Fire The Scriptwriter

Tag: 2022/02/08

The Berlin Diary, day 12

Day 12

Monday December 13

Mark:

I wake with thoughts of some kind of song running round my head, but really vaguely formed. There are no melodies or lyrics really, just a kind of style of something I really feel like getting on with. Once we’re both up and somewhat into the morning, I ask Maja to find me a set of lyrics from the notebooks we have; there are ten such books going right back to our earliest days in London, two of them A4 and quite a few of them full, including one of the A4s. Maja has a flick through and one set catches both of us as soon as the page flies open. Beanie Love. An idea from our first few weeks together which soon became a full on set of lyrics. We’ve always had a soft spot for this and constantly reference it in conversation. It seems it’s time has now come. I still don’t have any solid song ideas beyond a vague style, and I now ask Maja to give me a chord progression. She does so and I play around with that while reading the lyrics. Looking at this together, very quickly a chorus and approximation of three verses all pop out. Beanie Love is finally on its way.

Maja:

I am ridiculously excited about the song Beanie Love. We have used that title as a working title for the concept and lyrics that we started all that time ago. Lying in bed in the house in London. Staring up at the ceiling. Laughing. Writing. Dreaming. Crying and talking. I remember looking at the spikily painted ceiling, wondering why it was so textured. But it was a nice thing to focus my eyes on, and it has a funny name. Popcorn ceiling. 

And that was how Beanie Love started, with us both joking around and writing the fun things down. Now it has started to turn into a very happy and fun song, which is still as close to heart of the concept as it was when we wrote the very first words. 

Mark:

Once we’re ready to be out and about, thoughts turn to the new equipment shopping we’ve planned to do. All our gear is still packed up from Friday and we walk it down to Just Music where a seriously knowledgeable guy in the sound department gives us his full time and attention to see how we can be helped. We unpack all our gear, set it up, and get to work looking at how it can be improved. And it proves to be a little more than we were thinking, never more so than when we compare microphones.

Maja:

Testing the equipment at Just Music with the sound guy there is, at the same time, an amazing and dispiriting experience. It’s made me realise just how bad our equipment is. For a start, we discover that three of the microphones we have, which are all from the same set, are seriously substandard. When the guy sets the sound desk and I use our industry standard microphone after using one of the three others, I can suddenly hear myself so much better. It sounds just amazing. Clearer and crisper. A lot of that muddled feeling that I have such a hard time handling has disappeared. I can’t believe I used to go for the cheaper set because of the convenience of an on/off button. That was a really bad decision. Then we try the new mixing desk he’s recommended for us, as well as what he now says are the correct cables. For every little adjustment he makes, the sound quality just increases. By noticeable amounts, especially for me. Then he adds a little bit of reverb to my voice and a whole new layer of warmth appears making it even nicer to hear. I’m very impressed. 

I think I’ve concluded that if the sound going out to the audience is good, if the sound coming back to me isn’t right, I can’t sing properly so the sound going out won’t be so good. But if I can hear things properly, like it seems I will with this new setup, I’ll be able to sing so much better and impactfully which will mean a good performance and a good sound for both the audience and myself.

I also take the opportunity to learn a little more and ask any questions I have about the mixing desk, which increases my confidence in handling the system even more. Mark has some knowledge and experience of sound but he’ll be the first to admit he’s no expert and it’s great for both of us to get such a masterclass from this guy today. 

Mark:

The guy also brings out an alternative mixing desk, complete with effects which ours is lacking. We were thinking of maybe just buying a little effects unit to add a little more reverb or body to our sound, but this new desk is so much better than what we have and, added to the new microphone, is a revelation. So in it goes. As for monitor, we go through a few options and end up buying exactly the same speaker that we bought here last week so now we have two of them and we have a look now at how this should all be put together. To the collection we also add a bag in which to carry microphone stands, something which can be quite tricky on a trolley, not least when trying to carry it up and down stairs. And finally, we get advice on alternative speaker connector cables which again prove to be far superior to what we’ve been using. I think it’s fair to say we’ve completely overhauled our sound capability in here today in what has been a hugely beneficial exercise. But with all that, there’s one more thing to buy. Another trolley because all this new stuff can’t possibly be carried on one. So now the two of us will have a trolley to pull to gigs. But it also means a little weight has come off the one that we had, so overall the effect is to make the process much easier. And once we’ve started to use this equipment a little more, not least the monitor, we feel we’ll have a far better sound and much more control over it which will also translate to confidence and consistency of performance. To be fair, we may have been struggling with this a little more than we realised with equipment that wasn’t quite up to what we thought it was, and without our own dedicated monitor. As we happily leave the store, we feel ready to start working to hit the next level.

But, beyond Berlin, where is this next level going to take place? We have no idea. We kinda have plans to go to Prague next but surely there’ll be no point being there until at least the second or third week of January. Nothing happens in any immediate new year. We could go and chill for a while and rehearse and get our bearings but we’re not convinced. We consider going back to Ireland for a few weeks but that would involve a drive across Europe for a ferry, and then a drive all the way back out here when the time was right again. Seems a bit much. Stay in Berlin until we’re ready to move somewhere else? But stay where? Especially considering our current place closes in a few days. Katia’s apartment is still on the cards but far from a solid proposition. And of course we were supposed to be in England over Christmas until that got pulled away a few days ago.

But Maja has another possibility. Friends in Sweden are going away for Christmas and they’d be up for having us stay at their place from the 21st until the new year. This has been quietly bubbling away for a few days and today gets confirmed. Brilliant. So that’s that sorted. We already have Artliners booked for the 19th and were never considering leaving immediately the day after. So the 21st suits us perfectly. We can already see that Berlin is starting to wind down for Christmas and there’s no open mic anywhere tonight that we’re aware of. Fine. Given that we need to make the most of what we learnt at the Fargo experience, especially considering how tired we were for that show, we decide to concentrate on Artliners. We really want to be at our energetic best for that one, especially as it’s livestreamed. We’re very happy with how much we’ve been able to play and put ourselves about, so we decide to use this week for relaxing, sightseeing and rehearsing. And Diary writing and podcast recording. But we will do Zum Krokodil tomorrow, returning to that particular venue for the fourth time.

The Berlin Diary, day 13

Day 13

Tuesday December 14

Mark:

It takes us a while to feel ready to record today’s podcast which we title, ‘We’re Going To Need A Bigger Trolley.’ As soon as we finish, we have to leave to get to Zum Krokodil in time for registration at 7pm.

By the time we’ve finished all our little administrative things after the podcast and really got on our way, we’re leaving a bit later than we wanted and we end up almost sprint walking to the place; if the list is full tonight, arriving just five minutes later than required could be the difference between playing and not playing. But when we get there, we find a very chilled place with only two prospective performers and host Conor. Berlin is indeed winding down beneath our feet. However, the quieter atmosphere allows us to talk to Conor and the guys a little more and we get a few questions about who we are and what we’re doing here. This opens us up to talking about The Diaries and the tour a little more, and how this all began back in London. Conor is captivated by the story and promises to give us a good introduction, saying he will also tell people about the website and the podcast. Brilliant.

He holds back starting the evening a little as people are slow to arrive, but about 15 minutes after the intended start time, he does get up and do his thing in the spirit of just getting it rolling. But soon after, people do start to arrive in greater numbers and the potential list fills up and it is really looking like this could again be something tonight. When the time comes to introduce us, Conor stays very true to his word and really gives us a big lead up, showing that he totally gets our story and that he’s fully caught onto what we’re doing. We have three songs. We’ve debated this quite a bit and have agreed on Insanity and Run, but then what to play as a fourth song? We simply have to do I Like You (Better When You’re Naked) everywhere we go. But then where does that leave Rock’n’Roll Tree? We kinda have to play that too. Insanity and Run go great and then the choice of third song comes in. Almost without thinking I just launch into Rock’n’Roll Tree. Maja looks at me across the stage like, ‘Are you sure?’ I am. And it’s started now. Cool, is her reaction. And we’re in. Fully committed, right to the end. The growing audience erupts as we finish and Conor comes bounding over to us to do the whole presenter thing. ‘The Diaries, ladies and gentlemen,’ he exclaims. ‘You will be seeing them next at Wembley Stadium.’ Well, yeah. That’s the attitude we’re performing with. Nice to see it’s being caught onto.

The rest of the evening goes by with some really high quality performers, and when it’s all over, plenty of them stick around for the post show hang.

Maja:

It’s been a great performance and there’s really not that many people around. It’s right before Christmas, in the height of covid with the new Omicron variant just starting to spread around like a tsunami of doom. It’s on everyone’s minds, and people are staying at home for both of these reasons. That means that the few people that are actually here are the regulars and a few other brave souls whose paths crossed with Zum Crocodile. We’ve also played here before, so the regulars very much remember us as that crazy act that literally shook the place with our performance. All of this leads to people all around being very easy to approach and talk to. So I get to have a great chat with Connor the host, and also with Mabloni the Apple Pie guy. Connor invites us to his performance this Saturday, but honestly I have no idea if we’re going to make it. I really want to go, so I make sure to ask if we can buy tickets at the door since I’m not sure if we can make it. I’m met by understanding and maybe a little ‘Yeah, I’ll make sure that you can. It should probably be OK.’ Great, thank you very much. I really hope we can make it. I also chat a bit with Mabloni. I really like his performances, and in my mind he is the apple pie guy that has never been to the USA. A combination of his two performances from last week, and they’ve really stuck in my head. I like the guy and I even buy his CD so I can listen to those songs myself. It’ll be fun to have something to listen to in my car for some of my long drives. 

I’m quite happy with both my performance tonight, and with how much I was able to chat to people. 

The Berlin Diary, day 14

Day 14

Wednesday December 15

Mark:

As we’ve established, we really feel we’ve been seeing the Berlin the tourists don’t see. Getting right inside it to almost become part of the place and, actually, part of what tourists do come to see, which is what the local entertainment scene has to offer. In that, we really do feel like we’ve penetrated to some level of depth.

Maja:

It’s more like we’re living the true Berlin. We’re getting into the nooks and crannies of what Berlin is, far away from the beaten tracks we imagine most tourists would see. We’re living the nightlife in deep covid territory, where you have to get a nose swab everyday before you’re even allowed in the door of the venues where you’d want to go. That’s the Berlin we’re used to, the Berlin filled with hope and creativity perfectly imperfectly stalled by a pandemic. But that doesn’t mean we don’t want to see the tourist Berlin a little bit too. It is after all a city filled with historical meaning which seeps through every corner of every building, every gust of wind and even the people walking the streets. 

Mark:

Well today, we are going to hit the tourist trail and we want to do it while it’s still light. First destination: The famous Christmas market in Charlottenburg. There are quite a few of these around Berlin, but this one is right at the centre of Kurfurstendamm, or the Ku’damm, the city’s most prestigious and possibly most attractive shopping street. At its centre is the Kaiser Wilhelm Church which was bombed in the second world war and left unrepared as a memorial. This is a spectacular setting for our market today, which is built all around the church, so sits literally in the shadow of it. The market itself is a wonderful display of traditional stores left and right all the way around in a large circle and we take in the whole thing before opting for German currywurst followed by a hunt for something on the sweeter scale, which we find in the shape of a skewer of candy coated grapes which are every bit as much fun to eat as you might imagine. The stores themselves are all wonderfully photogenic and we take it all in as we wander around, marvelling at the church and savouring the general fairground attraction feel.

When we’ve looked around all we can, it’s back to the car and a drive around this historic centre as we go all the way up to the Brandenburg Gate past the Victory Column roundabout, and then up past the Tiergarten and the T-34 tanks of the Russian war memorial. 

Back ‘home’ and we start to think about taking a trip out. The open mic at Laksmi isn’t on tonight but we think it could be good to go and have a hang out there and maybe see if there are any friendly faces. When we get there, it’s not just the open mic that’s finished but the whole place as a sign announces it’s closed for Christmas. Oh well. Next destination. Which is a lovely looking bar across the road that we already had our eyes on. A place advertising itself as a craft beer specialist. We really do have to go and have a look. Once inside we find very welcoming bar staff and set ourselves up at the bar to have a look at their selection and start working our way through it. As we’re talking to a few of the guys, the bar manager comes in from the back of the place and says hi. He catches that we’re talking about music and introduces himself. So we introduce ourselves as Mark and Maja, The Diaries. ‘Oh,’ he says, taking a slight step backwards. ‘I’ve heard of you guys. Apparently you made quite the impression at Laksmi last week. The landlady was in here talking about you.’ At this our bartender friend looks at us with a little more interest. ‘That’s really got me intrigued now,’ she says. ‘I will have to check you out.’ And through all this, we ourselves are very much taken aback. Once again, this does not happen. We take it as a sign that we’re developing at least the tiniest little slivers of reputation around here.

Maja:

Wait what? did the bartender of a bar we’ve never been to know us? 

I’m feeling giddily happy, and my chest can’t contain the excitement that just keeps on flowing out of me. What an unbelievably fantastic night. 

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