Fire The Scriptwriter

Category: The London Diary: Shoreditch

The London Diary: Shoreditch, day zero

Day zero

Wednesday December 21

Maja:

I can’t believe we’re almost in London. I can’t believe it. That’s the thought that keeps running through my mind as I continue to drive. The Welsh country roads soon change to the motorways of England as we continue the journey. I’m so tired it hurts, but I don’t want to stop. Every minute at a parking lot is a minute that we could spend in our new apartment. The scenery changes and we finally stop for a quick bite at a rest stop not far from London. I stumble out of the car, and for the first time since Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch, I’m able to stretch my legs for a bit. Mind you, that means stumbling from the car to the restroom, trying my best to walk straight so as to not show Mark just how dizzy and exhausted I am. I end up lying down on the bench in between families of screaming children as I wait for Mark to order us dinner. The glamorous life on the road. The world is moving, and it’s not strange since I’ve been in transit for so long. It’s 7 pm by the time we get back in the car after our short break. One hour to go. Only one more hour.

The city is getting closer, is all I can think of as all the signs come by one at a time. First the warnings about the ULEZ zone and then the scenery is starting to change. I can see the city lights! ‘Mark, Mark, Mark! Look! It’s London!’. Yes, I speak like that. For real. All the time.

All of a sudden we’re in the middle of the city. Or as what I consider to be the middle of the city. It’s a place I actually recognise and know very well myself. We’ve magically ended up in Archway and we’re driving towards the best view of the city that I’ve ever seen from the car. Now we’re passing under that bridge me and Mark stood at during lockdown when we were taking a walk to pick up some plates. Can you believe that? I actually know where we are. In London. I can’t believe that. You can see the red lights giving a strong contrast to the night sky. The London night skyline. It’s stunning, and only for a moment I’m able to enjoy that view I’ve missed for years now. Or what is it, almost two years to be exact. But the moment is short and I can’t stop the car so we continue along, crossing Archway which I remember so well. I wish I had time to stop and walk around, because I’ve missed it so dearly. But we still have a long way to go. I can’t believe how much further we still have to go. Straight towards the tall buildings. I thought Archway was central! But we continue along, the roads are smaller and I have to focus as I navigate us safely to our new home. We drive by a lot of famous places I don’t know yet, and some I do. And after a while, we arrive in Shoreditch. This is so central it’s a part of the congestion charge zone, and my first reaction is how prominent the nightlife is. It feels almost scary. A bit daunting. I’ve never really lived centrally in a city before. It’s always been in the suburbs, or smaller towns. Never totally in the city. In the Capital of Europe, London. One of the coolest cities of the world, and now I am in the coolest part of that city. I can’t believe it. 

I navigate to a little side street, park the car temporarily and leave Mark there as I run to a place to collect our keys from the guardian. I’m a bit confused as to where that guardian is, I have to call him up and ask because even though I’m outside the building I can’t figure out which building. He comes out and greets me outside and I follow him into the reception of some place that just looks strange. It looks like a building site, but maybe more like how I imagine a movie set. It’s temporary but seems in use and a lot of like fabric hanging making the corridors look strange to me. But I don’t get to go further inside than the entryway where I’m handed the keys and then sign some papers. I try to ask some questions but the guardian doesn’t know anything so I just leave. I’ve got the keys. And have had an absurd experience. I guess that’s Shoreditch for you. I go back to the car. ‘Hey Mark! We got the keys!’ Cue hugs and kisses and loud cheers, and we’re off again. The last hundred meters or so down small roads. I’m able to park the car just outside the apartment and we see we’re on the first floor. Which is something to be very grateful for when you’re moving. The road we’re on is quiet. It’s a cul de sac, so no cars around and I can’t hear the city at all. Which is amazing, for being this central. We stumble into the empty, unfurnished apartment, to check it out before we start unpacking. Can you believe we live here now? I can’t. I. Just. Can’t. 

My little tiny Toyota is filled until bursting. I can’t believe we managed to get all we got into it. Six guitars. PA system. Vinyl collection. Clothes. Computers. And a few things we forgot to put into storage in Dublin; The seat part of the drumchair for example. And yesterday as Mark was cleaning the house, I was putting the seats apart to press clothes in under them. You know the space under the seats. That’s a perfect place for our spice collection. The spare tire. Oh, let’s fill that area with guitar leads. Great! 

And now in the matter of minutes we take each and every item out and dump everything on the floor. Thank you car, you did great once again. 

As we lock the car and go back into the apartment there’s only one thing left to do. We blow up the airbed, put the sheets and duvet on and fall into it. I can’t believe it. 

‘Mark. We made it.’

And we fall fast asleep until morning. 

The London Diary: Shoreditch, days one to 73

Day one

Thursday December 22

Mark:

Our original plan was to go away for Christmas today, but we need this day here more than we had begun to anticipate. There’s loads of general apartment organising and bits of admin stuff, and then we’ew off out to buy a few little bits and pieces for the apartment. For this we leave our area and take a drive to Stratford, a town out in east London which has a shopping centre. Then late afternoon we manage a little walk around our new area, one of the very coolest in London. The bars and potential venues seem almost endless, especially given our track record for playing in places not generally considered live or original music venues. Go to the end of our very short street and turn right and there’s a bar 20 metres that way and another one across the road from that. Turn left and we’ve got one within about 70 metres and a whole bunch not far from that one. And this is the backstreets. The whole place is filled with tiny roads, off of which branch more tiny roads with more hidden bars. And this being Shoreditch, there’s bound to be so many places not even visible from the street. This is going to be very interesting area to get to know.

We also discover that there are loads of temporary food stalls set up right across the road from us. Falafel stand, kebab stand, and three or four others. These, we learn, are set up and taken down every lunchtime to cater for the huge amount of office staff around here. We will also later learn that there are a few more streets round Shoreditch where this happens, including two streets, both very close, that are totally taken up both sides by such stands. It’s like living in the food section of a theme park.

Having looked round our local area a little, we take a walk to Covent Garden to visit Krisoff, manager of the White Hart. He’s stunned when we walk in. The whole double take thing. A lovely drink or two with him where we recount a few recent adventures and fill him in on where we’re living now. This place, in the heart of the West End, is a walk of a little over half an hour from our new apartment.

As for where we are, it’s kind of surreal to think we live here now, especially straight after living in a tiny town in Ireland. When I was living in Kentish Town, a friend who lives in rural Wales once asked me if I could see the tall buildings from where I was. When I said yes, he said, ‘You’re central.’ Well, from where we are now, we can’t see the skyline at all. We’re right inside it. For a start, we’re right in the centre of UK’s equivalent of Silicon Valley. And again, if you’re not familiar with London geography, you probably at least know the Gherkin among a few other things. We’re about 10 minutes’ walk away from that.

Day eight

Thursday December 29 

Mark:

Lottery winners are probably more common than holders of central London parking permits. And you don’t have a permit, you would probably have to be a lottery winner to be able to afford to one. So we’re not going to do that. Instead, just like we did during our visit here last year, we drive out to zone four and find a free parking spot there. That’s about eight miles away. For those not familiar with London geography, it has eight zones, essentially arranged in rings, so zone two surrounds zone one and so on. Of course, we’re in zone one. And for parking we’ve pretty much followed the tube line from our local station and parked near one of the stations in zone four. This means that anytime we want the car, we hop on one tube, go pick the car up and use it, take it back to the same, or a similar place, then a single tube ride back home. Simple. So as long as we have the car here, we have the possibility to maybe gig in other areas of the country, or maybe areas of London or outside that aren’t so convenient for public transport.

Back home and we have another acclimatising walk round neighbourhood, also venturing a onto the edge of the financial district. Here we find a hotel that has a few lovely bars open to the public, including a roof bar. Cool, although that’s not open right now, and neither are the others, but a good discovery. Out of there and we almost immediately find a very classy place called Flight Club, a small chain company of bars. And it’s here that we have our very first pint in our new area.

Then we’re off for something slightly less classy. Having rented an unfurnished apartment, we still only have what we could fit in the car, including the air mattress so we at least have bed. But that’s it. So dinner is a takeout, which is all great, but which we eat sitting on our cold tiled kitchen floor. But even that is still kinda wonderful in its own way. We’re here.

Day nine

Friday December 30

Mark:

I thought I knew Shoreditch, having come here quite often when I was last living in London. But I really didn’t. We’re having little walks and discovering more and more and it really is a city in itself. And so many backstreets, including our own part of Shoreditch which feels like it’s more for the locals. Well, this is a busy nightlife area and I don’t think people are coming here from all over London to go and have a quiet drink in a backstreet bar. So I’m taking it that they’re mainly for us. And our neighbours. We’ll let them use them too. And the office workers. Oh, so many office workers. Come here during a weekday lunchtime and you’ll see that it truly is techtown.

Highest on the agenda today is picking up a table from the nearby catalogue shop. This is to be a narrow thing that will go along the wall in our kitchen and it comes with two matching stools. With that, we will now have our first furniture in the apartment – air mattress notwithstanding.

We’ve picked it up and I’m struggling back through the side streets carrying it home. Why oh why did I not think to bring our trolley? I have almost no vision of what’s in front of me and am just following Maja’s feet and trusting her to tell me if there’s anything bump-intoable. Then I hear, ‘Mark.’ I ignore it. Then again. Oh, maybe they are calling me? I should check. I tentatively turn round. I don’t believe it. Marco. A chef I worked with way way way back at The Oxford. He’s one of my favourite former colleagues although we haven’t kept in touch that much but I’ve seen that he has been following The Diaries. And even now, bizarrely, he sees and recognises Maja before he sees me, because he’s seen our Youtube videos. Wow. OK. So we have a hello with Marco now and of course I introduce the two of them. So he works here in this very expensive restaurant called Ozone, and we live practically at the end of the road down there. He suggests we come in for breakfast soon, and promises us a half price discount. Well yes. We will. Thankyou very much. Brilliant. We’ll see you soon. 

Now to continue and get this thing home and set up. And yes. We now have now transformed our kitchen and whole living experience. Just having a little place to hang out on and eat and have a drink and listen to music. Seriously, having this little thing has suddenly transformed the whole feel of the apartment.

We have a chat to Rick later and see if he can guess where we are. Ridiculously coincidentally, our street name does have a link to us so I tell him it is possible to guess. He comes back with, well the only street in London I know, and it’s only because we had our headquarters there, is Mark Street. I. Do. Not. Believe. It. This street is tiny with only two apartment blocks on it, one on each side. And it’s very very out of the way. And yes, Rick’s office was across the road. We can see where it was from our window. Just crazy. So that means that across one road is Maja’s office. On other side is Rick’s. And in the middle – in the apartment itself – there’s ours. Which, for now, kinda means mine.

Day 10

Saturday December 31

Mark:

We can’t believe we live here. It just keeps hitting us. Everytime we walk out there’s more and more to discover, not least just a huge variety of restaurants from so many different countries and cultures. There’s the other mad little thing that if we venture out a little way on a walk, on our way home, we’re heading right towards the London skyline, knowing we’re continuing to walk right into and among it to get home. And on our way out into the West End for New Years tonight, we discover the famous Leadenhall Market which is bang on our route 15 minutes walk from the apartment. This was used as the location for filming Diagon Alley in Harry Potter. Less than ten minutes later and we’re walking past St Paul’s Cathedral. A little further on from there and we’re in The West End. This is our New Years tonight as we plan to split our time between Kristoff’s White Hart and Tommy’s Marquis, a little further down the road just off the corner of Trafalgar Square.

We arrive at The White Hart around 8pm. After meeting him and everybody, he gives us wristbands that let us back in later on. Oh. Had no idea they were needed. The place is kind of booked out, but he’s making room for friends. Brilliant. While chatting, he says we really should play here. Gig number three offered. Brillianter. A few drinks in here and we’re off The Marquis just off Trafalgar Square. The plan is a drink or two in there, then back to Kristoff’s before midnight to take in the actual New Year. When we get to The Marquis it’s locked. But we knock on the window and Tommy comes out and is delighted to see us. He also had no idea we were in London. He tells us they have a private event tonight for locals but he’s putting our name on the list. They’ll be open in half an hour or so. Thankyou very much. So we just have a general wander around the area, also taking the opportunity to pop into a cafe for tea and cake. Then back to Tommy’s. Once there we get introduced to a lot of the bar staff I’ve not met before and basically hang out with the locals. 

It’s New Year’s Eve in central London and we have a total local bar vibe going. We enjoy this for a while then leave for Kristoff’s and the final party of the year. Just as we’re leaving, Tommy says we have to come back sometime and have a talk about playing here. Absolutely. Yes. And with that, we have London gig number four on the cards.

Back to The White Hart now and the pace has fully picked up and stays that way till countdown and some time beyond. In between, a few familiar faces come and hang out, including one or two people Maja met last time we were in London. Bouncing between these two bars, tea and cake interlude in Soho and then party with a bang in here really has been quite a fantastic way to bring in 2023. We head off about 2am, starting to think about how to get home. Well, all the roads in town are closed and there’s no public transport to be had anywhere. Despite that, so many bus stops are crammed with expectant people who will have to accept the situation at some point. We’ve already accepted it, but fortunately for us, we can just keep walking. 

Day 11

Sunday January 1

Like everyone else, really not much.

Day 12

Monday January 2

Mark:

A cool interlude today as Paul calls out of the blue. ‘Guess where I am.’ Oh alright. How long have we got? Well, he wouldn’t say that if I didn’t have a chance, so, ‘Somewhere in London.’ ‘Angel,’ he says. That’s pretty handy. That’s the next town from us, just out of the edge of Shoreditch and then a straight road to Angel. Do we want to meet up? Yeah, that works. So yeah. Me, Paul and Maja have a wonderful late morning/ early afternoon catchup starting at the hotel he’s staying at before venturing out for lunch nearby. 

As for what Paul’s doing here, he works with some of the top darts players in the world, arranging and writing PR and making sure other things go smoothly for many of the players. He’s here today for the world championship taking place in the nearby Alexandra Palace, as the guest of Dmitri Van den Bergh who will go all the way to the semi final. 

Day 13

Tuesday January 3

The last day before Maja begins work. A gentle day and a nothing night. This is all about preparation and getting the apartment together. 

Day 14

Wednesday January 4

Mark:

The first day for Maja as the job begins. 

Apart from that, the next few days and weeks will be a flurry of unpacking and apartment admin, including taking deliveries of and putting together various bits of flatpack furniture. A large wardrobe and bed in the studio, where I also have to reassemble the desk we brought with us. Then there’s the main bed, sofa and the rest. You can be spared the details. Beyond that, outside of Maja’s new office, it’s all quite pedestrian right now and will be for a little while. I also pretty much observe her hours. Going to bed and getting up at the same time, and overall just being pretty sedate and totally not rock’n’roll. But really, all this is total lifestyle commitment and dedication to create the ends for what we have to do to be able to rock’n’roll. And that, really, is total rock’n’roll.

So yeah. Maja goes to work, comes home and we relax until the next day. During those days I take delivery after delivery, including a bunch of flatpacks which I put together, and I go round town running errands. The kind of golden material Diary is made of.

But yeah, really, there isn’t going to be a great amount of The Diaries over the next few months, and not a massive amount of out on the town either with Maja in bed at a decent hour each night to start early in a demanding office, with me mostly keeping the same hours. For myself, I’ll be looking at some continuing studio time as we get that together and hopefully I can keep a few songs coming while developing some of the ideas we already have. And as I already said, there’s a lot to do to get our place into shape, at least in the first few weeks or so with all the flatpacking. But this first three months in London is about Maja settling in which means yes, getting used to the new job, but mostly completing her probation period before really thinking too much about performing. That means three months before we’ll really start to see much action for The Diaries beyond what I might get up to catching up in here, in the studio, and working on songs. I’ll fit what I can of that in between all the daily apartment admin bits and pieces and generally trying to make life as easy for Maja as possible allowing her to concentrate on getting up to speed in the office without having to worry too much about what state the apartment or dinner is in. So yeah. To put it crudely, I’m taking care of house and Maja’s taking care of the money. My job here is The Diaries. To lay the groundwork, keep the studio going, do that song thing I mentioned a moment ago, and keep myself up to speed for when we are ready to hit the stage again. And when we do reach that time, it will be me doing most of the daytime hustle to really start getting things off the ground. Maybe a few quiet nights out to connect with the area and simply get out from time to time. Some of that may or may not be written about. But really, for the next little period, we’re pretty much just playing house.

Day 15

Thursday January 5

All the stuff we left behind in storage in Ireland arrives today, courtesy of Ger O’Dwyer – get the actual name of the company. He delivers a great service and has even found some carpet type material with which he’s wrapped our keyboard. That’s above and beyond territory. Thanks Ger. 

But now what will be our living room is filled with ten large boxes and assorted odds and ends. Our apartment currently resembles a small warehouse.

Day 17

Saturday January 7

We have a bed now so we’re off the air mattress. That is a big deal.

And our first night out with friends as Matt, his girlfriend Elisa, and their friend Johannes come round to meet us in Shoreditch. This will be the first time we’ve seen Matt since arriving back in London and we begin at our local neighbourhood bar The Fox. Maja describes this as being nearer to us than The Mill was in Clara, and that bar was next to the mill it was named after – that thing in our back garden by the way.

The Fox is a nice and cosy place to meet. Perfect for a catchup and away from so much of the frantic Saturday night-ness that is going on everywhere else around here. While ordering at the bar I get chatting to a barman who introduces himself as Chris, who now becomes the first person around here who we’ve got to know the name of. I tell him we’ve just moved in down the street and he says, ‘Welcome to the neighbourhood. There are a lot of interesting people round here to meet.’ I bet there are.

From here, we venture to the edge of our backstreet area to The Griffin, another old style pub, but far far busier with a Saturday night crowd. There isn’t a table to be had as we walk in, but just as we reach the bar a table of four people get up and leave and, without breaking stride, we slip right into their vacated space. Result. Right. We’ve done the neighbourhood thing. Now to at least get into a little bit of the action. Across the road and we’re on the main street and into The Old Blue Last which is now at full volume and really warming up. We accelerate into Saturday night here, then when we’re done, we wander down the road to find a burger and beer bar to finish off. Out of here and it’s time to say goodnight. And after what’s felt like a full night out on the town, it feels quite ridiculous to negotiate our way through the still partying crowds and then simply step across the road to find quiet backstreets and then home.

Day 18

Sunday January 8

Sundays really are amazing round here. We live just off the financial Square Mile so, like that area, we have a massive weekday office population but for actual residents, the whole place is really lightly populated. So Sundays, we can walk all around our area and the whole place can feel deserted, like we have this part of London all to ourselves. Within all this, a simple walk to the shop this morning is a revelation. On my way back, I pass a guy walking down the otherwise empty street with his son. They’re singing together. But no other kind of casual street singing I’ve heard before. No. This guy is singing lines of opera in a quite astonishing voice, and the boy is repeating them back to him. Just another one of those reminders that this place really is a bit different. An inspiring outing to buy milk.

Day 19

Monday January 9

An inspiration of a totally different kind today as walk Maja to the next street to her office, then continue the walk. Within no time I’m deep in financial London early in the morning. Whatever the ills of the banking world, this place is just filled with electric and I can’t help but pick up on it all. Everyone is striding with a purpose, with an energy, with an ambition. With urgency. I’m totally disconnected from it all, yet find myself moving along in the same rhythms. A light rain adds to the immediacy of my constant motion surroundings, especially as not a single person seems to pay any attention to it, so determined are they on thoughts of the day or the next destination. This all feeds into my own vibrations and I take it in with growing exhilaration which feeds my own thoughts of the day and destinations. I round the huge, imposing, windowless building of the museum of the bank of England and head back home, to the new London nerve centre of The Diaries, my own nerve centre still wired and jangling. This feels alive.

Day 22

Thursday January 12

I finally get a good chunk of music time today and I really can’t quite believe how comfortable it feels to play bass. Not how good, as in, yay, I’m getting to play music again. I mean, how actually good. My movement is fine, dexterity, maybe fretboard knowledge and speed of improvisational thought aren’t quite so highly attuned, but I feel like I’ve hardly been away from this thing. Not sure how, but I’ll take it. I’ve barely played guitar at all in the past few months, apart from the Canal Turn, charity shop and Trap gigs and the minimal rehearsal we managed to squeeze out for them. And I’ve not touched the bass or anything at all in the studio for around three months. This getting back to it and feeling this good about playing really is a big deal because my next job on the album is checking out bass parts I’ve put on so far, tightening them up, and tightening them up with the drum parts we’ve made, and also possibly rerecording some parts that we think maybe could be better. In short, I’ve got to become a studio bass player again, and on first sight today, I’m already a good way there. My plan now is to take a few days to really properly level up my bass playing and to get back to a good understanding of what we’ve recorded and what I need to do with it.

Day 24

Saturday January 14

As we saw just after New Years, the wonderful neighbourhood of Angel is just a 20 minute walk away, straight at the end of the road once you’ve reached the edge of Shoreditch. This is where we’re headed tonight, just because we love Angel and have a few friends who work in The Camden Head bar there. But oh well. When we get to the Camden Head, no-one we recognise is on the bar or in the place, and it’s also uncomfortably full. To be fair, it is Saturday night. We try a few more bars, all with the same result until I say I know where to go in this situation. The Old Red Lion, a famous theatre pub. Maja’s never been. Well, yes, it is perfect. Just off the beaten track and with a cool atmosphere without being too ram packed, meaning we can get a table. 

Maja gets her first view of how special a place this is when a large group of girls comes in and all stand in a huddle almost in front of our table. Then one by one they begin to sing. Not chart topping hits in warbling voices. No. This is a full on theatrical musical number full of harmonies and all kinds of different types of interactive performance between them. Basically, we’re getting a section of a show right in front of us. Maja looks on wide eyed while the rest of the bar barely reacts as they continue their, er, theatrics. I take that as a sign that this is just normal goings on in here. Then they’re done, applause, but for them it was just a bit of fun as they dropped in. A few of them turn to us, especially Maja, a nod and a wink, then they’re off and disappear out to the back garden. We do not at all discover who they are, but it really wouldn’t surprise me if they’d just come straight from the stage somewhere in the West End and then performed right in front of us.

On the way down the main road out here we came across a keyboard stand someone had put out to be picked up. We checked it out and it was all in perfect order. So we decided if it was still there on our way home we’d take it. Well, here it is and we do indeed take it. So that’s how you get a keyboard stand around here. On we go and we drop off somewhere for a takeout. While in the queue, the guy behind us says, ‘Where’s your keyboard then?’ A pretty funny opening line. We tell him what we’ve just told you, then add that we’re hoping to use the keyboard we do have, on top of this, for midi drums for recording; we’re currently placing them one by one ourselves. There can often be a lot of copying involved for main rhythms, but there are also a lot of details, and the rhythms also have a lot going on, meaning we have to drop details into them as well. It can all be a painstaking process. I’m really hoping that if we can get the keyboard going and learn how to do it, this could be a much quicker and more fun way of getting our midi drums into our tracks. We don’t say all that to the guy of course, that was me taking the opportunity to explain some of our drumming system to you. We have a chat to this guy about music for a little while and he says he’s a keyboard player himself. Cool. We give him a card and we’re on our way. That could be a future connection or not, but the fact remains that we just had an involved conversation with a stranger, essentially on the street, about music and about The Diaries, and all just because we were carrying a keyboard stand we found on the street. 

And all that is as interesting as things get for our first full month back in London. The odd mildly interesting encounter, a few more bars and restaurants hit and the occasional gentle night out. And in between we drop in on our two favourite West End bars The Marquis and The White Hart once or twice.

Day 47

Monday February 6

Mark:

It’s my birthday. Did I mention Shoreditch has a Blues Kitchen? No? OK. Shoreditch has a Blues Kitchen. We’ve not been to it yet and tonight would be the perfect time to break that duck. I’ve only been here once before, that was ages ago and the place was rammed so I didn’t get to have much of a look round it. We do tonight and it really is bigger and more sprawling than the legendary Camden location we all know so well from Mark’s Diaries – if you’ve ever been there. It’s even got a vintage camper van placed inside it. An actual camper van that you can go and hang out in. Well, it’s not kitted out like a camper inside, but it’s still a pretty cool concept and a really cool semi private area out of the way of all the hustle, if you’re looking for that.

We do hang out in there for a little while, just because, then we go back out to the floor proper and find a table there. After a little while a waiter comes out bearing a birthday cake with a candle. I wonder if Maja had anything to do with that.

Day 49

Wednesday February 8

Mark:

We’re back in the Blues Kitchen again. We think it’s time we saw some live music and yep, they do that in here. We did also discover on Monday that Wednesday night was half price cocktail night, so of course we had to check that out. And the live band? Regular Blues Kitchen residents, The BKs. Featuring my old BK mate Kez on bass. As you would expect, the place is packed, so if we leave our table, we wouldn’t have one to come back to. So Kez comes over and says hello before the show. Wow. Really great to have made that connection again. Then he’s off. He has business on stage to attend to.

Day 50

Friday February 10

Another night out in the neighbourhood with Matt. No idea what bars we end up in.

Day 52

Sunday February 12

Mark:

It’s just an early Sunday evening walk out. Just a wander round the place to shake off a lazy day spent inside. Then we spot a rooftop bar. Oh, we have to go have a look. So we do. It’s in the hotel we came across in one of our first walks around here, but this time the bars are all open. So up to the roof we go for a drink in one of the most spectacular bar settings I’ve ever sat in as the illuminated skyline of London spreads itself out before us. 

Day 54

Tuesday February 14

Mark:

We have a full listen to our show at The Canal Turn from November. We’re really dropping in to see our my memory of fits reality. We remember it as being a great performance with a great reaction. Yep. We can confirm that it really is. So much so that we agree that yes, this could and should go out as a live album. It contains nine songs, but the audience and their reaction throughout really is a tenth track. And it’s just so representative of the best of the kind of shows we played during our time in Ireland. And it’s our last show, apart from our farewell show at The Trap the following month, but we didn’t manage to get a good recording of that. So, The Canal Turn it is. I think this show is even more representative than the show at The Trap anyway because it’s another time playing to people who have never heard anything from us before, but still they clap and cheer and sing along all night.

Day 56

Thursday February 16

Mark:

Late afternoon and my phone pings. Hi Mark. You playing anywhere these days? I’m in London. What? What now? This is from Bia, a great friend who I used to hang around a lot with in Cork way way way back, and then we lived together in what became the most amazing house of parties and music, right in the city centre. I stayed in that house for nearly seven years. She was and is also great friends with Amy. Bia left Cork a couple of years after we moved into that house and went to live in Brazil, where she still lives today. I haven’t seen her for almost 20 years although we have sporadically kept in touch throughout that time. But not enough to know she had plans to be in London. And now she’s turned up. Just like that. It takes me a little while to get my head around that, but then I’m like, no way. Just no way. Amazing!! I give her my number and have to say that, no there are no gigs just yet but that is deliberate. We arrange to meet tomorrow. In Shoreditch.

Day 57

Friday 17 February

Mark:

Well, here they are. Bia and her friend Cris, who speaks no English at all. The two girls have visited Portugal and are now in London for a week. It’s a huge moment when me and Maja round a corner near Old Street tube and there she is. I’m sure you can imagine the hello. Then introductions are made and we welcome them to our Shoreditch. Immediately they’re taken in by their surroundings as we venture further into the area. We head straight for a bar called The Angel where we set ourselves up at a table and just let the outpourings begin. But as for Bia, I thought there would be some mad story as to why they were here, but no. They just fancied a visit to London and Cris had never been to England, so here they are. 

Once they’ve settled and landed here, we go for a little walk around the area, which includes showing them our place and then Maja suggests we go to The Bridge Bar, the spectacular coffee shop type place which Matt introduced us to a few weeks ago. Once in there and we discover the back garden is full but we have the inside of the place to ourselves and me and Bia settle at the front by the street window while Maja and Cris get to know each other. Although they have no common language, those two have somehow really connected and they also spend a lot of their time dancing down the narrow strip of barfloor as me and Bia just hang out at our end of bar window seat. The mad thing is, there isn’t a lot of catching up or reminiscing. Of course a little, but essentially we’re just hanging out. After 20 years. Oh man it’s good to see her. And for her to see us, where we are, and to meet Maja. As we’re inside, we’re able to speak to the bar staff a little more than we would have done if we’d been out in the garden, and Rico, the owner, remembers me from a few weeks ago. We have a little bit of a chat and without me hustling, he says we should come and play here. Oh wow. Yes. I’ll return to talk to him about that when we’re ready, I tell him. I should stop doing this, but that’s prospective gig number five since we arrived and we haven’t even started looking yet. Now me and Bia get back to where we were and Maja and Cris just continue to dance it all away.

The two of them have a full London sightseeing day planned for tomorrow and will then meet other friends Bia has here, so we arrange to meet earlyish Sunday.

Day 58

Saturday 18 February

Mark:

We are not meeting earlyish Sunday. Per calls today. He lives in Alicante, Spain now but has just arrived back in London for a while. What is going on? Right. I guess we’re out tonight as well. He and his wife Weng are in Ain’t Nothin But… so we arrange to meet at a burger bar round the corner from there. We get the last table in the packed out place and Per and Weng soon come and join us and it’s the second epic hello in two days as they settle in here. Per’s in London for a while so we may manage another hang out or two, although he’ll apparently also be in Norway for a time before returning here, then making his way back to Alicante.

After we’re done here, we head off to The Marquis which is slam packed, but we find a great spot in the alcove out back. As the night goes on, people leave this alcove and aren’t replaced. So before long it looks like the place is totally full, but we have our own private party room back here. Over there, you can barely move across the floor. Back here we’ve got all the space we want. And oh yes, we use it. And as it gets later and later, HB, one of the barmen here, finishes and comes and joins us, bringing fellow staff member Jess. They slot right into our vibe as we kick it up just another notch. Anyone walking past on the street would think we have our own little private members club here, and that’s exactly what it feels like.

But yeah, during all this, any thoughts we had of being up and out anytime early tomorrow vanish. During the evening we pre-empt it and let Bia know we most likely won’t be joining them for their sightseeing walk. Instead, we’ll make new plans during the day tomorrow. 

Day 59

Sunday February 19

Mark:

Maja has the thought that when friends meet after a long time, or meet each other in different countries, once the sightseeing has been done, there’s nothing better than just hanging out in the host person’s house and just letting the evening wind along on your own terms. So that’s what we suggest. Hey guys, you want to come round ours. They do and they’re round a little after 7pm bearing wine and snacks.

This is just epic, and is all perfect company and the perfect setting for me and Maja to mark two years to the day since we met.

In the calm surroundings of our own apartment, we recount some of what we’ve done to Bia who relays it to Cris. We’ve played almost a hundred shows, done two European tours, and moved house four times, in the process changing country twice. We’ve also written an album and a whole lot more songs.

As for that album, yes it’s dragging on, but today we completed the backing tracks for the first nine songs. Now we have to begin the recording of the final three. One of which we’d already recorded, but then scrapped everything after deciding on a new arrangement. One has timing issues so has presented a few recording challenges and we only now really feel up to tackling that one. And there’s a new song which we decided to put on relatively recently. 

Oh, and as you’ve seen, only this week we decided to release a live album from one of our last shows in Ireland.

And of course, we’ve written about all of these adventures in The Diaries which, in the past few days, has passed the 300,000 word mark; for reference as to how much that is, take the Harry Potter books The Prisoner of Azkaban and The Goblet Of Fire – 953 pages combined – and we’re a few thousand words beyond that.

The evening winds on wonderfully and when the time’s right, the guitar comes out and we play a few songs for them. Bia is a true music lover and revels in this private show, as does Cris. A truly magical night. 

Day 63

Thursday February 23

Mark:

Our friends’ London visit is over on Friday and they have a few other things on their itinerary before then. Bia is of course very keen to see Amy while she’s here and we’ve already been on it with arranging that. We’ve planned to meet tonight in Covent Garden. At Kristoff’s The White Hart, and we’ll take it from there.

We do indeed do that and I’m anticipating a quiet enough bar for a table and a catchup, but when we arrive the place is already so full you can barely walk through it. So alternative plans have to be quickly made. Bia is here with Cris and two other people. Telma, Bia’s cousin who lives in London now and who I met many years ago in Cork when she was over from Brazil and the three of us hung out almost every day for a week. And Bia’s nephew Otavio is here, who arrived from Brazil today and this is his first ever time in England. It’s all so packed that Maja and Amy wait outside while I go in and find the others. They’ve still got drinks, so it’s agreed that Maja and Amy will go and find another place for us and I’ll bring the five of us to meet them there. Cool. We have a plan. Kinda. As we’re leaving, I’m very happy to be able to briefly introduce Bia to Kristoff. While this is a little meeting of two of my friends, I think it’s just really cool for Bia to meet the manager of such a busy central London pub while it’s right in the midst of full busyness.

Now onto the place the others have found and they have done so well, finding us a corner table in a seafood restaurant called Lowlander Grand Cafe that is happy to accommodate us for just drinks, although we assure them that some of us will be ordering food, which does indeed happen. But very piecemeal, which works out really well in a casual kind of way as the place bustles all around us. The restaurant staff also get to hear that this is a 20 year reunion and they really do their best to look after us. And yes, here we are. Myself, Bia and Amy. Together again for the first time in all that time. I lived with two of them at different times, although there was a period when Bia spent a lot of time at the house while Amy lived there, and of course we were all on the same Cork scene at the same time. Telma’s also part of the reunion as well, and then there’s Otavio who really can’t take it in. He’s just 19. He wasn’t even born the last time we all saw each other. The concept of him, from now, having a long friendship with someone, then saying goodbye, and then meeting them again 20 years later, just about explodes his head. It’s just about exploding all of ours to be fair and the fizz of that effervesces and emanates all around our jubilant table and beyond.

When it’s time to leave, we wind through the streets to Tottenham Court Lane station. Hardly a long distance departure point, but it might as well be for us. This is where we say goodbye to Bia and Cris and, accompanied by Amy, they’ve soon disappeared down the escalators. It’s a sad yet joyful farewell. Such an amazing week and so incredible to have been reunited again. It’s at this point you often say to friends something like, let’s not leave it so long next time. But not tonight. It’s possible we won’t leave it 20 years, but with around 6000 miles and two oceans separating us, it’s fair to say we won’t be meeting for coffee any time soon.

Day 64

Friday February 24

Oh dear. Today we both start to feel a bit sick, which develops into being laid up for the next week and a bit beyond. I guess you could say we timed that pretty well. It really wouldn’t have been fun if this had happened last week.

Day 73

Sunday March 5

Mark:

For the first time in a while we both feel good and kind of up for stuff, so we go out for a walk right into the city. First stop is the old original London now encompassing much of the financial district as we revisit the London Wall for the first time since we had one of our profile pictures taken here shortly before we left for Ireland and after a particularly memorable and eventful few days. That would the first part of The London Diary: The Last Two Weeks, and encompassing the last part of the previous Diary. This is the old Roman wall and parts of its original construction can still be seen, which go right back to 200AD. Even some of the more recent parts date back to Medieval times when some of the original Roman Wall was incorporated into what was built as the city defences of the time.

After this monument, we stay on the history trail with a visit to The Cheshire Cheese Pub on the famous old media home of Fleet Street. I’ve been wanting to show Maja this for some time, and it’s long been on my list of destinations for visiting friends. Not only does this pub date back to before the Great Fire of London of 1666, but it’s one of the few public buildings to have parts of it that survived and can still be used. This is because those parts are underground, and down there we go, traversing original narrow stone steps into what look like ancient stone cellar rooms, probably because they are ancient cellar rooms. This place winds down and down through those narrow staircases and is made up of so many little slightly darkened warrens. A truly dramatic and privileged location for a pint and, being on Fleet Street and still in much of its original carnation, an old favourite of so many of those legendary old newspaper warriors of print. Well, hopefully we keep up it’s tradition of freedom of spirit and creativity as we set ourselves up at a table in the middle of one of the larger warrens and have a discreet rehearsal, going acapella through some of our newer songs, and revising a few older ones we’ve not done for a while. What better usage of a pint or two?

Then it’s off to China Town where we wander to the fringes on Shaftesbury Avenue to find an authentic Korean barbecue restaurant – Olle Korean Barbecue.

After such a great comeback day from both being sick for a while, what better timing to book the first actual concrete date of an offer for a London show. As you know, we’re really not looking to start playing until April 4 when Maja finishes the probation with her new job. However, my friend Alex who runs the Dial Up Club, with whom I used to play in the house band, gets in touch to invite us to play his next event at the Deli Theatre. Practically next to The Gherkin. And it’s this coming Thursday. Brilliant. Just like that, we’re on.

The London Diary: Shoreditch, day 77

Day 77

Thursday March 9, 2023

A little add on to the end of the last entry of March 5.

A few years ago, as recounted in our companion piece, Mark’s Diaries, I accidentally became the house bass player with a jazz piano/vocal act which was running a kind of curated open mic called The Dial Up in Swiss Cottage in north London, not far from Kentish Town where I was living at the time. Both Jon, the pianist, and Alex, the vocalist and compere were absolutely wonderful, Jon, especially as he talked me through so many live chart reading experiences which took me right to the edge, and then sometimes quite far out, of my comfort zone. One particular experience had me feel so faint I could almost pass out immediately after the performance. Such was the breath stopping concentration required to read a four page totally original musical manuscript someone once asked us to accompany him with. This particular piece came complete with a bewildering array of navigational symbols. Oh, that was to say that while both were quite wonderful and endlessly welcoming, it was Alex in particular who I came to feel able to consider a friend and he ended up joining me as a vocalist in the jazz group I became part of. Actually, it was thanks to Alex that I was able to even contemplate agreeing to join a jazz band when I was asked. I’d originally called Alex in answer to an advert looking for a house bass player for an open mic night. Perfect, I thought. Whenever I would turn up at open mics with my bass – usually on my way home after rehearsals – someone would ask me to play with them, then I’d simply find myself staying on the stage as a whole succession of people asked if I’d stay and play with them as well. So to actually have the chance to be an open mic house bass player seemed made for me. So I called him up, he was delighted to hear from me and explained they were a piano/vocal duo specialising in jazz and the Great American Songbook and that there was a lot of on the spot chart reading involved. Oh, I said, and quickly explained this was a massive misunderstanding and I metaphorically tried to back out of the room before anyone realised I was there. Alex was having none of it and through gentle yet stubborn persuasiveness got me to agree to come along to their next show and have a go. I did, and kept going for a year or so. I can’t quite remember how long I kept it up, or why I stopped going but it became a big part of my live performing routine.

Tonight I’m back at the Dial Up Club with Alex giving it a go in central London, as I said the other day, practically in the shadow of the Gherkin.

This is in Theatre Deli, a place we are privileged to have found. It’s so hidden away it’s almost private. If you don’t know London that well, I should tell you that the City Square Mile is not very well endowed with bars or venues at all. Or at least, not many that the public can see. I’m sure all those tall buildings have got plenty of secret places going on, as well as others that are open to the public but not that widely known. This place could be filed under that second category. Me and Maja came down here a few days ago to see if we could check it out but we got to the address and all we round were office buildings. When we arrive tonight we see again that it is still just office buildings, except outside the door we were at the other day is now an A board declaring ‘Theatre Deli.’ The door is open and we go inside to find an interior office setting. A large reception area with the usual security/reception type person sitting at a desk. ‘Theatre Deli?’ we say, with that lightly hesitant question mark inflection. He directs us down the hall where we pass through some double doors to come to another large reception area with another receptionist, this time someone to guide us to the place we’re looking for. Which is down another corridor. As we start to walk down that, we can hear piano and the distinctive sounds of Alex’s wonderfully rich jazz/musical theatre voice.

And we’re in and Alex is over to us as soon as he’s finished his soundcheck. Not Jon on piano today though. Now Alex gets to meet Maja for the first time then we all sit down and wait for things to begin. The way this all works is that a special guest gets to open the show, and then play again in the middle and then at the end. Or something like that. Anyway, by the time Alex is all ready to go, the special guest isn’t as it’s some kind of group and one or two of them haven’t made it yet. So Alex asks if we wouldn’t mind starting the show. Not at all. Well, here we are and here we go. About to play for the very first time in public in London. Unfortunately, there really isn’t much of a public here to talk about. Two people who seem to have wandered in here by accident, or more likely from one of the offices upstairs and are just having quiet pints, the small part of the main act – there’s three of them here right now, and Simon, a singer/songwriter. We know each other from previous Dial Ups and we have a lovely hello after so long. Another person I’ve not seen since pre Covid days. There are still quite a lot of those around London for me. When Simon’s spot comes, we are massively impressed, especially Maja who’s seen open mics in a few cities, including Dublin, and Simon, low key as he is, is as good as anyone we’ve seen. Right up there actually. London really does just have a higher bar. Oh, apart from those guys, we of course have Alex and his pianist, and the two bar staff. No matter at all. We’ve long said that no crowd is too small and we launch ourselves into this just like we’ve launched ourselves into everything else, flying all around the bar at random and generally just surprising the hell out of everyone, not least the barstaff when they see us suddenly pop up at the bar and still playing with the stage all the way over there at the other end. We’re also doing our own little open mic thing here which we did for the first time at Sunday Slip in Berlin last summer. That is to not have any plan of what we’re going to play. Instead, we’ve written all our songs on pieces of paper which are all face down on the table, and we invite people to pick them out. In this way we can also avoid the temptation to play I Like You (Better When You’re Naked) at every opportunity. First song picked out from the ten that are there? Yep. I Like You (Better When You’re Naked).

It’s fair to say we make an impression. In fact, much more than we possibly thought. Wait for this.

Performance over and we take our applauses and Maja waits at our table while I go and get us another drink. When I return, I see the guys from the main act have now been joined by the rest of them and are all standing over the table in front of Maja and they’re all asking Maja questions. It’s about now that I discover they’re an improvisational musical theatre group called Ad Libretto – https://adlibretto.com and tonight they are Phil on piano and then Amelia, Tim, Jimmy and Neil.

I’ve heard of improv comedy, but never anything like this. They’ve decided the subject of their performance for tonight will be Maja – and The Diaries. So yes. As soon as they finish their conversation, we all get treated to Maja (And The Diaries): The Musical, complete with a reference to I Like You (Better When You’re Naked) which they’ve just heard for the first time.

Their show about us, well, Maja and a little bit of us, goes on for about twenty minutes and is just the most amazing piece of improv. Just a great show. An actual real musical with acting pieces in between the numbers. Phil on piano gently continues to play in the background, and then one of them will just burst into song, or trickle gently into one, and the others catch on and join in. It’s just magical. And to have this about yourselves, well, Maja and a little bit about ourselves, is just outrageous behaviour altogether. We now have our own London musical. Well, Maja does. We’re just in it a little bit as well. Which has led me to think. Am I now The Diary? You know you have Buddy Holly and The Crickets? And Cliff Richard and The Shadows? Are we now Maja and The Diary? Just a thought. Oh well. If so I guess I have a new name now. And you are? Diary. First name? The.

But really, I’m so happy I thought to film it because it would have been just heartbreaking to have seen something like this just disappear into the ether, only to have been seen by the few of us that were there. Even fewer than who saw us because at least we had Ad Libretto in our audience as well. By default they’ve removed themselves from the audience so it’s, well, it’s five fewer isn’t it. None more few. Is that reference too obscure? Oh, someone must. Just try reading it in Dobly. Oh alright. I’ll stop now. But seriously, what’s stopping it? And what’s behind what’s stopping it? Is my. Question. To you.

Towards the end of the show they decide they want to do a musical number based on one of ours. We invite them to pick a random piece of paper. They do, and they pick out our latest song – Without A Gloria. They do it proud, ending the show with that. Once they’ve taken their bow and ecstatic applause and cheers, Alex invites us to close the evening. How could we refuse? And we just have to play our own version of Without A Gloria now. With that, it’s so cool to play to the couple of the improv guys who didn’t see us before, and it really feels like they watch us with huge interest as they now see the thing about which they’ve just created and starred in as an improvisational musical.

Evening truly over now and everyone disappears and it’s goodbye to Alex and all wonderful new connections with the theatre guys. With that, we settle in at the bar for a little while and get talking to Aneirin and Sophie. Aneirin is one of the main guys who runs the place as a kind of co-operative theatre, and Sophie is all a part of it too, as is the girl who met us on the second reception. That’s what this place is. A bar based around a very committed theatrical community who also use this as a performance space. And all around, as we’ve been seeing tonight, it’s surrounded by large open spaces that were once offices, but are now rehearsal/workshop rooms. Fantastic. Just a fantastic discovery. Again, it seems like we’re in some kind of private London. You really do not just walk past this place and find it. You completely have to know it’s there. Now we do, we get talking to Aneirin about the possibility of us having our own show here. Yep, he’s totally up for it. We aren’t able to arrange anything right now, but he says to definitely get in touch in the next week or so and we’ll nail something down. Brilliant.

First London gig down and a lead to get another one. Oh, and we now have Maja (And The Diaries): The Musical. West End, here we come.

So here’s the musical.

And that website for the guys again

https://adlibretto.com/

The London Diary: Shoreditch, days 78 to 111

Day 78

Friday March 10, 2023

A little visit to The Old Red Lion in Angel tonight. It’s a great bar. What can I say? And the staff are starting to become just a little bit familiar to us and vice versa which I think is kinda cool.

Day 80

Sunday March 12

Just a great London walk today as we go from our eastern place all the way across central and on to St James’ Park then Hyde Park, taking in Buckingham Palace on the way. Then to take advantage of the great public transport here. As soon as we think we’ve walked about as far as we can, or want to, we just find a bus and ride it all the way back home.

Day 86

Saturday March 18

We take a walk out and Maja, mischievously, seems to have a destination and a plan in mind but she isn’t saying, although she does make sure we stop off to buy some notebooks. Our destination is Ye Grapes in Mayfair, a fantastic bar in a setting that seems totally apart from the rest of the city. Leaving the main road and coming into Mayfair is like wandering into an old style village. Another one of those times when you suddenly feel like you’re on holiday and a tourist in your own town. Yeah, London is doing that a lot to us. Once we’re sat in the generous March sun outside the bar, Maja gets the notebooks out and says, ‘We’re going to write now.’ Oh. OK. With that, we really do start. And for the next considerable while we take our time to write a whole page or lyrics each, at the same time, then when we’re both done, we read what we’ve written to each other. A quite brilliant Saturday bar activity and we complete three full pages each and yeah, we really might have some potential songs there.

We’ve timed things on our walk and been in touch with Per and Maja made sure to give us plenty of time to ourselves before we had company because she really wanted to follow through with that plan. It all connects almost perfectly as we finish our session, the sun goes in, we go in and then not too long after that we’re joined by Per and Saturday afternoon and evening just winds by comfortably on our own time.

Day 88

Monday March 20

Mark:

I told you there were discoveries to be made here. Maja calls me towards the end of the day and pulls me out with Andri, one of her colleagues. He says we’re going for a drink at a roof bar. We wonder where it could be. Well, just a few streets away from us and still very much in our immediate neighbourhood he turns a corner and declares that we’re here. A non-descript door set just a little way back with a discreet sign giving just a hint there may be a public business here. We’ve walked past here loads of times and never seen it. In we go and straight into a lift. Which rides up and opens onto a long, elegant restaurant/bar type setting. Which has large windows all the way along its right hand wall. And these windows look right across the cityscape. It’s past sundown and the lights of all the buildings form an incredible backdrop for our impromptu Monday evening.

Day 89

Tuesday March 21


Mark:

Zaid and Maja finally get to meet as we arrange a trip to his area of Clapham. It’s so great to see him and the energy’s high, taken to another level as the two of them hit it off massively and immediately as our table soon becomes a three person party. He’s been running live and original music events in London since the Britpop years and quite possibly before. How long before I’m not sure but he’s something of an institution and, hugely gregarious, known by just about everybody. To me, he seems happiest when creating a stage and a scene for the talent to come in and do their thing. 

We’re going to be all round this town tonight with Zaid as our faithful guide to his home area. But before we head off, he has something for us. With some ceremony, he produces an envelope, removes the sheet of paper contained inside then opens it up on the table before us. This is a handwritten list of contacts he has made just for us. What a fantastic gesture and what a treasure. We carefully place it in our own bag, and yes, we will most definitely be working through it. Thankyou very much. Now to keep this party going and hit the town. We take it deep.

Day 90

Wednesday March 22

Maja’s off to Sweden. With that, we come to the beginning of the end of the beginning. As soon as she gets back, the beginning will have ended and we’ll be getting on it.

Soon after arriving at the airport, Maja sends me a photograph of the large backdrop in one of the souvenir shops. It contains two street scenes. One of a famous Camden Town landmark bridge, and one from Brick Lane of Shoreditch. 

Day 97

Wednesday March 29

Maja was supposed to be away until sometime mid to late April but things have changed and she tells me she’s coming back this Tuesday, two weeks early. This also means she’ll have to return to Sweden in early May and stay there for much of that month, but it also means we’re now available to gig from Friday April 7. Finally, we’re on.

Day 101

Sunday April 2

A little Sunday day trip to the White Hart and Kristoff’s set aside some time in his busy weekend to talk to me to see what we can do about playing here. We quickly settle on Tuesday the 18th. So, first chat and first full London gig booked. 

Day 103

Tuesday April 4

I have a few, I think, semi open people to try to visit today  so I head out to see what I can make happen there. First stop is the Bridge Bar to try to meet Rico. The place is closed when I get there but I see Rico and a few people inside down at the end and give a little knock. Rico comes out and is quite generous with a smile as he ushers me in. I remind him of when he suggested we come and play here and he says yes, he remembers. Then, with a slight and dismissive air of weary  doubt and cynicism, he says, ‘Can you show me anything of you guys?’ Yeah sure. This is the first time I’ve been asked this and I do stop to think what I’m going to show as I open up our Youtube channel. This doubt and decision making all flashes through my mind quite quickly as I know I have to jump on this immediately, and I settle on our medley video, which is this one.

Almost immediately Rico’s eyes widen and his voice, as of up to now so authoritative, quietens. ‘Oh,’ he says slowly. ‘I’ve never seen anything like this.’ I’ve run my own events, and had local original band submissions as a music journalist and worked with many people in considering new acts. I’ve even dabbled in the A&R world. his reaction is far beyond anything I’ve ever seen from anybody watching or listening to any new band. I stop the video and he looks up. His eyes are now wide and infused with a whole new, yes, excitement. ‘Come, come,’ he says. ‘You have to show the other guys this.’ So he leads me down the bar to his two companions, calling out ahead of us, ‘You guys, you have to see this. Show them. Show them.’ I do and they take it in with Rico’s infectious enthusiasm. Now he really begins. ‘It looks like you’re made of music,’ he says. ‘The guitar looks like it’s part of you. And the girl. She looks and sounds fantastic. You have a good speaker and microphone, yes? Because we will really want her voice to be heard properly in here. How do you get paid? What do you want from us?’ Then I tell him we want nothing but their space and the permission to do the hat. ‘Of course, of course. What a great idea,’ he continues. ‘You must make a lot of money.’ Well, yes, we have had a few nice results. ‘I don’t doubt it.’ Now he starts to think about when to get us in, saying he wants to have a nice crowd for us. The long, narrow bar isn’t quite right so he says, ‘I would like to put you outside. In the garden at the back.’ So he suggests we wait until the weather is reliable and consistently hot, and then I should come back. This is definitely a summer thing, he says. So maybe June. Yep. Come back in June. Brilliant. Yes, I leave that place absolutely buzzing to the best reaction I’ve ever had to a hustle even though it didn’t result in a solid booking. Oh, just wait until Maja hears about this.

With the winds of that encounter blowing in my sails, my tail is most definitely up as I head for Deli Theatre where I find Aneirin behind the bar. He also remembers me and our performance with some enthusiasm and as soon as I talk bookings and what we want to do, he’s there. No problem. When do we want to do it? But then he remembers a few things they have already on and suggests a date in mid May but Maja’s away for most of that month. So we settle on June. It’s far enough away so no set date and he says these kinds of things have to go through a few other people as well, but assures me we’ll get it done. So yeah. The same as Rico, leave it a while and then come back. And again, we’re looking at June. Great. Thankyou very much. 

I’ve had two pretty good results there so I call time on the street hustle and head back home to start making calls to some of the numbers Zaid gave us the other night. One or two people aren’t in the game anymore and others aren’t answering right now, but a guy called Mike does. His event is Acoustify and it’s a series of open mics all over London. We have a brief chat and he’s warm and friendly and happy to hear from a friend of Zaid’s. He books his open mic slots so that they’re mostly organised ahead of time. What would you call that? I’ve seen this a little now and I’m not entirely sure but I do like the concept. I’ve been calling it curated open mic but even that doesn’t quite work because the open part of it still isn’t really there. It is more an extended lineup but try putting that on a poster. Anyway, he says he has an event this Sunday in Dalston, and another on Thursday in Fulham. He’s happy to put us down for both of them right now. Brilliant. Do you want me to send you something? ‘No need,’ he says. ‘You’re a friend of Zaid’s, he’s given you my number to get in touch, you’re in.’ Wow. Just like that. Fantastic. So now, when Maja gets back tonight I’ll be able to tell her, first about Rico. Oh, I have to tell her about Rico. Then yeah, that and Deli, so two solid leads for gigs in June, and then I’ll be saying we’re playing this Sunday and next Thursday. Oh, I’m sure you can imagine she already knows, but yeah, The White Hart is in the book too. And the venues for June. I think Maja’s going to be happy to come back to that. A nice little first evening back.

But…

Over in Sweden they’re having delays and not much information, and that which does come through is conflicting and confusing with the 11pm flight at one point pushed back to 1:30am. In any case, she’s going to be arriving hope sometime middle of the night. She finally gets home at 4:30am. She’s due to be back in the office at nine. Ouch.

Day 104

Wednesday April 5

We’ve both kind of been up all night and now Maja’s off to the office. For me, I’m off to my outside office as I’ve decided today is my first day out on the real hustle, visiting bars completely cold. 

As usual with these things I wait until afternoon, hitting bars after lunch has been done and they have their lull before they pick up again early evening. I’m walking around our local areas of Shoreditch and Hoxton and I cover over five kilometres, quite a bit of it in a gentle but persistent rain. In the time I manage to visit ten bars, with one that I really wanted to pitch to being closed for a private party. Out of those ten, only three have managers there and available to talk to. Two seemed mildly interested left the door open for me to return sometime, while one manager was really kind and interested personally, and watched the video, but said we most definitely were not right for his venue. Looking at it from the outside, I thought we would have been, but when he tells me of the cool chill club vibe he’s going for, I agreed that yeah, we weren’t what he was looking for. It’s the nicest kind of rejection and we part with all good wishes.

Overall, I have to say it feels a bit like an empty, dispiriting hustle day, suitably mirrored by the gently consistent rain I’ve been slowly dampening in. But I have to keep reminding myself that no managers were around so there really isn’t anything I was able to do about it. All you can do is keep knocking on those doors. And besides, of the three I did speak to, two of them are still in play. So I guess that’s OK.


Then later the phone rings and it’s someone from Clara who saw us play at The Trap. The guy’s got my number and wants to book us for a children’s party. I’m not sure how, but he had no idea we’d moved to London and sounds disappointed as he says he was really looking forward to it and now wishes us all the best. Wow. You really just have to love that.

Day 106

Thursday April 7

A walk out to Hackney today, mainly because I want to check out a farm cafe we found and had tea and cake in a few weeks ago when on a walk out this way to check out Victoria Park. Really, just because we discovered it’s the closest park to us. And farm. No, we’re not thinking the big rolling hills and the cows of our immediate Ireland surroundings – oh I do miss that just a little. No. This is a city farm. A small patch of green, all very well fenced in in between a bunch of busy roads. They have a whole bunch of farmyard animals, a load of vegetable patches and, in the middle of all this, a charming very rustic feeling cafe. And we saw they advertised live music. I walk in today to see what that’s all about. I’m keenly met by Gianluca who says it’s once a week and they look to pay a certain amount for two 45 minute sets, or something like that. I tell him we’re not that kind of act so that won’t work for us, but why don’t I tell him what we do do. Go for it. This gets him thinking and he comes back with, ‘Would it work if we put together a bill of original acts based around you guys doing something?’ They would pay the same, so we could all share it out, and meals and drinks are in the offer too. Yep. Sounds good. He adds, ‘We’ve never done anything like that here, but yeah. Let’s do it. Let’s make it happen.’ Oh wow. It looks like I’ve just opened up a new London venue possibility for original acoustic acts. Like I said, you’ve just got to hit the street and keep knocking on doors. So many people will knock you back, but eventually you will meet a Gianluca. Then once you’ve done that, knock on a whole load more until you find another one. Sing and repeat. He says he’ll try to put a bill together himself, but if I have anyone I know who could be interested, he’d appreciate it if I could send them his way. Of course. We set a provisional date of June 1.

I reach Hackney and hit a few bars, but either managers aren’t in or I decide they’re already a little too busy to hit. I also find at least one lovely venue run by lovely people which is just a bit too small. A shame. I was expecting more out of Hackney. I must be looking in the wrong places. It’s raining now anyway, and starting to get more insistent, so time to go home. Well at least I got Hackney Farm, and one result per hustle is a perfectly acceptable strike rate as far as I’m concerned. Hey, if you can go out with nothing and get back home and you’ve got a gig, that has to be cool, right? I’m doing a fast walk for a bus that I don’t quite have to run to catch but I do have to, er, hustle, when I suddenly see a large industrial fence under the bridge I’m passing through and there’s a sign on it advertising a venue somewhere on the other side of it. Oh. I ignore the bus, and the by now quite heavy rain, and take a few hesitant steps into what looks like a large, long, industrial yard next to higher up railway tracks. Oh again. I now see what it is. Stretching far into the distance are railway arches. Inside six or seven of them is a variety of bars and nightclubs. How cool is this? It’s back on. I walk along what is probably wrong to call a promenade, but what are you going to do? Searching for possibilities, I see they’re all too busy to approach right now so I keep going. When I get to the end, I discover there’s even more if I take a turn to the right and go round the back of this thing. Talk about being off the beaten track. Next to the track. Back there I find a yard type area. No other way to describe it. A few benches over the other side. And in the middle, a lorry/shipping container. Yep. One of those corrugated looking things. It’s had the top half of one side knocked out and the whole thing’s been turned into a bar. Not a bar you go in and sit down and drink in. I mean the part the people serving you stand behind. Kind of where I used to do a lot of standing behind only way cooler. Actually yes, make that properly cooler because it’s freezing right now. And raining. So it’s handy that this thing has some kind of awning covering out front. I go and say hi to the guy running it and, as I usually do, ask if he’s the manager. He is. Right. One little thing. Whenever I go into a bar, the very first person I encounter, no matter how young looking they appear to be, I ask if they’re the manager. Because you just never know. This guy isn’t at all young looking, I just thought this was as good a time as any to make that point; in about a million and a half words of writing in these Diary things – yep, that truly is about right – I’ve never made that point before.

I make my pitch and he goes into consider mode before saying, ‘We’ve never had music here before, but I don’t see why not.’ I ask if he’d like to see a little of the video I have cued and he says, ‘I’m on the phone right now.’ He is. I just hadn’t noticed. He’d very generously taken the little amount of time he was on hold to talk to me. No worries. I step back and let him get on with his call, as I can see it’s proceeding again now. I wait. And wait. And get wetter. And wetter. Yes, he does have that canopy/ awning thing but I think it would be polite to not be hovering in earshot of his phone call. I think this goes on for about 20 minutes but all the time I’m like, that’s OK, I’m about to have a chat entrepreneurial hustler to entrepreneurial hustler. A meeting of the minds between two guys who just get out there, take the knocks, and try to make things happen. He hangs up and I approach the bar again. He looks up as though he’s never seen me before. Fair enough. I had my phone out and was scrolling through stuff. ‘Oh, sorry,’ I say. I was just trying to call up my diary. I was. ‘Oh,’ he says. ‘I’m not going to be booking anything now. I’ve got your card. I’ll have a look and give you a call if I’m interested.’ Oh. Again. And that’s that. To be totally fair, in any scheme of things, he’s done nothing wrong. But I can’t help but feel just a little led on. And in this weather too. Not impressed. Maybe he’ll get back, maybe he won’t. There are plenty of other places to hustle. If I’m round these parts again, I may drop in and say hi and see where he is with it, but…You know, no buts. I don’t think I’m going to do the incessant bar chasing again. Not like I did with The Insiders where I’d hammer and hammer at the tiniest possibility of an opening. If a door’s properly left open and I really think a dialogue has opened – see Rico, I will be – then yeah. But this? Maybe it’s cos I’m soggy and getting soggier and it’s partly his fault, but yeah, I do feel led up and let down.

Day 107

Saturday April 8

We find ourselves in Kentish Town today sometime after eight as we’re getting together for a little with my friend Cris who I used to live with in the Carrol. Before that we got to know each other from the jam scene, then I played with his heavy metal band The Wild Child, including gigs in Italy, then I worked for him on his building sites when I took a hiatus from pub world as my gigging and rehearsing diary was starting to get too busy to fit around an evening job. Of course Maja knows him well too, and it’s a lovely hang.

The route is a tube to Ktown then a walk up to his place, what used to also be our place, and before that, my place. For six years. The last time we were here, we were dismayed when we went to check out The Oxford and discovered it had closed down, or at least looked like it had. It all appeared desolate, sad, and broken. This is the bar I worked at full full full time for my first year in London. Oh, it felt like I was living in the place at times. Customers just to actually jokingly ask if I did because they started to feel like I was never not there. I grew to love the place, got to know all the regulars and count some of them as friends, and continued to go there as a regular myself after leaving. So it’s a massive part of my own London fabric. We’re really keen to just swing by tonight to see if it’s still closed, or if it’s managed to open again and if so, how it’s doing.

We walk in through the side door – on Islip Street if you care to check it out – and a guy sitting at a high table facing the door smiles at us. Then he leaves his seat and walks around the table to walk towards us. It appears they take their greetings seriously round here. ‘Mark, isn’t it?’ he asks. ‘Er…yes.’ ‘Hi Mark.’ And he gives me a good solid handshake. I can’t style my way out of this one. ‘I’m really sorry. Do I know you? It looks like I should.’ ‘We met at the 100 hour jam,’ he says. ‘You were the guy who did the whole thing.’ Oh. Wow. ‘It’s Steve,’ he continues. I tell him again I’m really sorry but I don’t remember. He adds that it was quite deep in and things may well have been a bit blurry for me around then. I’ll say now that just after we leave, I have a Doh! moment when I suddenly do remember. And yes, I also remember it being significant at the time as I was told that Steve, one of the actual owners of the Blues Kitchen, was in the house and I was taken over specifically to be introduced to him. We have a little bit of a chat now and I ask him what the story is with this place now. Oh, it’s called The Parakeet now by the way. We did see that on the way in, I just forgot to tell you. Well, Steve is the new owner and it only recently opened and he says it’s going very well. It certainly is. It’s packed right now, all the way through to the end of what used to be the restaurant. And I tell him how, madly coincidentally, I used to work here. No, practically live here. Now the owners of The Blues Kitchen, the place I made my second home in London, if The Oxford was actually my first home, own this place. While we’re chatting, and while I have the opportunity, I tell him what we’re doing, give him a card, and pitch about what we’re looking to do. Would that be something he would be open to? He gives me his own card and writes someone else’s email on it. ‘Email this guy,’ he says, and gives me a card for the overall company, The Columbo Group. Apart from this new bar The Parakeet, the also owns a whole load of iconic London places including The Blues Kitchens, and Camden’s Jazz Cafe, while also running a few prestigious festivals. Now I have to ask, and I go cautious because it could come out sounding all wrong. ‘I know I can’t really use your name when contacting him because we really don’t know each other, but would he somehow know where I’m coming from or … who I am?’ That who I am sounds all wrong and I should tell you I’m very halting and hesitant when saying it. I’m really just wondering if, having been given this contact by one of the very owners of the group, there’s some way my email would be properly seen and considered. ‘Oh, don’t worry,’ says Steve. ‘He’ll know. You’re a legend within the company for what you did at the 100 hours jam. Everyone knows who you are.’ Oh wow. If there’s ever a time you want your girlfriend at your side to hear someone talking about you to you. And yes, she heard it.

Oh, and I’m assuming knowledge here. What was the 100 hours jam and what exactly did I do at it? 

What it was:

Well, it happened in June 2019 at The Blues Kitchen and was the longest non-stop open jam ever. Hundreds of musicians took part from June 9 to June 13 with the criteria being that the music on stage did not stop. So musicians would swap in and out one at a time.

What I did:

I was the only person there for the whole 100 hours and I was on stage for a total of over 24 hours. I started this thing with an unbroken awake period of 66 hours – no. No drugs at all. There are people to this day who still don’t believe it but it’s true. After that first period, I slept for six hours in a room which was specially provided for me upstairs. Immediately after that I was on stage for another two hours. I had two more sleeps before the conclusion – naps really; one of two hours and one of one hour. So for the 100 hours, I slept for a total of nine hours. And at the end I was invited on stage to play in the finale as the clock counted down to zero.

For my account of the whole thing, you can go here.

And for verification, there’s this: 

https://www.worldrecordsofmusic.com/open-jams

And there are these quite wonderful videos.

Day 108

Sunday April 9

OK, we did Dial Up. A month ago to the day. March 9. But with that only having two real punters in attendance, and possibly even only one by the time we started, I think we’re really starting today and I’m seeing this as our first real London performance, although you could validly say it was Dial Up. But in any case, this is where we’re really beginning as The Diaries are officially open for business now in a way in which we weren’t on March 9. I feel we’re more among a London crowd here tonight as well, in Copper Cats, Dalston. This, I think, is where we’re going to be tested by fire for the first time. The first time our impression of ourselves makes contact with reality in London. How will we really measure up? For myself, I’m not nervous as such, just filled with adrenaline and absolutely raring to go as we pitch ourselves in this environment of people who have seen, and continue to see, all the best up and comers. Although it might be a friendly audience of singer/songwriters and people who want to see such shows, it takes a lot to impress, especially as these people know how it’s done. I think singer/songwriters are by far the friendlier crowd as a general group, but I do still often see this as comedians performing in front of comedians. Many of them are almost famously competitive and reluctant to laugh at other people’s jokes. So yeah, I want to absolutely hit the ground running in here, smash it and overwhelm. Nervous? No. But I do feel a strange kind of pressure to prove ourselves at what I see as a different level to what we’ve ever played before. We’re in London. We’re in the real arena now. This is where it really begins.

Into the venue and we’re told who Mike is and he comes to greet us very warmly after having chatted on the phone a few times. ‘And you’re Maja,’ he says, seeing our rockstar for the first time.

After that, we settle in, enjoy the show, and wait to be called. Just as I suspected, some of the songs on display are truly fantastic, if a little more on the downbeat side. There’s a keyboard singer/songwriter who comes on and warns us to be ready for a few depressing songs, adding that he has a few about heartbreak. Not exactly what you want to be prepped for when you’re waiting to be entertained. But entertain he really does. I just wish he hadn’t made such a low hearted intro. It kind of rolled the energy out of his prospective audience. You want them to be up for you, surely, not put down by you. However, he plays and sings with such passion and power that I’m won over and I think he gets pretty much everyone else as well, although Maja says, ‘Imagine having to sing lyrics like that all the time.’ Fair enough, but there is a big market for it.

A few more acts and it’s our turn and we give Mike our wireless connections for the sound desk. Again tonight, we’re doing our thing of letting other people choose our songs from a secret pile of 10. We’re confident that every one of them will smash. Well, let’s see. The first one picked out is My Game, My Rules. Maja seizes upon the moment to introduce us and the song, saying, ‘This is my game, and this is my rules.’ It begins with a fast, heavy metal influenced guitar riff. I am so wound up to get started. Pulled taut like a catapult. Now I get to feel my release. It comes hard. Way too hard. Oh man we are fast but, caught up in the moment and filled with adrenaline and suddenly released onto the playing field after straining at leashes to get out there, I don’t feel it. What I do feel is that somehow the guitar now feels really hard to play and my rhythms just aren’t quite there. This is because I’m kind of unaware that I’m playing so fast I’m not able to be fully in control. But we’re still doing it, although Maja is really caught up in this too and, together and separately, we roam the room with domination. Many of our songs are already designed to be fast smashers, and this is one of them. To ramp it up so much is to go deep into the red zone. That’s where we are now and Maja can barely keep up. So much so that words get lost to the extent that the entire second verse ends up being a rerun of the first. By any measure, we are really making a mess of this but the train is already at full momentum rolling down the hill and there’s no way to stop it or slow it down. That’s the really weird thing sometimes. It’s often far easier to speed a song up than to slow it down. Especially when the guitarist doesn’t really feel things are going too fast, but they undoubtedly are. But somehow, it really doesn’t matter. The audience before us is swept away by the energy and electricity of our performance as we ignore and smash through all self placed obstacles and just continue to storm the thing as though everything is just as it should be. I guess that’s what two European tours and almost a hundred shows does to you. You’re just conditioned to carry on no matter what. When we finish, the reaction is loud and very enthusiastic. And maybe a little shocked. Wow. We’re in. I think we kinda got away with it. Let’s go again. The next song pulled out is Make Me Shine. Seriously? This is even more intense than My Game My Rules, and yes, once again we launch into it far too quickly, or rather, I do. Unfortunate because this song has rapid almost rap like verses. Which Maja is of course singing in a second language. Again, this song, performed as it should be, is already fast enough. Right now it is not being performed as it should be and, as with the previous song, Maja once again gets caught up in the lyrics. But once again, she gets away with it, although it must be clear we’re having some frantic levels of communication going on. But again, it fully lands and the shouts go up as we smash into the end of the song and stand there breathing heavily at the exertion this performance is demanding of us. We are playing fast and in this thinly scattered audience of about 15 people, we really are giving everything. As the next song is being picked, Mike calls out, ‘Could you perform this one with a bit more energy please?’ The laughter in the room is immediate. He is clearly enjoying himself and that is so good and encouraging to see.

Now we’re informed that our last song is to be How You RocknRoll. After the last two this feels almost tame, and I’ve finally caught myself and lead off with something at least resembling the pace of how this is supposed to be played. And, with the more assured performance we slip into this time, it really shows, especially when we come to the a capella part and I go into audience clapping mode and they completely come along with us. Yes, I think we’ve done something here. As we finish and the applause rings out, I walk across the floor to our seats and say out loud, ‘We’re in London now.’

At our table, one of the performers looks over to us with a massive smile and says, ‘That wasn’t a show, that was a workout.’ Yes, it was. When it’s all over a few performances later, someone else comes up to us and asks where we’re playing next. When we tell him it’s with Mike again, in Bishops in Fulham on Thursday, he says, ‘You guys are going to blow up there.’

Now it’s time to leave and we decide to walk home rather than get the bus like we did on the way down here. It’s a fantastic evening walk with Shoreditch at the end of this straight road. As such, the whole way, we are walking towards the bright city skyscape. In the context of what we’ve done tonight, more than any other walk towards those iconic buildings, this feels epic.

Day 111

Wednesday April 12

We’ve just had the four day Easter weekend so I think bar managers will be even more elusive this week than they usually are, so probably best to leave the hustle trail for a few days. And by the time they are out in the open again, it will be weekend preparations again, so I’ll probably be leaving the hustling alone this week.

The London Diary: Shoreditch, day 112

Day 112

Thursday April 13

Having seen us do our thing on Sunday, Mike has decided we’re the show closers tonight in Bishops in Fulham, south London. This is a really classy venue and again, he’s put together a solid lineup and we sit back and enjoy the evening until it’s our turn. As soon as we start, the crowd is with us. Totally. And not just the musicians. A whole bunch of non participating regulars are here too and they really go for it as we once again get the audience to pick out the songs we’re going to play. I think Mike really gets this and the statement it sends out. First song to prove yourselves? Pick one. Last song to really close the show strong? Pick one. The order tonight is Nobody Said, Six Sense Lover, My Game My Rules then How You RocknRoll. I’m really glad My Game My Rules came out because I really wanted to make amends on this one after the speedfest of Sunday. And this time out, Mike is really seeing us as our usual assured and solid selves. There’s no rehearsal or growing experience like live and Sunday was a bit of a shock for us and I’ve spent time since then really getting into the tempos of the songs again and holding myself back to trust them. That they don’t need to be smashed out. Like I said the other day, they’re already designed that way. They were literally written to be pulled out and smashed into difficult and even hostile environments. That was always going to be our path as, right from the beginning, we set out to play bars that were not live music venues, or at least not original live music venues. 

Out there at the tables tonight, people are banging their heads and rocking and so many are also trying to sing along. And again, none of them have ever heard these songs before. And the energy becomes cyclical as the whole synergy between us and audience fills the room. But really, it starts with us as we have to front it out at the beginning and take it to them. And I can feel it as we do. As we leave the stage and stand in the middle of the room, then loom over the tables, I can feel it. ‘Almost arms folded, ‘who the hell are these guys and what the hell are they doing?’” But bravado and front will only take you so far. It’s when you can back it up that they really come with you. And they really come with us.

And tonight we have the first audience member to have our album title written on the back of his hand in the same way we wear it when we go out live. HEJ – with a backwards J. Damn, I’ve got so used to looking at ours, that this actual ‘J’ looks backwards to me now. His name is Robert and he is all over us in the best possible way. He admits to sitting back a bit at the beginning. It starts, and he thinks, ‘These guys are going to be terrible.’ A bit into it and it’s like, ‘OK, they can play, but really?’ The cynic isn’t letting go. But then. ‘All of a sudden I realised I was singing along.’ That was when his thoughts switched and he was absolutely with us from that moment on, and now it feels like we’ve got a fan. Then he says it. ‘You guys belong on the Jools Holland Show. That’s the next thing for you.’ Now, there’s saying you’re good and you enjoyed it and there’s saying, this is really serious. Yes. We are. Robert, thankyou very much. 

Now to say goodbye after Mike’s closed the show with a really cool cover performance joined by his singer friend. As he comes out to give us a huge hug goodbye, in the process saying, ‘You guys are amazing,’ he adds, ‘Anytime you want to play, just let me know and I’ll put you down.’ Great. We’re in. No booking, no need. We just keep an eye out, pick out an event of his we like the look of and we’re on it. We really do want to keep this London open mic thing going and the two shows with Mike – set up thanks to Zaid and his list – have been the very best start we could have hoped for.

The London Diary: Shoreditch, day 116

Day 116

Sunday April 16

We decide to soundcheck at The White Hart. One of the reasons is to see if we can go through their house system because it really is a big and long venue. Secondly, we’re thinking we could use it to advertise ourselves for Tuesday. We arrange this with Kristoff and head on down there for around 6pm. First off, we discover after a while that we can’t go through the system because that requires a powered mixing desk which we don’t have. So our own stuff it is. That discovery made and we announce who we are and what we’re doing, then it’s into a few songs starting with I Like You (Better When You’re Naked). By the time we do this we have three tables in the place, so not a massive audience. Hardly any reaction. We try two more songs, both to pretty much nothing and call it a day. Oh well. We conclude we’ve caught Sunday afternoon hungover vibes and people just want to chill and aren’t at all ready for our in your face, shock and awe approach right now. Could we have gone for a quieter, more chilled set and would that have worked better. We do discuss this as we walk through central Covent Garden and down to The Marquis once we’ve packed up but we conclude that it’s hard to call in the moment but even if that had worked for that crowd, that’s not the side we wanted to show of ourselves. But having had this experience, maybe it would be better to slowly bring people in on Tuesday rather than running in and smashing it out. OK. That’s something to think about.

Into The Marquis and Tommy’s out front and in great form having just had a full on afternoon with The Pop Tarts cover duo rocking the place. The stage is all set up and the lads have just set down. Kristoff was kind enough to let us leave all our gear at his but we have brought the guitar. Tommy looks at us, points to the stage and says, ‘We close in 20 minutes but if you can set up and do something with that time, do you want to have a go?’ Oh wow yes. This time we have a warm crowd to work with, and it really is a crowd. No messing about here. It’s straight in with, yep. I Like You (Better When You’re Naked). Oh and it hits. It really hits. And so do we as we have no let up, keeping it right up to 11 with RocknRoll Tree then closing this mini show with The Cat. We simply tear the place apart. The reactions to the songs are simply enormous and we roam all around and totally take the place over. We even have the bar staff dancing behind the bar. Stepping up to this, we set ourselves right at the bar for a section or two and just give it to them. After the disheartening dampness of the reaction half an hour or so ago, it feels so amazing to have got right back on the horse and stormed it round the track. This is what we can do and this is what it’s really like when we play. Tommy is delighted, as are the bar staff, and Maja has now achieved one of her London ambitions. To play The Marquis. And this is all we need. Two, three or four songs. Give people a short sharp good time, throw our markers down and leave the stage, job done. And it feels perfect in here today as we head to the bar with beers courtesy of Tommy – thankyou very much – and settle down for the hang as they bring the tunes back out again for the last five minutes. Yes. This has all been timed very very well. And another drink on the house again. Again, thankyou very much.

As it settles down and things start to close, Tommy tells us we’re in no rush and we can stick around. So we do and we get talking to a guitar player called Jack who’s intrigued as to how we’ve been getting on. We tell him about our Now Hustle and his eyes widen. ‘Nobody does that,’ he says. ‘Nobody.’ Nope. And as far as we can tell, nobody ever has. And we’re probably going to do the same around here although not with the ‘Now’ element. But still, hustling bars where the original acts don’t play and just trying to crowbar them open for ourselves. And other people in the future. Who knows?

Here’s Tommy now to answer that question as he comes and joins us. We talk about w wide range of things musical and he introduces us to a few London bands he thinks we should check out, including a rocking Ska feel band called The Chase. As he does, he says to Maja as he gestures to me, ‘This fella has got a lot to answer to regarding live music in here. He got it going.’ Then, from his own memory of the time, he describes the process where I first cold called, got something of a reaction, then just kept knocking at the door every now and again. How about this week? This week? Until Tommy relented and said, OK, have a go. That was with my cover act The Insiders and we ended up playing in here every month for the next few years. And as those afternoons grew in popularity, so Tommy started introducing more and more live acts. Now he has them on all the time to the point that this is practically a live music venue. And yep. Tommy has confirmed today that I alone got the ball rolling on that.

As for what happens next for us in here, he says that of course he wants us in, especially after what we did today. He’s fully booked until August though and doesn’t have the diary with him now. And to be fair, he is in full post weekend wind down mode so I can see not really up for too much shop talk so I don’t push it. But yes, this will happen.

The London Diary: Shoreditch, day 117

Day 117

Monday April 17

I go for a local hustle round Shoreditch today which begins with a few underwhelming reactions. The most surprising and disappointing comes from a bar I thought would have been a good, soft start because it advertises a comedy night. When we see stuff like this we associate it with a bar, or a bar manager, which is proactive and open to ideas, or at least live entertainment. Maybe this person really will get back to me like they say, and I’ve just caught them a little preoccupied in their total indifference, but I leave thinking, ‘Why does this have to be so hard?’ But just carry on. Forget the last one and just keep going. We’ve had far worse rejections to be fair, but this one is just 

so benignly dispiriting. Like, what? ‘You didn’t even want to engage? Not even a little bit?’

From here I walk to Hoxton Square and a bar called The Red Dog Saloon. There, I am met by manager Adrian who definitely does engage. Then his reaction is along the lines of, free live music? For 20 minutes or so? What’s not to like? Sure. Come and do your thing. We settle on this Saturday. He even asks if we could do the following Saturday as well. If it works, of course. Damn. I can’t believe it. I’ve got us a Saturday gig in Shoreditch. And not only that, a possible repeat show. And who knows what after that? A regular Saturday in the heart of Shoreditch maybe? Why not? This really is just too cool. Once again, like we’ve experienced so many times, this hustling thing can feel like an impossible task and then it suddenly becomes the easiest job in the world. Catch the right person at the right time and it’s all, of course. Come on in. Sometimes you don’t even get to finish the pitch. You can just feel them straining to interrupt and say yes. Adrian really feels like one of those right people. He just seems to get it.

There is a brief chat before he completely opens the doos. This is where he asks a few fair enough questions including, ‘How many people do you think you can bring?’ My answer is immediate and I totally own it and stand behind it. ‘Probably no-one. But that’s not what this is about. We just want to use your bar and your customers.’ He actually nods smiles at this. A reaction I like to think means he appreciates the forthrightness of the answer. In context, and he gets this too, I’m saying we’ll give you a short free show on the back of almost a hundred gigs and two European tours of experience. This next part of the pitch has been expanded here a little for you. We’re not even massively that bothered about money in the hat anymore; we will still do it just to make the point that what we’re doing has value, and it’s nice when it comes back that we do, but anyone can decide what that value is. But from now, we’re really going to feel the bars out and bring the hat out if we feel it’s appropriate. And anyway, places and people are becoming more and more cashless. But hey, there’s always the Paypal donate button on our site. However, money or no money, these shows do have definite, solid value for us. You know that old cliche about gigs being offered for ‘exposure’, well for us it really is like that right now, at least for these gigs we’re arranging ourselves; they’re all about building our brand as they put us in front of new audiences. We also feel we’re taking our songs direct to the market. People who might hear us, and maybe even come to see us once we’re on the radio, or maybe have some sort of bigger profile. However, those people will not be seeing us in a dedicated music venue, or on some cool lineup. But they are seeing us now. To take this even a stage or two further, and to the idea we had right at the beginning, at this stage we’re often playing to people who don’t go and see live original music at all. Certainly not unknown live acts. So yeah, we really are going to completely new territories. This can be evidenced in much of the reaction we had when we first stated these intentions. Reactions that, while coming from a caring place, sometimes strayed into borderline verbally aggressive territory. ‘I am telling you. Do. Not. Do. This.’ And other people actually using the word beg. ‘I am begging you not to do this.’ Well guess what, we’ve done it almost a hundred times now. All over Europe. And now we’re doing it in London.

By the very fact that we’re playing even just a few songs in a bar, as well as being seen and heard, we have the opportunity to give out our cards and beer mats – and, when we have it, maybe sell merch with permission. We’re also able talk to new people and personally introduce The Diaries. That is the act, the website, and the very Diaries themselves. Then afterwards, if we get a person or two wanting to chat and know more, which we often do, bring it on. If we can gather up just one fan at a time along the way, that’s a fan who is now on our side and who will be out there spreading the word. That might be person to person, or person to a few people. There really is no more powerful message or advertising than that. There’s the value right there. Also, by taking ourselves out there again and again like this, we continue to socialise in a highly active and targeted way, and increase the chances of a personal meeting or introduction to a person, or people, who would like to get involved to try to take this to other levels. And it’s only three or four songs or 20 minutes or so anyway. It’s not like we’re giving a whole evening away. Meaning we don’t have to give that much of ourselves, and we’re not taking gigs away from those who play bars to pay their way.  This could all be the very definition of direct marketing.

As for that ‘how many people can you bring’ question, which Adrian was totally right to ask, we have thoughts there too. Really, at this stage of the game, it means how many mates or supportive family members do you have. Because sure, I could say 50 people, book a show and bring 50 people. Great. We’ve played to our audience and they’ve all spent money at the bar and made it worth everyone’s while. But have they really? When, in all good will and support, do you think those 50 people will come and see us again? They’ve done their thing, they’ve supported us, they’ve taken the time to see our show and, I’m sure, had a lovely enjoyable evening. Will they come out again if we get a show tomorrow? Next week? Two weeks’ time? Realistically, you’re looking at another six months before you can excite enough of your mates to make this ‘worthwhile’ again. Three if you’re lucky. But even then, will they come again the time after that? So no. That model doesn’t work to build an act either. It just gives you a one-off hit in a venue, and maybe an ego trip as you can pretend to be a rockstar to an adoring crowd for a night. One night. Good luck getting out regularly and building a name and a brand with that.

The London Diary: Shoreditch, day 118

Day 118

Tuesday April 18, 2023

You really don’t get much time to impress for the kind of gigs we’ve generally been doing so you have to grab them straight away and claim the territory as yours. Sometimes the overwhelm option is good, or sometimes you just hit a big singalong number straight away. Or sometimes you should just read the room and settle into it. Which is a lot easier said than done and, of all the options above, we’ve not always got it quite right, but this is what experience is all about. We’re in The White Hart tonight and, after Sunday when we didn’t get it quite right, we’ve taken that experience and put together a setlist that eases us into this show. So we’re starting with Freefall which has a really nice build of pace to it and has served us well as a first song quite a few times. It starts really gentle, settles into somewhere around mid pace, then goes through the gears quite steadily before a more rocking ending which prepares an audience if we think it’s now time to turn it all up. We won’t do that tonight. Yes, we start with Freefall, but we’ve decided to keep it chilled and basically not be too intrusive or dominating. We’re bringing out our play it nice set with the plan being to then really rock it up in the second half and storm it home.

We have ourselves set up and we’re ready. The place is really big and long and it’s mostly a work crowd catching up after work. We’re not going to be heard down the end anyway, so we decide to concentrate on playing to what we have up here at the back of the bar in a large enough raised area. We get started and I think it’s fair to say there’s a little bemusement among the people to suddenly find the two of us singing and playing among them. They’re kind of with it though, but the talking level remains high and we’re somewhat lost in the overall buzz. This goes on through our second song, although we can see that, around the room, some people are paying attention and really starting to get into it. But we’re still very much on the losing end of the battle and make the spontaneous decision to just enjoy it and play for ourselves. So there we are in the middle of the room just playing for each other and getting off on our own music. If no-one else is, we’re not going to let that touch us. We carry on like this for four or five more songs, generally feeling ignored, but knowing that there are pockets of people at least giving us a chance and some individuals truly starting to feel it. But it must be hard for them anyone get into it if they want to because I’m not sure how much they can really hear. But the end of each song is greeted with some applause and even the odd shout, so we are connecting somewhere out there. At the same time, we feel we really are losing the battle of noise with this room, even if we are mildly starting to win over the odd heart here and mind there. We’re just gearing up to get into the rocking part of the set and are thinking that we might just have enough people in here to take with us who can then maybe bring some other people. That’s when Kristoff looks over and gives us the signal that we have one more. Oh. Oh. That wasn’t the plan at all. We feel we were just getting warmed up, but maybe we’ve already lost on points and there’s no point carrying on. No matter. We’ve stood up to this and we haven’t backed down an inch.

We have one more. One song to attempt to maybe land one punch in a very one sided contest and go home thinking that we might have lost, but we at least got one shot in and we never went down. Nights like this are tough, but I can’t help thinking they’re tougher on Maja who, afterall, is the singer fronting this, and maybe not even able to hear herself too much on a night like this. Can’t be much fun. But she really does tough and front these things out and this has been one of the toughest. No-one’s been nasty at all, it’s just that there, well, hasn’t really been anything at all. Unless she’s been able to look up and see some of the positivity coming back that I’ve been seeing.

There really isn’t any debate about what to play next, or last. We have to. I Like You (Better When You’re Naked). Now we just go for it. What happens next stuns us. We haven’t even got to the hook of the chorus, or to the sentiment of the song. We’re still in the verses and playing our way into this, but what’s this? All around us people have started and joined in a spontaneous rhythmic clapping along to us. This has never happened before. It pulls in more and more people until we’re in the centre and out of nowhere in the middle of a show. In a room that feels it’s all totally there for us and there with us. It’s a long bar so down there we still haven’t quite connected, but we sure they can sense something’s happening up here. We certainly do. And we’ve stayed connected and in gear all night, so when the call comes to really go for it, don’t worry. We’re already there. Yep. Into the chorus and with the crowd already warmed up to is, they hit another level now. And we’re in. Where’ve you been guys? You took your time. But welcome. Now we feel in charge and in control. At least up here. But yes, down there too, more and more people are starting to look up. Something’s happening. Has been happening all night and they missed it. But come on. You might just catch up now.

We smash to the end of I Like You (Better When You’re Naked), and we’re done. Goodnight and thankyou. We haven’t just landed a punch. I think with that final flurry, we’ve levelled the contest, but when you come back from a goal down to equalise in the last minute, you always feel like you’ve won. And here we are. But what now? There’s no smattering of applause or odd shout out for this one. No. It’s a roar that greets us this time. A spontaneous, from the throat roar. Ladies and gentlemen, we have landed. Maja says thankyou very much and we start to pack up. Then it begins. One more tune. One more tune. And they’re clapping along to it as well. What they make of this down on the floor I have no idea. I look down at Kristoff and his face is just a picture of shocked bewilderment and, I have to say, a little joy that we have turned this round so spectacularly. He nods and mouths. OK. One more. So we do. And as I hit the first bouncing chords of The Cat, our new little pocket of fans cheer. They’re getting more. And oh we have them now. This is true turnaround territory when the fighter has been on the ropes all night and you’ve been begging the referee to stop it or for someone, please, someone, thrown the damn towel. But no towel got thrown, the referee didn’t call it and the guy didn’t go down. Instead, he got his one shot in, staggered the stunned opponent who’d had it his own way all night. Then, out of nowhere, the guy on the ropes just kept coming and was suddenly unstoppable. Punching punching, the previously unassailable opponent flailing backwards wondering where the hell this came from and powerless to stop it now all momentum had flipped the other way. And the crowd was on its feet in stunned, jubilant disbelief and cheering the supposed, defeated underdog all the way. And he’s going to go all the way. They never saw it but they have no doubt now.

Now you see what I mean. You can’t stop me. I’m a killing machine.

Yes they do. Each new chorus lands like a new punch and the cheering goes up another level. We have them and we are letting go. They know it and they love it. Maybe they were really on our side all along.

We smash out the other end of this song and it really is all over. Kristoff has already signalled that it’s late enough for live music and it has to stop now. OK. If we’d known we had a deadline we would have pulled out some of the bigger guns a little earlier. But I think we’ve made our point. The encore shouts are still coming and the clapping is still ringing out, settling into an insistent rhythm out of the final applause. And down on the floor and behind the bar, they can all see it.

We got battered, we got bruised. We never went down, we refused. Now, as we set microphone and guitar down and take our turn to clap, and then go over to thank those who joined and came with us out of such difficult beginnings, everyone around can now see what happened here tonight. 

We won.

The London Diary: Shoreditch, days 122 to 126

Day 122

Saturday April 22

So, Tuesday done and we have our second full London show tonight in The Red Dog Saloon in Hoxton Square, Shoreditch at 6pm. I have high hopes for this. Not so much the actual gig itself, more that Adrian really seemed to get my pitch when I spoke to him. It’s just possible that finding a regular venue could be a big part of the journey to building a very real audience. It could start here as well as anywhere else.

Until we arrive. Oh damn. The place is a restaurant. It really didn’t look like one when I came in here and spoke to him. As soon as we see that, me and Maja are like, ‘No. This isn’t going to work.’ We wait for Adrian to extricate himself from being very busy and then just tell him, sorry, but no. Oh. What are we going to do now? We were all set up for this. Maja has it. Let’s go do the Now Hustle. Why not? 

This first leads us into two bars in this square. Both seem like they could really be something. For one of them, we get talking to the security guy on the street, and he then offers to show us the place. Cool. It goes back to another place, back to another place. There are the private rooms. And then through another door, and oh. You’re in a full on music venue with a huge stage and a room that could hold up to 200 people. All from that little frontage that we first saw. The place is huge. Definitely worth coming back to. We’re not yet quite able to fill a 200 capacity venue, but maybe we could play with someone who could. Just thinking out loud, this could be a place to come back and maybe trial something out front and get to be known by the management. Then…

But the place is empty right now so we don’t Now Hustle it. We thank our guy for his tour and onto the next. Which is another venue on the corner of the square advertising live music. Again, no manager to talk to and again, it’s empty right now. But again, very worth coming back to.

Out of the square and onto the main streets and we head for a bar called The Reliance that I’ve had my eye on in my previous hustle sessions. It’s right round the corner from where we live, and is a lovely looking single rectangular shaped bar with a kind of alcove out back, and has a totally simple bar feel to it. So many of the bars round here are supercool with distinctive features and offerings, and that really is all great and interesting and a big part of what makes Shoreditch Shoreditch. But it’s also cool to find a place like this that looks like it’s not trying at all. Just come in. It’s just a bar.

I came in here last Monday but the manager wasn’t around. I was told he might have been in later that day, but then I got the Red Dog gig and called it a day with a memo to come back here some other time. Well, now is that other time and here we are.

We’re met just inside the door by Mario, the owner, and he immediately comes across as quite gregarious and open. We give him our pitch and he’s all, why not. Come and do your thing. So we do. Not to too many people but the short, sharp four song set we play is very well received by the people that are here, with one guy in particular coming over to join us at the bar afterwards. He is madly enthusiastic about us. A great example of one fan at a time. And he buys us a beer. As he’s chatting, he says, ‘To make it as a new band you need an edge.’ Oh yeah? Inside I’m telling myself just to swallow whatever he’s about to offer as advice and be graceful. Then he adds, ‘You guys have that edge.’ Oh. Thankyou very much. That’s OK then. ‘All you have to do now,’ he continues, ‘is just get out there and keep getting out there.’ Which, as you can see, we’re doing, we say to him both in our own ways. ‘Yes. Yes you are. It’s fantastic to see.’

Now he tells us about the area he lives in now – Hastings – saying it could be a great place for us to try. Yeah. Once we start venturing out of London to hustle, this could now be high on our to do list. It’s right on the south coast, about a two hour drive from here. Maybe a bit far, but maybe still worth bearing in mind. 

A little while later we get to talk to Mario who’s been busy upstairs in the kitchen turning out what looks like excellent pub food. He’s really happy with what we’ve done here tonight and we suddenly realise the place has got busy. He seems to realise at the same time and says, ‘Do you want to play again?’ He laughs to show he’s joking and we laugh too. But we think he really would have been happy if we had been here to play to this newly developed crowd. ‘A guy came in here a while ago and also asked to play on the spot,’ he says. ‘He emptied the place. After that I said I’d never say yes to that again. But then you two walked in. All humble but with a very good energy.’ And he really wanted to see where that could go. Well, here we are. He says he’ll be going away soon as he generally gets quiet over summer. The place will still be open but he won’t be here. When he gets back, he says he’d be very open to talk about us coming and playing here again and see how it goes. Just like that, out of such a false start of a night, we’ve potentially opened a venue for ourselves. Right round the corner from where we live.

Around the same time, Matt calls. He and a group of friends are heading to Shoreditch to go The Big Chill, one of the nightclub type places just off Brick Lane. Would we be up for it? Absolutely. Turned a gig down, gone out and got another one and played it, and now into Shoreditche’s Saturday night life. Tomorrow really isn’t going to get much out of us.

Day 123

Sunday April 23

It really doesn’t.

Day 126

Wednesday April 26

Maja decides we should go and try an open mic tonight. I have one on my list. All About Eve in Camden Town. And it’s on. Cool. We head down there for sign up at 7, with the thing starting at 8.

Arriving we meet the host Paul who’s just setting up and he asks where we want to go on the list. It’s currently empty, apart from his name at the top to start. All down the left hand side are numbers for the slots. I ask what he’d recommend and he says that he could say slot number four or five, but if I write our name there, the next person could just choose six and so on. Oh OK. You really can’t be too cute or second guess-ey about these things. So I say we’ll help him out and go first. After him of course. In what is a full night of performers, our slot at the top of it all is the peak for attendance so, totally unexpectedly, we do get the best slot. I told you you couldn’t second guess these things. 

So far at open mics we’ve asked people to select songs at random for us to play. Tonight we’re using it to try out a few new song, or at least lesser established songs – Give Me The World and Without A Gloria. Give Me The World competes with My Game My Rules for the heaviest song we have, and I certainly think it’s our most intense. Then Without A Gloria is more mid tempo with a warming gentle start. It’s a real contrast to go from the huge ending of Give Me The World into the delicate openings of Without A Gloria. We still haven’t fully connected with either of these to comfortably play live, but no matter. Both still totally hit here tonight. People really buy into the intensity of it and come along with us for the ride. Then, when Without A Gloria comes in, they’re there for that as well, their emotions segueing as effortlessly as we click from one mindset to the other. The room really is with us. For the third, we’re back to the cards and How You RocknRoll gets picked out which gives us a really good sprint to close it out.

As the evening is coming to an end, Paul comes up to us and says, ‘I’m going to put you guys on again so you can headline the thing.’ And he does. And we do. For just one song to end the night. We don’t go to the cards for this one. As soon as he says it, we both know. We’re doing I Like You (Better When You’re Naked). The cheers are still going on at the close of this song when Paul announces to the room, ‘I think we’re going to need another one.’ Well, what can we say? I think it makes quite the statement that after closing so strong with a song of our choosing that we now return to the randomness of the cards and let someone else pick what we’re going to finish with. The Cat comes out. Oh yes, this is a massive end to a really cool evening. And yet again we’ve been asked to close an open mic after playing it for the first time. This also happened in Germany.

A big part of playing open mics, and going to gigs, is having the chance to meet and talk with other songwriters and performers and just people in general. We get speaking to someone now as things are winding down who’s keen to see how we’ve been getting on gigging. When we tell him our model of just turning up and hustling to play there and then, he says he’s never thought of that and has never heard of anyone doing it. ‘I’m sorry but I might just have to steal that one,’ he says. Me and Maja jump in and say the same thing at the same time. ‘Yes, please do steal it.’ The next bit of course we don’t say at the same time. That would be just a bit strange. But our general message to him is, Tell everyone else you meet about it and tell them to do it. If more people are doing this it might make it a bit easier.

And there’s more after this. Bar manager Tom tells us we were really entertaining and should come and play again. I get talking to him and tell him how we generally operate and he likes the sound of it. The result of that, with Maja away in Sweden next week and for most of May, is a loose arrangement for me to come back sometime soon, have an afternoon coffee with him, and see where that takes us. Let’s not jump the gun, but yes, let’s. Saturday gave us the possibility of a regular venue in Shoreditch, or at least a conversation to be had. Now we have an in in Camden. We also have possibilities in central too. Shoreditch, Camden, central. I think those three areas are the key to breaking London open. Not counting The Dial Up in March, tonight brings our gig count here up to seven. A reminder. The Dial Up aside, Mike’s Acoustify on Sunday April 9 was our first London show. That was two and a half weeks ago.

The London Diary: Shoreditch, days 130 to 152

Day 130

Sunday April 30

Just a quiet Sunday with vague plans to have a wander down to The Marquis during late afternoon. There may or may not be some music on. And we may well catch Tommy and have a chat about playing in there. However, we’re not entirely sure what that means because we don’t fit the general model of playing two 45 minute sets or two hours I used to do here or anything like that. We’re really just thinking that every now and again we might be able to jump up after or during someone like we accidentally did in here a few weeks ago. It’s most unlikely to pay, and we’re not entirely sure about doing the hat. We’re pretty much going with: this is London, we’re trying to build, so just getting ourselves out there is enough and we think this is a great venue in which to do that. But really, just a Sunday hang and anything else is a bonus. As we often say, you’ve just got to be on the scene and keep being on it. Which is why we went to The Reliance yesterday for a drink or two, in the process getting to know some of the bar staff and having a lovely little fun catchup with the owner, Mario.

We walk into The Marquis at some time after six. Oh cool The Poptarts are on. This is the band who was on when we came in near closing time two weeks ago just as they were finishing. Tommy offered us the stage and we rocked the place. It’s really cool to walk in now and get a big hello from them from the stage and also from a lot of the barstaff who were in at the time as well. I’m sorry, but it really does feel like a bit of an entrance.

And there’s Tony as well watching everything from just about stage right. He also comes over and says hi and I introduce him to Maja and tell him we’re playing together now. Tony saw me play in here way back when so knows what I’m about and almost immediately he says, ‘Do you guys fancy getting up?’ I think he’s joking, but no. We soon discover this is a bit of an open stage. Not quite an open mic – although Tony might disagree but it doesn’t have that vibe – but more a show played by Tony who is joined by different friends, with the stage being, as I said, open. And now he’s offering to open it to us. Well, thankyou very much. We will take that. Not long after we’ve got our drinks, we’re summoned and called to the stage. The place is packed and very well warmed up. Tony has told me there’s a guitar on the stage I can use and it comes complete with a set of plectrums and a capo. Game on. We haven’t brought anything with us so we have no wireless gear at all and Maja’s using their microphone and of course, lead. So today will see us perform exclusively from a stage for the first time since April last year – The 22nd, and John Lees, Tullamore incase you’re wondering. I certainly was. We play four songs and oh, it goes massive. It’s also fantastic that some of the bar staff were here last time we played so they know at least two of the songs we play today. And the fact that they know them really does show.

We leave the stage and settle in for the rest of the afternoon as Tony leads a quite wonderful show with various people joining him, including some of the bar staff getting up and doing their thing. What an amazing event to have walked in and become part of. Tommy’s having a great time out front and is joining in everything. He and Maja have a huge hug when we leave. Maybe we can just keep doing stuff like this in here? That would be enough. No need to have a talk about that. This is one of our hang out places anyway.

Now we join all the people involved in today’s show in The Lemontree pub just round the corner. Among other fun conversations is one with Tony who tells us to keep an eye on when they have events happening and to let him know when we can make it. That way he can put us on for a bit longer. We were delighted with what we got today, but sure we’d take longer. He then says that after that, he may well put us on in his local area which is just outside London. Out there, he says, he might be able to make sure a few of the right people see us. Whatever that could mean, but it does sound pretty good. With that and today’s outing, that could be the sign of a door or two slowly creaking open. It really does feel like it. If nothing else, it’s another open mic, or more, open stage, where we now have a reputation and can put our name up whenever the opportunity arises. And now we can add a second show now in The Marquis to our gig list.

During all this, Matt gives me a call and says he’s heading to a bar to catch some friends in a live show. We invite our new friends here but they have last trains to catch. As the place starts to close we all joyfully say goodbye and now it’s off to The Queen’s Head just off Piccadilly Circus. In here we catch a good half hour of a fantastic blues rock cover band before we all head off across town to Ain’t Nothin’ But… where we hook up with a few more people we know, not least, Teo who I’ve played with many times in here at the jam nights. He tells us he’s playing his own show here next week. Well, Maja will be in Sweden by then but I’ll be around. Teo, I’ll be there. Not long before we decide to leave, another live band gets started in here so that makes three shows we’ve caught tonight while also having played our own. I told you we were only heading out for a quiet Sunday afternoon. We cap it off with street noodles and a walk back home.

Day 132

Tuesday April 2

Well, it’s that time again. Maja has a few admin things still to sort out in Sweden so she’s off for a few weeks and I’m going to keep ticking along here. We knew that show on Sunday would be our last for a while, and we weren’t even expecting that to happen. So a really great end to our first period of hitting London, and by definition, a really good and solid beginning. And you know, just great that we’ve now tested ourselves on one of the best music scenes in the world, possibly the best, and what we have has continued to work and produce great reactions, just like it has all across Europe. 

There have been a few really big moments for our live show on our journey. Times when our hopes, expectations, and yes, confidence, have had to make contact with reality and we’ve been like, let’s see if it can survive this one. Our very first show at The Trap in Clara. Oh, I was nervous about that one. So confident beforehand, but then, ‘Will this really go down well?’ Yes. Very much so. But then Europe and first Berlin, another of the great music scenes of the world. OK. So we did alright in The Trap. Berlin? And our first show there in the heavy metal bar. What a baptism. And Maja’s first ever show. And yes. Tick. Then how about around Ireland? Would we be able to just turn up in bars and play and be accepted, no, cheered. And would people like it enough to put actual money in the hat? Tick, tick and tick. Then a few other countries and cities, not least The Hague where we were told to forget about it because, while we might have done it other places, what we were trying to do would be impossible there. Nope. Done. Another tick. Great. So it works all across Europe in many different types of bars and scenarios and to many different audiences. But then the toughest test. What about London? The ultimate contact with reality for aspiring original acts. Well, so far, tick.

For building on this now, we do have a few leads for gigs in June and we also have a few open invitations for people we’ve played with so far, very not least The Barrytones from Sunday.  But we’re not entirely sure right now when Maja will be back, so we’ll see where we are when she does return and take it from there.

Day 137

Sunday May 7

So here I am for Teo’s Sunday night in Ain’t Nothin’ But…

I’ve decided to walk here and I’m going to walk home after. I’ve also made sure to be in at least half an hour before the show so that I might just manage a bit of a hang before it starts getting loud. And yes, apart from it being a great blues show, it really does turn into a bit of a reunion night, not least with Woody, who has his own claim on the 100 hour jam when he pulled in a non stop shift of the first 38 hours or so. And yeah, it’s fair to say there’s a bit of reminiscing on that. I also get introduced to a few people who’ve turned up in the past two or three years which is great. As for the people I do know, I haven’t seen most of them since late 2019, so around three and a half years ago. That seems crazy, but really, things generally tend to be quiet in Januarys and Februarys. Then in March 2020, the whole lockdown thing happened. Then in May 2021, just as things were opening up again after a few false starts, me and Maja were off to Ireland. Of course we have been in here once or twice since returning to London, but not on nights when a lot of blues regulars would be around, so not too many (no) familiar faces. So yeah. just a really epic night meeting people again.

Day 138

Monday May 8

The most of the rest of the month now and I get my teeth right into studio and songwriting and all kinds of musical bits and pieces and practice around that. The occasional social out but nothing Diaryable to report. We’re currently a little bit ahead/behind in here so I’ll tell you now. Maja will return on Tuesday May 23, so day 153 so no more Diary days until at least then.

The London Diary: Shoreditch, days 139 to 179

Day 139

Tuesday May 9, 2023

Not really Tuesday, more a few extra thoughts on what I wrote in yesterday’s entry.

That musical bits and pieces and practice I mentioned. A bit part of this is a few demo recordings of upcoming songs which we have planned for the second album. I think we should say it now. We kinda have the next album written too. And albums beyond that. We’re essentially adding new songs all the time so this is going to be a fluid situation of course, but yeah, albums one and two could be pretty much done writing wise if we needed them both right now. I think we’ve said this next bit before, but no harm saying it again if we have. Whatever new songs we have coming up, we plan on keeping the track list as it is for the debut album. Which means we have songs that we consider better than what’s on there which we’re not putting on. We don’t see this as arrogant or complacent, more an assertion that we really want the album that we wrote to exist. We bumped off Run and Smile Is Going Round when Make Me Shine and then The Cat came along, but now that’s done, we really can’t imagine it without any of the other songs. 

Day 154

Wednesday May 24, 2023

Maja got back last night and massively surprises me first thing this morning when she says, I’d really like to do an open mic tonight. Oh. OK. We have a look and All About Eve in Camden is on. Cool. Let’s go and have another bite at that.

As soon as we walk in we meet someone who remembers us from Coppercats, our first London show once we decided we were really going to get going. His name is Martin, also a songwriter, and he becomes our hang out buddy for the evening.

Our big takeaway from tonight is that we need to shake off a bit of rust. As we look down our song list, we realise we don’t feel confident about totally remembering quite a lot of them. We’re badly in need of a few refresher rehearsals with our last show, and indeed our last time playing together at all having been over three weeks ago. 

And not only that. When our turn does come and we have our three decided, something just doesn’t quite feel right. Maybe we’re concentrating a bit too much because the full on energy isn’t quite there. We get a nice reaction, but not huge, and I think it’s telling that we return to our seats feeling completely relaxed and all in our stride, whereas in some performances we’ve been breathing heavily after just one song, and at times ready to drop after three. Yeah. I think we’ve unintentionally phoned it in tonight. But there aren’t too many performers and everyone gets another go round. Not only that, but we can do two songs rather than the one which is customary in a second go around. Well, this time it smashes out and we feel back with so much rust having been shaken off in that first performance. We feel much more connected with the material, with our own performances, and just with each other in a stage environment. The feeling is totally different and the audience reaction is much more what we’ve become accustomed to. Yep. Having the bonus of an extra bite has really made all the difference. If we hadn’t, I believe we may have headed home feeling a little flat, but reassuring ourselves that we had all our previous form to fall back on in terms of confidence. But getting that second chance has made all the difference and totally transforms the feeling we have as we make our way home.

Day 155

Thursday May 25, 2023

We’ve been in London five months now and have decided it’s time to move to Camden Town, the total musical centre of London and the adopted and actual home of so many legendary acts. The Clash, Madness, The Libertines. And of course Britpop, during which time it must have felt like the very centre of the universe. Oasis lived there. And of course Amy Winehouse. She worked in Camden Market before she was famous and there are tributes to her all over Camden Town. Paintings on walls and in shops, bars and cafes, as well as a statue in Stables Market.

The idea of moving around now came from Maja a few days ago when she asked what I would think of it. Totally yes if you’re OK with it. Of course she is otherwise it wouldn’t have come up. She also says she’s really felt the Camden vibe whenever we’ve visited. Yep. I have that too. Especially as I lived just down the road from it in Kentish Town for six years and went there regularly, most notably to The Blues Kitchen. And of course Maja lived in Ktown too for that short period just before we made the move to Ireland. So she has seen Camden before, just not like it is now with Maja’s Lockdown London a semi-distant memory.

The idea of moving to Shoreditch from Ireland back in December was really more for Maja to be close to whatever office she ended up in; it was on the cards for that office to be Soho or Shoreditch. We weren’t even entertaining the idea of living right in among Soho, so Shoreditch it was.

Maja:

I love Shoreditch and I’ve really settled in nicely with my job and the office. I’ve got to know everyone in the office, but to be honest, the music scene in Camden is a better place to be for us and we always really knew that. I would also prefer to have Camden as my own area, where I know my coworkers aren’t walking past my apartment every day. I like my job, but I also like having my own space. So all in all, I think this will just be better for both of us. And hopefully, with me working from home, we might just get more time together to work on music. Which is what really matters in the end.

Mark:

For when Maja does want, or need, to be in the office, Camden to Shoreditch is a very easy commute. A single tube journey on the Northern line of around 10 minutes. The office is around five minutes’ walk from Old Street tube – Old Street being Shoreditch’s destination – so the total time of commute will come down to how far away we end up being from Camden Town tube.

So yeah. Tentative conversations of a possible move have now begun. 

Day 162

Thursday June 1, 2023

We’ve not really been all guns blazing on looking at apartments, it’s more been an idea and a bit of a gentle look around online. Today we go and see our first possible place in Camden after making the call yesterday.

Day 163

Friday June 2, 2023

Oh. Oh. Oh. We’ve got that apartment. We can’t believe it. One call, one viewing and it’s done. We’re moving to Camden Town. To a beautiful one bedroom apartment with a living room that can double as our studio. And the place is even better connected for public transport than Shoreditch – we kinda already knew that part. I also know the area very well, having lived in neighbouring Kentish Town for the previous six years I was in London. With that, I was in Camden Town’s music venues all the time, not to mention the fact that it is home to The Blues Kitchen, my spiritual London music home. All this is very well chronicled in Mark’s Diaries. We’re yet to return to The Blues Kitchen since arriving back in London, but then I’ve hardly been to any other jam sessions either. It’s just that we’re aiming at the original scene now, so we’ve been looking more at open mics and hustling our own gigs rather than being on the jam scene. But I do really have to get myself, and ourselves, there sometime soon though. But back to what matters right now. It’s on. We’re moving to Camden Town. Wow. The place will be available to us from July 8 which is now our official move-in day. We have a plan.

For people not so familiar with London geography, Camden nestles right on the cusp between central London and north to north west London. As such, its postcode area is NW1 (northwest); it’s zone two, but the next station for many tube trains coming through is Euston which is in zone one and about a 15 minute walk away from our new place. Also, while Shoreditch is central London, being right on the edge of the financial district, it’s also over in east London. This means that we now actually have a shorter walk to many central London areas such as Soho, Covent Garden, Trafalgar Square and the like. So we really are maintaining our centrality. Although, as my great friend and regular Diaryworld visitor Paul put it quite brilliantly when I mentioned this idea to him, Camden Town really is our central London. And yes, it very much is. Other areas of London have their own musical brilliance and a great quantity and quality of venues, but yeah, Camden really is it for original acts. Well, where it sits now post Covid and with so many venues closing and having been closed down, I’m not entirely sure. But it is still the very famous Camden. The starting point for so many great bands through the decades. And then in the mid 90s, for many types of music fan, it really was the actual very centre of the universe as it became the home of Britpop. I’d better stop before I go off on a whole history tour of the place, but yeah. That’s where The Diaries are soon going to be calling home. If there’s anywhere else in the world we belong more right now, I really don’t know where it could be.

OK. Let’s do that tour of the place with this quite brilliant video which I think had a previous airing in that previously mentioned Mark’s Diaries. https://www.youtube.com/watch?v=0v4NqK8lFWg

Seeing as I’ve just stolen this video wholesale, I’ll tell you it comes from the channel of Joolz Guides – London History Walks. Don’t know him, never met him. I’ll let you know if that ever changes, at which time I’ll also tell him about this little posting.

Oh, and on that video above are pubs we now consider as our soon-to-be locals; The Good Mixer (7:35) and The Devonshire Arms (13:06). The Blues Kitchen isn’t in here, but maybe the channel just didn’t have a cool enough historical story for it. Anyway, that place is on Camden High Street, pretty much equidistant from The World’s End and Koko (9:55). And I should also add that Camden has so many more music venues and bars amenable to music than are shown in this video which, as its channel suggests, is about history and not just a venue round-up. 

Day 171

Saturday June 10, 2023

A bit of a recap is due now I think beginning with two things that you hopefully already know. After our first spate of gigs which finished at the end of April, Maja went away. Then the day after she got back we played All About Eve on May 24. Shortly after that Maja got a bit sick. Nothing major, but enough to curtail any thoughts of getting on stage and smashing into our high energy performances. That lasted a week or so. Then, just as she was starting to come around, I went down with the same thing. Again, nothing major, but no, not up for running around London and performing. As this past week wound down to Friday, I began returning to fullness and now we think we’re starting to be able to get ready to take things on again. With that in mind, we’ve decided that if the weather is good tomorrow, we’re going to take ourselves out to a park and do some outdoor rehearsal. We have done a few light sessions in the mild frustration that has been the past few weeks so we’ve at least reconnected with a lot of elements of what we have songwise. We now feel that one good concentrated session could shake the dust off of what’s left, and we could then maybe even start moving into some new song territory; we do have a few new ones written and waiting to be worked on to be made gig ready. If we can motor through the rest of the rust tomorrow, we might just start to make some dents on the next stages.

Day 172

Sunday June 11, 2023

Oh what a rehearsal that turns out to be. Totally transcends the concept of rehearsal. No, it doesn’t turn into a show in the park, although we do get applauses occasionally from people walking – or biking, or rollerblading – past. Most of this comes in our warm up when we play a song or two we’re more familiar with just to get ourselves going, and to get them crossed them off the list early. But after that we just get really into it in a very concentrated way and in the most amazing setting right in between two waterways. Barges lined up behind us on the Hertford Union Canal and, across the pedestrian roadway running through the park in front of us, a lovely little walkway bridge going over a small lake to one of the tiny islands. All of this in glorious sunshine and accompanied by a quite wonderful chicken Afghan takeout from one of the street food stalls among an enormous row of offerings as we entered the park. Yes. This is how to rehearse. Inspired by our surroundings, and keen to make the most of the fact that we’ve made the effort to get out here in the first place, we do indeed achieve our main objective of shaking off all of our rust and pulling all of our songs back into place. And then even more as we manage to put in some solid work on a new one coming up, one we’ve had on our to do list for way over a year. Yeah, some of these things can linger in the background for a while, then other times they can explode into life and completion from out of nowhere.

Day 176

Thursday June 15, 2023

Now we’re feeling ready to play again, we know Mike is doing his Acoustify thing tonight in Bishops in Fulham which we played a few weeks ago. Short notice but Maja wanted to wait till this morning to see if she thought her voice would be up for it. Yep. Good to go if Mike can fit us on. I give him a call and he says the bill’s all fixed but if we’re happy about going first, we’re on. Yep. Absolutely fine and thankyou very much. Not too much to report but it’s just great to get back on it. A shame none of the locals from last time are around tonight, but just really cool to keep that scoreboard ticking with another three songs blasted out live.

Day 178

Saturday June 17, 2023

We’ve had the car parked out in zone four for free street parking. The last time we went to check on it, take it for a drive and repark somewhere else the battery had run down. Today we take a new battery, get that fitted and then it’s off for a drive to work it in. For that we decide to go and visit St Albans, an old significant Roman town. Our destination is Verulamium Park where we have a wander and take in the site of the old Roman city. There’s not a great deal left to see but it is really cool to stand in the shadows of history and to be able to see and touch ancient stones which were part of imposing buildings almost 2000 years ago with the first known mention of the city dating back to AD62. A chunk of the old city wall is still standing and the foundations of the original entrance for goods are still there still in perfect shape corresponding to the walls they once held up. A wonderful parkwalk around a beautiful lake and history duly taken in. Home time, car reparked and mission accomplished. 

Day 179

Sunday June 18, 2023

The plan for today is two open mics. One early to mid afternoon in Camden, then another right next to Piccadilly Circus in the West End sometime around 9. What we’re going to do in between them we’re not entirely sure.

The first one is in The Green Note on Parkway, just a little up from the Dublin Castle towards Regents Park. I know I’m getting all a little micro London geography now, but I think it’s worth noting especially when talking about places of such musical history like Camden and the West End. The Green Note itself is historical enough. With music seven nights a week, it opened almost 20 years ago and I believe its open mic night has been going for 15 years. At least deep into double figures. At first I think it’s a bit mad that I’ve never heard of it or noticed it, not least because I’ve been to Dublin Castle many times and walked up Parkway a lot more. But then I realise yet again that for the six years I was around here previously when living in Kentish Town, I wasn’t pursuing the original scene much at all so it makes perfect sense that this place stayed beneath my radar.

We arrive to find a pretty cool and chilled coffee-house vibe with songwriters generally leaning towards slightly older guys.  I think the word would be troubadours. Certainly of the more experienced end and yes, we are treated to an afternoon of songs of joyful depth. There’s a decent stage and sound system and a guest host in Barry who’s actually quite funny while also being modestly understated. He makes everyone feel at ease and he puts us on at around five or six on the list. As we settle in and look around, it seems almost everyone is here to play and so it proves. It’s not far off the kind of vibe we saw in Dublin with the Songwriter Collective with songwriters essentially gathering to play for each other in a public yet private environment. This proves to be one of the most consistently high standards we’ve seen at a songwriter event and it’s a real joy to be in the audience for. Then when it’s our turn, I think it’s also fair to say the energy level raises a few notches as we prowl around the middle of the floor and smash out our two songs. One of them is Talk About The Weather which contains the line, ‘Yeah but we’re alright/Under the skylight.’ A wonderful moment to arrive at in here, performing as we are under a large rectangular skylight with the sun shining down on us. 

We’ve made a few friends at the front table just by the stage, and as we return they are looking up at us with their mouths just totally open in some kind of shock. Performance done and it’s time for carrot cake. I did say it was a coffee shop vibe didn’t I? Yep. It’s fantastic and highly recommended. A wonderful way to round off part one of the day. Although as a few more performers come and do their thing, it’s still not quite over as there’s a cool, chilled hang afterwards. Not massively long, but yeah. A little bit of mingling and general socialising. Until we’re the last people left, so really time to leave. 

Now to prepare for evening and we go to the Doner Kebab place opposite The Blues Kitchen. During food time Maja begins to fade a little and we’re wondering if we’re going to make it to the next thing. We know we’ll be living round here soon enough, so that means we’ll have a lovely pit-stop place to go, take a nap, and get out again if we want to do that. But not today. We’re considering calling it and going home and taking out little triumph when I suddenly see a familiar face walking right by the window and preparing to cross the road. Yep. It’s my old workmate Joe from The Lord Palmerston. Pandemic and all that, I haven’t seen him since early 2020. Oh, it feels mad just typing in that year. I’m up and out of the place and he’s massively surprised to see me suddenly appear in the middle of Camden High Street. He says he’s on his way to The Spread Eagle to meet some friends, right across the road from The Dublin Castle. So we instantly invite ourselves along. Right The Spread Eagle. Part of the same group that owns The Palmerston. And as we settle in there, I learn that my old boss Moni from The Palmerston was the boss in here until not too long ago. And my good friend Eraldo, also from The Palmerston, is now a chef in here. OK. Backtrack a little. On our way to The Green Note earlier on, we heard a call from across the street. Sounded like my name. So we looked across, then up. And there was Eraldo hanging out of the window above The Spread Eagle. He was in mid Sunday lunch rush or something, so of course couldn’t hang out too much. But we had a little shouty hello and we were on our way. Green Note done, and now here we are.

I ask permission of the bar staff and then me and Maja go upstairs and into the kitchen and have a wonderful reunion with Eraldo, who also knew Maja from before Ireland. He’s leaving here soon, in a week or so. We really have only just caught him. Brilliant. This really has all picked us up and risen our energy levels. A bit more fun downstairs then it’s goodbyes and we’re off again. Sunday part two. Or is it part three now? Yeah. Probably that.

It’s straight to the centre of the West End we go now. To Leicester Square tube. Through Leicester Square itself, through Piccadilly Circus, and then onto Haymarket Street. There, we find the magical venue Wonderville where a monthly open stage event is having its debut night. And a wonder it really is. It feels as though we’re intruding on a jazz rehearsal as we walk through the small but high ceilinged bar and through into the main venue. A large, ball room type space filled with round tables. And, at the far end, a really decent sized and very bright and colourful stage. We hear it all before we see it. Swinging jazz band and two singers already totally in performance mode even though there’s no-one there. But there is now, as we walk in and they wave at us  enthusiastically from the stage. Maja immediately hits performance mode and waves back. The song finishes and they declare soundcheck over for now and the two singers leave the stage and walk toward us as we walk towards them, the four of us meeting in the middle with huge welcoming hugs. And this is how we meet Phil and Di for their first ever open mic in here. The announcement we read from them is one of the best descriptions of an open mic I’ve ever seen so we just had to come and check it out. I’m going to drop it right here in full.

Step into the spotlight at the West End’s newest and most thrilling cabaret venue! It’s time to showcase your talent at this exhilarating open mic night. Whether you’re a singer, an instrumentalist, or a trio that can captivate with jazz, cabaret, musical theatre, pop, rock, or even opera, all performers of all genres and levels of experience are welcome. If you’re eager to participate with a high-energy and fun-filled performance (lengthy ballads are discouraged), signups begin at 7:30 p.m., so don’t be late! All you need to bring is any sheet music in the correct key, with a copy for piano and bass, and the band will do the rest! Gather your friends, family, and fellow music enthusiasts for a night of incredible performances!

High energy. Tick.

Fun filled. Tick.

No lengthy ballads. Tick. Alright, maybe we do have one or two slowies but we don’t have to play them. Besides, we really are mostly all about the high energy.

It should be said now that Phil and Di are true professional performers with a wealth of musical West End experience. Veterans of their own sold out shows, as, we will discover, are many of the people who turn up to perform tonight. For now we know none of this and just enjoy the moment as we take it all in and tell Phil and Di what we’re all about. They love the sound of it and ask if we’re OK with opening tonight’s show. Oh yes, we are. Which is how we come to be the first act to play the inaugral Di and Phil’s Open Mic Party at Wonderville.

Until then we sit back and enjoy watching them and their band continue with soundcheck and warming up. Over the next 10 or 20 minutes the room starts to fill up with audience members and more performers until there’s a decent presence in the room and we very much no longer have it all to ourselves. Then it begins and we’re called to the stage. Now, for the first time, we find ourselves about to perform in the West End in front of an audience made up of experienced West End performers. Like Di and Phil, there are people in here who have put on their own sold out shows. We are in front of some serious heavyweight professionals. This is also by far the biggest stage we’ve ever stood on and by a long way the most colourful and expressive. 

Phil introduces us and Maja has a little hello with the audience telling them we’ve decided to change our songs around a bit. We had one idea of what we were going to play, but then Di and Phil starting talking about the nasty rain that may have put one or two people off from coming here tonight. That’s OK though. It means we’re left with the hard core. With that, Maja announces our first song. Talk About The Weather. Halfway through, with everyone out front bouncing along, we start to move through the gears as we wander off the stage and in among them, staying there for the break where we manage to get everyone clapping along to the mid section. Oh yes. They’re up for it. After this, we think we have to bring out I Like You (Better When You’re Naked). For which we largely return to the classy stage. And it’s really great to see once again that some spontaneous rhythmic clapping pops up in the middle of it as our short set really catches. And yes, it really has caught tonight. The reaction as we finish is enormous. Then a really cool and new bonus for us as Di and Phil tell us to stay where we are. They’re going to come up and do a little interview, a fantastic feature which continues with every act performing tonight. And it really works. Nothing in depth of course. Just a little bit about us writing our Diaries as we also attempt to answer their question as to how we met in just a few words. But the really stand out moment here is when Phil looks at us, holds his breath for a beat, then says, ‘You guys have invented a genre.’ A stand out moment here? Wow. That’s a stand out moment for The Diaries full stop. A seasoned West End performer and all round music lover is announcing to an audience of his peers that The Diaries have invented a genre. This is ours. Yep. We’ll take that. Wow.

Well, we were on first. So now we can relax and just enjoy the show. Everyone else is a solo singer, accompanied by the house band, fantastically playing along spontaeously to supplied sheet music or charts. And it’s all mostly big show tunes. Ladies and gentlemen, I can tell you it’s every bit as huge and entertaining as you would think it could be. With a wonderful bonus moment when one of the female performers takes on an Abba song and invites everyone on stage to sing with her. So now we’re also part of a chorus line. 

When it’s all over, we mingle around and Di and Phil very graciously tell us we’re part of the family now and to please come again. I did have doubts that our frenetic rockpop may have been a little out of place among the showtunes. But hey, someone did Abba. So pop’s OK. And so too, apparently round these parts, are we.

And here’s the video of our performance at Wonderville, where you can also find links to Di and Phil. 

The London Diary: Shoreditch, days 185 to 200

Day 185

Saturday June 24

We’re just having a casual afternoon wander around the neighbourhood and venturing a little further out, through and beyond the hugely striking Barbican residential area. Then we’re aware something is happening on a busy street and we’re intercepted by a girl with a headset and asked if we wouldn’t mind stopping for a few minutes. We’ve stumbled right onto an open street film set. She says we can’t really go through because, well, it’s summer and we’re wearing shorts and stuff so wouldn’t even blend in as accidental extras. All around us a whole crowd of people is kindly co-operating and the girl now explains what’s happening and we look down the street and see for ourselves. All around, business is going on as usual. But for a stretch of a hundred yards, maybe quite a bit more, the street is scattered with people in full raingear, many carrying umbrellas. Huge cameras are everywhere, including a few on cranes. It takes us a while to realise, but even the ‘traffic’ is extras. Including a red double decker bus and some old style taxis. Across the road we now see a rainmaking machine spraying rain, and there are the actors. Stars Gary Oldman and Kristen Scott Thomas. Oh yes. Slow Horses, the unorthodox spy thriller about a bunch of dysfunctional and idiosyncratic spies. That’s the one, says the girl. Yeah. This has also been filmed on a few streets right round our place, then for a few days exactly outside our place. So close that we received a letter at the time saying it was happening. So yeah. Now and again, for the past few weeks we’ve been walking in and around film sets anytime we’ve been nipping out. And now we’ve stumbled across another of their locations, but this time when it’s full-on live. There are the two stars over there and we decide we just have to stay and watch. This is live TV of a whole different level. There’s a large corner bar right at the end of the set with a garden out front. We set ourselves up there and spend the afternoon watching a hit TV show getting made. I must report that this is not the most spectacular of scenes, mostly involving people coming out of buildings and getting into cars while normal everyday action happens all around them. But it really is cool to see this level of production when it’s all going on. So sorry. To cut right to it, we basically spend the afternoon in a pub watching a TV show.

Day 188

Tuesday June 27

We’ve been meaning to go to Troy Bar’s open mic for quite a while. Troy Bar is a huge fixture on the London scene, frequented by a lot of top musicians, many of whom make up the supporting line for major international artists. I used to come to the Friday night jam here all the time. The one that began at 1am. Never been to the open mic and I have really high hopes for it. We’ve really been waiting for this one. We almost played a few weeks ago, then one of Maja’s out of town work colleagues was around so we went out with him instead. Now the night has arrived when we will finally put ourselves out in the famous Troy Bar. We arrive full of anticipation and walk up to the door. Eight quid each says the doorman, almost as though someone just pulled a string out of his back.

‘We’re here to play,’ says Maja. Absolutely no response. ‘We have to pay to play an open mic?’ she asks. The unmoved doorman doesn’t even look at us. Just keeps staring into the distance off to his right, nods and may say yes, or maybe I imagine that bit. I know pay to play happens a lot and we’ve said we won’t do that – which knocks it on the head for us with so many grass roots ‘promoters.’ Yeah, right – but pay for entry to play an open mic? Even at the Troy Bar. No. Just no. That’s really disappointing. As for having what seemed like cast iron plans cast out. I generally find that quite disorienting. All planned for a night out that now isn’t happening. It really can throw me a bit. Well, that makes two of us. What do we do now? It’s Tuesday. Hardly the most hopping of nights even in Shoreditch. We’re mildly discombobulated and stop on the street to think about which direction to go if we’re not to just go straight home. I suggest The Bridge Bar for a bit of a hang. ‘Yes,’ says Maja. Great shout. This is the place where Rico, the bar manager, saw a video of us and flipped. He said he wanted us to play outside, maybe in June when the weather was stable and hot. The weather hasn’t been massively stable so I’ve not been back. But this could be good timing to go and have a bit of a hang there and maybe have a bit of a connect with the place. We get there and it’s closed. OK. What now? What’s now is that we’re just kind of half heartedly in search of somewhere else. We briefly consider The Blues Kitchen. Not much going on. We really do think about it, but we decide the music’s just too loud. So hardly an environment in which you’re going to encounter and chat to interesting strangers, Blues Kitchen or not. OK. Back to the street it is. Might as well just go home. No point dropping into a dead place and propping up the bar during a slow evening just for the sake of it. But it does feel like a shame to be heading back home after such high hopes as we headed out. The Troy Bar. We were going to play the Troy Bar. Oh well.

Walking through the back streets, we suddenly hear live music and see we’ve come across the back window of a venue and can see the back of a girl playing guitar and singing. To a really quite big audience. Oh. What is this? We see a poster on the wall advertising tonight and it’s something called the 52 Song Project. Oh. What’s that all about then? I have heard of it. We see the entrance is round the corner and decide to go check it out. It’s in The Strong Rooms, another venue I’ve been meaning for us to check out. Now we can, and this looks cool. We walk through the front bar and into the music venue space we were round the back of a few minutes ago. It’s standing room only and everyone is fully captivated listening to the current performer. There’s guitar cases everywhere so clearly a lot of people are expecting to play. When the girl has finished, a short Q&A/ feedback session starts. OK. This is different. Then the host comes up and announces the next act. What kind of open mic is this? We make our way to the bar with the intention of catching the host when she has a minute. This proves more difficult than it sounds because there is absolutely no talking while performers are on and this rule is observed with total respect. So we respect it too. In the meantime we just settle back and watch the show. People are getting just one song each, but there’s also that little mini session after each song with questions and feedback welcomed. Damn these guys are good. A very high, consistent standard and all originals. Then we get a chance to introduce ourselves to the host, Kate. She says the roster is very full but she’ll see what she can do. Fair enough. We settle back again and truly, truly, enjoy the show. If we get to be part of it, brilliant. If not, we don’t. Whatever happens, we feel our misfiring night has been rescued.

As the performers come and go, we start to learn what this is all about, and I remember one or two things I’ve heard about it as well. Yes. The 52 Song Project. Or 52SP to give it its actual title. Something songwriter Kate thought up during lockdown in 2020 when she decided to set up a thing to see if she could encourage songwriters to write a song a week for a year. The thing just grew and grew and grew. Now they have all kinds of industry connections and seen members sign record deals, management deals and get some serious radio play. We’ve just managed to stumble into their final event of the year. As it progresses on and we hear people’s stories of what 52SP has meant to them and how much it has inspired them to write and we start to think that maybe we have no place being on that stage tonight. This is their thing. We can’t just turn up and gatecrash the party. The hoping we might play has turned to realising we might not, to kind of hoping that we don’t to really deciding to very respectfully turn down the opportunity should it come. This stage tonight belongs to the people who have made 52SP what it is. To the people who have consistently dedicated themselves to the project, many of them for a few years now as it has emerged from lockdown to become a real force. We continue this sentiment right to the end when Kate graciously invites us onto the stage to take part in the photoshoot for all the members. No thankyou very much. This is a moment for you guys. We’re just happy just to have been here for tonight.

Day 194

Monday July 3

For the past week or so I’ve been quite steadily working in the studio, writing new songs and completing a few that were in the solid idea stage, and then recording a few demos for those songs. There have been some rehearsal sessions too, and I’ve been keeping up with writing in here. All that stops for a while today as the job begins of preparing for the move to Camden which will happen on Saturday. We have a van booked and have also booked the man to help with some of the moving stuff. And Matt has very kindly agreed to help, for which we have offered a good solid night out at some point.

As always with beginning a move, it all feels a bit daunting but this is nothing like the move from Ireland which seemed to take forever to get all packed away. That was also done in stages with all our stuff taken to storage in Dublin over four trips, for pickup and London delivery at a later date. It also included a lot of clearout with charity shop sorting and trips and quite a few rubbish dump trips. This time we’re just getting everything driven straight to the new place. A couple of bigger furniture pieces this time round but apart from that, we’re confident we can have all this ready in a week. OK. Let’s go.

Day 197

Thursday July 6

Out for drinks with Maja’s work colleagues tonight and we get talking to a friend of one of them who’s visiting London from Edinburgh. Maja’s musical adventures have been of more and more interest to her colleagues and the guy we’re talking to now is aware of them. He asks if we’re planning on going to the Edinburgh festival. We weren’t. We haven’t organised anything. He says that a lot of bars are open to music and it would be worth going and trying. He mentions a couple of bars he knows with one that is organising music that might just have a spot or two available. Unlikely, he says, but worth a try.

This conversation lights something up in me and Maja and we start to talk about the possibility of just going and trying our luck. As it happens we’ve been talking recently about possibly going to Scotland for August. Maja would love to see it and of course we’ve been planning on taking our gear and hustling. Why not just try that during the Edinburgh Festival? 

If you don’t know, this is considered by many to be one of the most important arts festivals in the world and takes place in venues across the whole city for three weeks in August. And we’re gonna go have a go at it. Absolutely no idea how.

Day 198

Friday July 7

Right. Let’s think about this thing. The two big questions are how to stay and how to play.

How to stay.

There’s no way we’re going to pay for a hotel or hostel, even if one would be available this late in the day. We’re considering camping. I check the official camp site. Fully booked. I check out a few more going further and further away from the city. Conclusion. Some cheap options but just far too far away. One example is about a mile away from its nearest train station. That doesn’t sound fun. Getting into the city. All day whatever we’re doing. Then wait for a train, then a trek back the other end, probably also carrying a speaker and whatever else. For two weeks. Just no. We have a think then Maja suggests we just sleep in the car. We have a Toyota Yaris. Yeah. Let’s do that. Then the supplementary idea. Join a national gym in Camden which will give us access to showers in Scotland. OK. That’s that sorted.

How to play

As in what are we actually going to attempt to do when we get there. We’ve had a think about this now and we’re just going to hustle, and maybe do the hat. So, as we were in Ireland, just with a whole festival kicking off around us. We have come up with some thoughts and ideas of what that might look like, but probably best to get there and see how it goes and write about that rather than try to second guess the thing. What we’re not doing is emailing or calling venues ahead to try to get something organised. We really are coming to the conclusion that, at least as far as we’re concerned, it’s better to put ourselves in front of people and make things happen that way. Besides, if a venue is doing music during the Edinburgh festival I can’t imagine the volume of emails they’re getting or how many prospective acts are asking to play. Our email probably wouldn’t even be seen. So yeah. We’re just going to get on the ground, do our thing and see how it goes. So in conclusion here; how to play? We really don’t know. We’re just going to do it.

Day 199

Saturday July 8

We’re all packed up and ready to go and it’s moving day. The biggest thing to say about all this is what an incredible help Matt is. 

He arrives just as we’re getting started to help us carry everything down the stairs in Shoreditch, then once the van is loaded, me and him travel with the driver to the new place and Maja gets the bus. Which means that when we arrive, we’re straight on it carrying everything up to the second floor. For any doubt, that’s ground, first, second. 

Yes, this is a really exhausting sweaty job, especially on a July day, although I must say, early on in Shoreditch we got quite heavy rain which, as far as I was concerned at least, was a wonderfully welcome relief at times.

Once we’ve said thankyou and goodbye to the man with the van who did also help – a bit – it’s time for beers with Matt in our brand new kitchen. Well, brand new to us. You know what I mean. Oh Matt, what can we say? Just thankyou very much. And how amazing it is to have this huge job of packing, then stuff out of one apartment and into the other all done. Kinda – see tomorrow.

And we live here now. It’s all just a mess of a jumble right now as you can probably imagine, but the potential of what we can do with this place can already be seen.

Day 200

Sunday July 9

So yesterday wasn’t quite enough. We hire a van today and me and Maja go back on our own and complete the job. The very last thing we get in the new place today is the cake trolley. So, day 200 of The London Diary is the day we complete the move out of Shoreditch and into Camden.

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