. ‘What gate is that?’ he asks. We innocently, oh, so so innocently, check. D1. ‘D1?!’ he asks, or really, explodes, looking at us like we’re crazy and did this on purpose to ourselves. ‘That’s over a mile away.’ No. Seriously? That doesn’t seem possible. As a distance from security to gate, or to even think about making it in the time we somehow have left. We have no time to think about whether or not we have time. We just have to go. Now. And fast. Damn. OK. He hurriedly gives us instructions and we hurtle off. Really hurtle off. There’s no sense of pacing. Luckily our wheeled luggages do their jobs very well, and the airport flooring is absolutely perfect for them. But still. We are properly running. And we have a mile of this to get through.

All the time we’re hoping that the plane is delayed, and that it may have even delayed itself to wait for straggling passengers. I know they do that sometimes, especially when they know there’s a particular connecting flight or flights that have had problems. But there’s no way for us to know any of this. We just have to keep running. Or I will once I’ve stopped and taken off this coat I’m wearing. We are properly sweating now. Yes it’s the end of October, but we’re in Miami now and we’re already feeling the heat of our considerable timezone change.

We push ourselves on and on. We started going to the gym about 18 months ago and have also been doing some solid cardio there lately. Where we would be without that right now I seriously do not want to think. But we have the fitness to keep going, and the recent experience of training pain and fatigue to keep pushing. It’s a hard training run. Just a hard training run.

We’re running past all the gates now. D27. OK. Keep going. Keep going a little while longer. Come on. You can make it. Just a little further now. There you go. D26.

Oh no. This isn’t possible. But we keep it up.

And there. Past D3 and then D2, just where it should be, we see it. D1. And our Miami Mexico Mile-long Miracle. It’s still open. We’ve made it. We’re going to make it.

We stumble into the plane and immediately, rather than welcome us on, the staff hurry to get some water for us. They must have known about the delay and can see we’re at the end of some kind of ordeal. So can the other passengers. The plane is full, and as we walk/hobble through it, red faced, hyper ventilating, and melting in sweat, people look up with faces of some kind of respectful amusement. Some even nudge their traveling partners to alert them to turn and look at what’s just been tossed onto the plane. But we don’t care about any of that. We’ve made it. Impossibly, improbably, unfathomably made it. Now we can crash – yes, unfortunate adjective but I’m starting to run out here – into our seats and relax for the first time since we were a couple of hours away from Miami and wondering if we had any chance of catching the next plane.

Well, here we are. Next stop Mexico City. In three and a half hours. In Europe, I’ve generally considered that quite a long flight time; London to Madrid is only two and a half hours. And you can even be in Moscow from London in less than four hours. In the context of today, and considering what we’ve just been through, even that feels like a puddle hop. Not to mention that it takes us just about half that time to cool off and calm down.

And breathe.

I am in no way prepared for my first sight of Mexico City. We’re coming in at night, but the whole panorama below us is revealed in a kind of all across the city light so we are able to actually see all the individual buildings. Apparently millions and millions of them. I’ve never seen anything remotely like it. An ocean of city. Of houses and roofs. And with absolutely no apparent order whatsoever. It’s like some giant has scooped up a whole load of sand, although each grain of sand here is a house, and has just thrown it over a whole landscape. And has just kept going until the whole thing was filled up. All we can see as far as we look as we come in is more and more roofs and houses. And when there are skyscrapers, they seem to stand alone and survey, while regarding each other knowingly at the same time. All I can think is, where would you even begin with a place like this? Luckily we don’t have to think about that. We really have already begun. Our friend Richard is down there waiting for us and he has a pretty decent itinerary of gigs ready for us to play. We are here until November 17. Almost three weeks. And he’s assured us that more could be added to the list along the way.

And there he is as soon as we head out into arrivals, and it’s an emotional reunion and we can’t thank him enough for being here and for getting this whole ball rolling.

Just a quick recap. Like we told the security guard back in Miami, we did indeed meet Richard in a random bar in London. After we’d had a gig blow out on us in Camden and so just wandered the streets for a while to go get a drink somewhere. We just happened to venture into the same place he and his band, Los Ekis, were decamping to after their own gig that night – their first of three dates in London on their European tour. We got talking to all of them, then when we discovered they were staying nearby, invited them to our place for breakfast the next day. This led to a bit of a weekend hangout which saw us show them round some London sights before catching their Camden gig. Then the next night, they came to a gig we had. During a hangout after this – in The Hawley Arms – Richard said that if we could get ourselves to Mexico he would love to help us with getting some gigs. That was in May. And now, here we are.

A little bit more on this. The Hawley Arms is a legendary Camden bar and even stands out in this London town which is full of legendary bars. It was one of Amy Winehouse’s favourite places, and is also where all the stuff happened which inspired the hit TV show Baby Reindeer. Yep. Writer and star of that show Richard Gad did indeed work here and upstairs in the venue there is a signed picture of him on the wall.

Now, we know how we happened across this bar that particular night. What we didn’t know until this Mexico trip is how Los Ekis ended up there at the same time. We learn about this quite later on, but I think we can visit it now. After playing a few European shows, the boys had played their first London show that night in Battersea, actually in The Magic Garden, a wonderful bar and music venue in south London I’ve played at and been to a few times myself. They just happened to be staying in Camden, or rather, possibly just just outside Camden down Kentish Town Road, at about the place Camden morphs into Kentish Town. Anyway, they were staying there in a rented apartment. They’d finished their gig, got the tube back to Camden and then were automatically walking back to their apartment, all still dressed in their red Mexican stage outfits. Just as they were about to arrive at their apartment, Richard suddenly realised something and said a variation of, ‘Guys, what are we doing? We’re in London, we’ve just played a gig, and now we’re just going back to our place. We have to at least have a drink here somewhere.’ Everyone immediately agreed he had a very good point and they turned around and started walking back towards Camden. The first pub as you make that walk back from that uncertain area of Camden/Kentish Town is Quinns. Which is where we were at that very moment. As we had supposed to be playing a gig that night, we just happened to have our guitar on us, and when a whole bunch of Mexican musicians walked in, all dressed in red Mexican gear, and head for the bar, of course they’re going to talk to the girl sitting there who happens to also have a guitar. I myself had wandered off to the downstairs toilets at that time so Maja was sitting on her own. And this is how Richard, at the head of the group, turned to her and said something like, how do we order here, and what is good to drink? Maja, as you would expect, dove straight into helping them out. Which meant that when I returned into what had been a quiet bar a few minutes earlier, I discovered Maja in the centre of a huge group of Mexican guys. With that, this whole adventure began.

And here we are now in Richard’s car about to leave Mexico City airport and head into a packed gigging itinerary. It’s a quick first Mexico selfie together and we’re off. As we’re meandering our way through the airport my phone pings. It’s from a guy called Dario who’s with a Mexico City radio station called Real Musika. Damn. We haven’t even left the airport and I’m doing my first PR job task as I reply to him from the car and let him know that we have just landed and yes, we are in Mexico. Now we can chill for a while, chat around with Richard, a lot of which involves filling him in on the Miami adventure, and take in the dark surroundings of Mexico City.

It’s something like near midnight Mexico time when we arrive in Richard’s lovely looking neighbourhood and he leads us to his wonderful apartment where we are shown what will be our room for the trip. It’s perfect, time for bed, and it is exactly 23 hours since we left our own place back in Camden.

The Mexico City Diary, day two

Day two

Friday October 31

Yesterday we told the story of how this whole Mexico City ball got rolling. Today, before putting this entry up, it occurred to us that you might be coming to this completely new, having seen little or maybe none of our previous Diaries. We’re writing and posting this quite retrospectively, so this is Diary number 18 out of 20, which means there are 19 more of them. The whole thing comes in at just over half a million words. The first three Diaries, plus the bits before them, make up our debut book, Music, Love and Impossibilities. You can order from us if you go check our website on how to do that. It’s also just possible that if you go down to your local bookshop or library, they might be able to get a copy in for you. But really, it would be quicker for you and better for us if you did it direct. And of course you can read it in this website. However, the book does contain around 14000 words that aren’t on here for one reason or another.

I’ll try and nutshell this. This is Mark writing this, so me and Maja became an item early in 2021 when she came to London from Sweden for what was supposed to be a short visit. She had read my own Diaries – Marks Diaries (just over a million words and covering July 2014 to February 2021) in a few months. This is my own story of trying to become a professional bass player. It began with me trying my bass playing luck on the Spanish Costa Blanca holiday scene with me living in Madrid at the time. As a direct result of having that experience and writing about it, I got the opportunity to move to London where I worked as a barman/waiter while also having a go at the professional bass scene. I did alright and had decent prospects but never quite managed to get it over the line into full time. But I had a damn good go, played a lot of gigs, some of them at least moderately well paying, and really built a solid reputation in London as a bass player. If you’re so minded, you can read that at: https://marksdiaries.wordpress.com/

So yeah, she read that whole thing, got in touch and offered to build my bass website – markthebassist.com. That’s currently offline. I might just try to get that back up. In return, I gave her remote bass lessons. Oh, I need to add here that before even reading my own diaries, she had started her own, so that was on the go too. Then, when she needed to get away from Sweden for a while due to some personal issues, I told her there was a spare room at my shared house in Kentish Town, London. That’s just down the road from Camden Town; their high streets kind of melt into each other. She came over about a week later. We became an item the day she arrived, and 16 days after that moved into what was supposed to be our own place – that whole part of the story is absolutely mad. Then, two months after that, we then moved to Ireland. We did this because not long after moving into that first apartment we’d decided to become a musical duo and tour internationally with our own songs. Which we hadn’t written yet. So we needed a space where we could make noise 24/7 to develop our sound and write songs. And where do you find that in London at any kind of reasonable price? Apart from that, Maja couldn’t get a visa to stay in London long term and, being English, I wasn’t able to move to Europe and work. We researched places all over the world, but this was also still Covid time so everywhere we looked was prohibitively restrictive; there was a Monday during this when we decided to move to Thailand and we were going to go that coming weekend. Until we started properly looking into it and all the usual legal roadblocks emerged. Then, in a flash of inspiration, we suddenly realised we could both live in the Republic of Ireland. So that’s what we did. Somehow, we managed to get the most incredible house in its own ruined mill grounds in Clara, County Offaly. There, we set up our studio and got to writing, rehearsing and recording. Then, six months after arriving we played our first gig in what had become our local pub The Trap, playing only our own original songs. We got encore calls and someone tried to buy one of our songs off of us. Our next gig was in Berlin as we almost immediately set off on our first European tour.

Another European tour and a whole load of gigs around Ireland later, we moved back to London where Maja was by now able to do the visa thing and live and work here. That was late 2022. Since then we’ve been playing around as much as we can and self published that debut book I mentioned at the top of this.

As a direct result of that playing around, as we saw yesterday, we met Richard and Los Ekis in a London pub and that led directly to Mexico City. Where we now continue the story.

We wake into our first day in Mexico City. But before we actually go out and really get into it, we’re straight into business.

The first thing we see in the morning is a poster in our social media featuring us for a gig on November 15. Oh wow. That’s already a new show for us. We were told things could develop once we were here but we weren’t expecting it to happen this quickly. We’re just taking this in when Richard says there may be another gig for us that day as well. He is immediately on the phone to see how that particular ball is rolling.

Off the phone and he announces that the second gig for that day is confirmed. Wow. So out of nowhere we now have two shows for that Saturday.

And while we’re here, I should say that all of the gigs that are being prepared are for sets of between 35 and 45 minutes. So all pretty full on for a grassroots original act.

This is the start of quite a period of activity in his big main front room as we all start to work on our own little things, but all Diary related. This place has instantly become some kind of little Diary office. One of the things Maja is working on is to make a QR code and get it printable so that we can give it to people at gigs. This will take people to the page on our website that will have our lyrics in Spanish. Oh yeah. That’s my job in all this now. Getting our lyrics into Spanish. In the first iteration I run them through an online automatic translator. But then I have to go through them and make sure they actually say what they’re supposed to say and then correct as appropriate. As for Richard, apart from continuing with hustling and setting things up, he’s now working on backdrops. We have no idea what this means but he asked if we had any video for backdrops. We do not. What even is that. Not something we’ve ever thought of. Making video to play behind us while we play? We’re in little bars and stuff right? Why do we need media for backdrops? OK. We have no idea what this means. But Richard clearly does and he gets on with seeing what he can do to fill this little gap in our repertoire.

A little of this and we head out for our first trip to Mexico City city centre because now we have to buy the guitar we’re going to use for this trip. Once outside, we get to see the area we’re in. A very quiet suburban scene outside the low rise apartment we’re in, and the area has its own security gate for cars coming in. Like the kind of barrier you would see at a small level crossing. Out of that and we’re almost immediately onto the main motorway type thing which is an absolute festivity of cars and motorbikes, with many people not wearing helmets. Not a thing here apparently. And we see trucks with people just sitting freely in the open backs of them. An instant movie scene. We mention our surprise to this to Richard and he shrugs and laughs and says, What are the police going to do?

As for the guitar, Richard has a lovely one which he has generously said we can use, and it does feel great, but we also want to see what else we can find. Apart from anything else, we are very heavy on guitars and also have our own kind of tuning and prefer very heavy strings, so it would probably be best to have our own thing to beat upon rather than mercilessly bashing someone else’s, but Richard knows what we’re about and is cool with that, so yeah. Another option there.

We’re really proud of our little Denmark Street in central London. During the 60s this was home to so many music offices from where some of the biggest stars emerged, including Elton John, and a few of the Sex Pistols even lived here for a while. It is now our premier street of music instrument shops. Although some favourites have sadly disappeared over the years, including one really major mainstay very recently, it is still stubbornly hanging on as a London musical hub and the thrill of walking along it still persists for me.

What the city centre here has makes Denmark Street look like a toy. It’s a whole district of music shops within a wider city centre area. And I should also add that we’ve arrived into what feels like a beautiful summer’s day as opposed to the chilly November we have left behind in London. Lucky us, we have an expert guide with Richard having lived around here all his life. He makes a beeline for a few shops he recommends we have a look at. In the third shop we find what will be our guitar and that’s it. Job done. Time for our first Mexican dining out experience as Richard introduces us to an enchilada restaurant in what feels like a large, high ceilinged old post office area. And another first, the Mexican red and green salsas on the table which are an absolute revelation. An instant favourite and I’m thrilled when Richard says that we will find things like this almost everywhere.

Guitar bought and we continue walking through the thronged old city centre to the main square of Mexico City. Here we get our first look at the famous city pyramids on which it is built. Flanking the square is a street of houses that are slightly wonky. Richard is quick to explain this and it’s culturally heartbreaking. Apparently the Spanish conquistadors of the 1500s simply built over the pyramids, burying them under their new city construction. But overtime the physicality of the pyramids’ shape caused the ground to subside in, I guess, an almost literal glacially slow revenge.

Back at the apartment and we have some chill time before we’re out again, this time to the local town centre area and for Richard to really introduce us to this place as Halloween and the Day of the Dead emerge into the calendar.

We learn that Mexico City is made up of many many towns, all with their own town centre. We’re in the town of Coyoaca, just a little to the south – about 20 minutes’ drive – of the actual city centre. And from Richard’s place, it’s a very pleasant ten to fifteen minute walk to this town centre. So this is what we do now as we head out into the busy and celebratory streets, for Day of the Dead is indeed a celebratory occasion with all the  departed friends and family remembered in a quite spectacular way. All along  the streets we pass people in wonderful fancy dress costumes and very much in party mood. Then we emerge out into the main square. But we really don’t get to see it at all. It is absolutely packed and we walk through it as though we are leaving a concert or football match. Off to the side of the square Richard shows us the Day of the Dead exhibition that all towns have, made up of models of people and various scenes, with this one dedicated to football. Again, we don’t get massively close to it but it’s great to see. Then we’re off again and all around us are candy floss sellers. Maja just has to get one and this is our own little nod to the celebrations. But then we see the extra twist. The air is filled with strings of cotton candy with the sellers allowing their spinning open candy ovens to throw some of their contents up into the night sky. As they hover and float above our heads, people are able to put up their hands and capture some of the threads and then spin them into their own personal and free mini cotton candy, wrapped around their own hands and fingers rather than the traditional stick. Maja tries to join in but every candy thread that passes over us is just that little too high, so she has to stick with the enormous ball of it she already has. 

A walk around this for a while and Richard takes us for what will now be our dinner plans in a Mariachi restaurant bar where, as soon as we enter, it’s clear he is very well known and respected. We are led to a table in the very atmospheric and busy live room where a band is playing, but the volume is still low enough for us all to be able to talk at our table, where we are joined by Richard’s friend, Sami who also speaks excellent English.

Me and Maja love spicy food and here we are in our first evening restaurant experience in one of the homes of hot and spicy. With this, talk turns the subject and Sami blows every spice experience out of the water with his story of a friend who tried to wow everyone by munching on a Carolina Reaper pepper and ended the evening in an ambulance. Oh damn, I am just destroyed in laughter at that. Oh, just in case you don’t know, the Carolina Reaper is the hottest pepper in the world. Don’t eat it. 

Not long after finishing dinner jet lag really starts to hit us so we don’t attempt the repeat walk back, instead calling a taxi.

But the night very much still isn’t over. Once back at the apartment Maja goes to bed and Sami leads the way in asking how my Spanish is. That radio interview I mentioned yesterday, that’s on Tuesday. Sami quickly shows that he really does know what he talks about and I’m not entirely sure if Richard planned this, but it certainly is very convenient and Sami is quite amazing in his enthusiasm and knowledge of how we should proceed. Yes I am jetlagged and yes we have been in party mode and yes the tequila is out. But it now all suddenly gets serious as my Spanish is put to the test. Am I ready to be trusted and thrown out in Mexican live radio? You know what? I’m really not sure, and yes, I do feel just a little bit edgy about it. And now I’m about to be put to the test. It can often be tricky when called upon to prove your language skills and your mind just goes blank.

Which happens now when Sami goes into radio presenter mode and asks his first question. Which I don’t understand at all because he uses a key word which is specific to Mexican Spanish. Oh dear. Bad start. We go again. And I stumble again, this time because I just don’t know what to say succinctly, and I explain I would have had the same issue in English. One thing this has told me immediately is that I need to have thought about at least some basic questions and how I might tackle them. Such as how did The Diaries begin, and the like.

It’s here that Sami shows his experience again and says that there will only be so many basic questions. He and Richard are envisaging a ten minute interview covering the well trodden basics because there really isn’t time for anything else in that format. How did you begin, what are your influences, where are your shows, and that’s pretty much it, with one or two other stock questions maybe added. So let’s be prepared for at least them. But now we’ve warmed up and I’ve had my first few stumbles, we try again. By now, even I’m on the side of the fence that says, Mark’s Spanish isn’t good enough for this and he told us he would work on it and that it would be. To add to the pressure, Maja has heard the fun, woken up and joined us and can see that after saying I was OK with Spanish and working with it, this is happening. But bang, right at this very moment when I really need it, my Spanish comes back and is right there at this third time of asking. Suddenly I manage to pass off a perfectly good impression of someone who speaks the language and might just be able to survive a live radio interview. Wow. Job done and Richard and Sami, not to mention me, happy. 

Maja:

Well I needed to sleep. Tomorrow is a big day and I have two 45 minute shows to sing. It’s not gonna be fun if my throat closes on me due to exhaustion. And honestly you all need to rest too. All this excitement and lack of sleep is gonna impact us badly soon.

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